身躯

This is a resurgence of disco era, when Travolta began to twist his stout of body, he who in Paris are ready to make up the old fans - the famous discotheque Gin Fizz re-open, several four- year-old laid-off workers has formed a "queen bee" dance team, eager to reproduce brilliant.

这是一个迪斯科回潮的时代，当特拉沃尔塔都开始扭动他肥硕的身躯时，他那些在巴黎的老粉丝们也蠢蠢欲动起来--著名的迪斯科舞厅Gin Fizz要重新开张，几个四十岁的下岗工人又组成了&蜂王&舞蹈队，渴望重现辉煌。

The wind was gentle; it tangled my hair and ruffledthe grass that swayed around his motionless form.

风是那么的柔和，它吹乱了我的头发，吹皱了小草，摇曳的芳草围着他静止不动的身躯。

They are sleek and fat, ready to face the harshest weather conditions on Earth.

它们圆滑快速的身躯准备迎接地球上最恶劣的天气

His car was big, in which there were some other five of his heelers at my age.

钢一样的身躯里也有美丽的柔情，恰似写在绸缎上的诗。

Ennis, high-arched nose and narrow face, was scruffy and a little cave-chested, balanced a small torso on long, caliper legs, possessed a muscular and supple body made for the horse and for fighting.

Ennis，挺拔的鼻梁，瘦窄的脸型，不爱干净，胸部有点陷进去，长而弯的腿上支着一个瘦小的身躯，他倒是有一身适合骑马和打架的肌肉。

He called the Cossack with his horse, told him to pick up the knapsack and flask, and lightly swung his heavy person into the saddle.

他向牵马的哥萨克兵喊了一声，吩咐他收拾背囊和军用水壶，轻巧地把他那沉重的身躯翻上马鞍。

Viewed from above, the body should taper slightly to end of loin.

从上面观察，身躯逐渐向腰部方向变细。

And the poor horse resumed the desperate gallop it had kept up since leaving the barrier, and arrived steaming at louvres

它那斑驳的身躯在他们前头款款而行，随后又像头小牛犊那样一溜烟儿跑开了。

Then suddenly it appeared as if all the stars were shining with the radiance of the full moon on the many-colored flowers that decked the grave.

现在只有睡眠才是她最好的朋友，它能使她的身躯重新获得力量，使她的心灵得到安宁。

Often I have visited the New York Museum of Natural History to touch with my hands many of the objects there exhibited, but I have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there-animals and the race of men pictured in their native environment, gigantic carcasses of dinosaurs and mastodons which roamed the earth long before man appeared, with his tiny stature and powerful brain, to conquer the animal kingdom, realistic presentations of the processes of evolution in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet, and a thousand and one other aspects of natural history.

我经常到纽约自然历史博物馆去，用双手无数次地抚摸过那里陈列的展品，我多么渴望能用自己的眼睛看一看这浓缩的地球的历史，以及陈列在那里的地球上的居民--各种动物和以他们生活的天然环境为背景描绘的不同肤色的人种；以及早在人类出现以前就漫游在地球上的恐龙和柱牙象的巨大骨架，当时的人类靠自己矮小的身躯和发达的大脑征服了动物的王国；还有表现动物和人类进化过程的逼真画面，和人类用来为自己在这个星球上建造安全居处的工具，以及另外许许多多自然历史的其他方面的事物。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。