身躯

He wore hanging by his leg an unsheathed, slender, narrow sword (a small bent sabre, more like a toy than a weapon), and looking about him, now at the commander, now behind, he turned his whole powerful frame round without getting out of step.

他的大腿旁挎着一柄出鞘的又细又窄的长剑，他时而望望首长们，时而向后张望；灵活地转动他那强而有力的身躯，为了不走乱脚步。

Yet many other hunters manage to survive in and around harsh Arctic waters, from the savvy arctic fox to the massive, whiskered walrus.

因嗅觉灵敏、并拥有750公斤以上的庞大身躯，使得它高踞食物链之首；然而其他掠食者，如狡猾的北极狐到巨大的胡须海象，也在艰险的北极海存活至今。

He just stared with a kind of numb fascination at the writhing man.

他带着一种出了神的麻木神情瞪眼望着那个因痛苦而不断扭动身躯的男子。

But it had a swollen body and small, shriveled wings.

然而，它仅有个膨胀的身躯和一对小小的，干枯的翅膀。

Years, teachers with chalk on the blackboard one left a knowledge point, this end, the white chalk out their contribution to their body.

长年累月，老师们拿着粉笔在黑板上留下了一个又一个知识点，为此，洁白的粉笔们贡献出了它们的身躯。

Very much contented am I to lie low, to cling to the soil, to be of kin to the sod.

让自己的身躯紧贴着大地，我对此很满意。

His speckled body ambled ahead of them and then loped off at a calf's gallop.

它那斑驳的身躯在他们前头款款而行，随后又像头小牛犊那样一溜烟儿跑开了。

The snake's enormous dimensions are a sign that temperatures along the equator where the remains were found were once much balmier.

由这条蛇的庞大的身躯可知当时沿赤道的这片区域，温度比现在更高。

Above all, the appearance should be natural. Overtrimming, especially the body coat, or any chopped, barbered or artificial effect is to be penalized in the show ring, as is excessive feathering that destroys the clean outline desirable in a sporting dog.

总的来说，外观应该显得自然，过度修剪，尤其是身躯上的被毛，毛发破碎、毛发起伏、或显得虚假的造型都属于缺陷；同样，饰毛太多，影响了运动犬整洁的轮廓曲线，也属于缺陷。

Shaving or barbering of the head, neck or bodycoat must be severely penalized.

刨除或修剪头部、颈部、身躯的被毛属于严重缺陷。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。