身躯

"Any of three ungulate species in the order Proboscidea, characterize d by their large size, long trunk, tusks, massive legs, large ears, and huge head."

蹄类动物，长鼻目象科的两个种类。特点是身躯高大，具长鼻，腿圆柱状，耳大，头巨大。

"Any of three ungulate species in the order Proboscidea, characterized by their large size, long trunk , tusks, massive legs, large ears, and huge head."

蹄类动物，长鼻目象科的两个种类。特点是身躯高大，具长鼻，腿圆柱状，耳大，头巨大。

"Any of three ungulate species in the order Proboscidea, characterized by their large size, long trunk, tusks, massive leg s, large ears, and huge head."

蹄类动物，长鼻目象科的两个种类。特点是身躯高大，具长鼻，腿圆柱状，耳大，头巨大。

"I must ask some one who understands it," he thought, and he addressed the officer, who was looking with curiosity at his huge, unmilitary figure.

"得问一个了解情况的人。"他想，于是转身问一个军官，那个军官正好奇地打量他那不是军人装束的庞大身躯。

The contact of her warm, palpitating body when he had unthinkingly drawn her into his arms, and aroused all the old-time infatuation and desire for her flesh.

她温热悸动的身躯勾起他对她曾经的迷恋和渴望，他情不自禁地搂紧了她。

"I just tried to get my swing back to where it used to be, add a little weight and get into baseball shape," said Upton, who added seven pounds of muscle to his lean frame.

"我只是想要让我的打击能恢复到以往的水平，稍稍增加一下体重，让体形更适合打棒球，"Upton说道，他已为自己的瘦小的身躯增加了7磅的肌肉。

When examining a picture, forms and constructions such as figures' eyes, the directions of fingers, facial expressions, the twist of a body, continuously overlapping shapes, vague outlines, and slanting lines all suggest objects' movements and tension.

读图时，人物眼睛、手指方向、脸上表情、扭转身躯；连续重叠造形、模糊轮廓线、斜线设计……这些意象、构图皆暗示了物体的动作与张力。

One day i'll jump out of my skin i'll shake the sky like a hundred violins.

有一天我要跳出自己的身躯，我要摇晃天空，象一百把小提琴。

One day I'll jump out of my skin....I'll shake the sky...like a hundred violins.

有一天我要跳出自己的身躯，我要摇晃天空像一百把小提琴。

He will kill your spirit, and your body will waste away after you.

他会杀死你的灵魂，你的身躯也将随之消毁。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。