身躯

To stop serious bleeding,first lay the affected person down,with the head sightly lower than the body.if possible,lift the wounded part above the level of the heart.

如严重出血，首先让伤者躺下，头部稍低於身躯。如果可能的话，把受伤的部位托高至高於心脏的水平。

With its long, unshapely bulk it prevented the Sikh driver from slipping by it.

它用它那修长且不匀称的身躯来防止这位锡克教徒司机从它的身边溜掉。

Blue-tongues have an unusual body shape for a skink, with a stout body, relatively small limbs and a thick, short tail.

身为石龙子科的一员，蓝舌蜥一样有著特殊的体型，肥圆的身躯，相对短小的四肢。

Back short, strong and straight (i.e., level), with no appearance of slackness.

结实、肌肉发达，行动自如，能很好的趴下和蹲下，大腿长而有力，后膝关节适度弯曲，既不内翻也不外翻，飞节靠近地面，从后面看，垂直，而且相互平行，很好地支撑着狗的身躯。

Still it came after her, throwing its weight through the tangle of thorny bushes, emitting a guttural din as it did so, like the noise of some immense mechanism that imperfectly copied the sound of a tormented animal; a bull, perhaps, beneath the slaughterer's hammer.

与她预料中一样，怪物紧追不放，带着庞大的身躯穿越错综复杂的荆棘丛，喉咙里发出一种恐怖的声音，听起来象是动物垂死挣扎是发出的喘息声被放大了许多倍。

Too long, weedy and snaky a body, giving an impression of weakness.

太长，象蛇一样的身躯，显得虚弱。

He lay down low to the race, whining eagerly, his splendid body flashing forward, leap by leap, in the wan white moonlight. And leap by leap, like some pale frost wraith, the snowshoe rabbit flashed on ahead.

在苍白的月光下，他急切地呜叫着，健美的身躯贴近地面，跳跃飞奔着，那只雪兔一跳一跳地像个白色的雪精灵一样在他前面一闪而过。

Madame, large, too white, chilly, hardly looked the "Sofronie."

那位夫人身躯肥大，肤色白得过分，一副冷冰冰的模样，同"莎弗朗妮"这个名字不大相称。

Madame,large,too white, chilly, hardly looked the "Sofronie."

那位夫人身躯肥大，肤色白得过分，一副冷冰冰的样子，和"莎弗郎尼娅"这个名字大不相称。

Madame, large, too white, chilly, hardly looked the Sofronie.

那位夫人身躯肥大，过于苍白，冷若冰霜，同"索弗罗妮"的雅号简直牛头不对马嘴。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。