跳的

We interchanged partners; he danced with mine, and I danced with his.

我们交换了舞伴；他和我的舞伴跳，我和他的舞伴跳。

"Dance you shall," said he,"till you are pale and cold, till your skin shrivels up and you are a skeleton!"

&你得跳舞呀！&他说，&穿着你的红鞋跳舞，一直跳到你发白和发冷，一直跳到你的身体干缩成为一架骸骨。&

"Dance you shall," said he, dance in your red shoes till you are pale and cold, till your skin shrivels up and you are a skeleton!

&她说，&穿着你的红鞋跳舞，一直跳到你发白和发冷，一直跳到你的身体干缩成为一架骸骨。

Around me and fully covering me were countless dancing slivers of light!

无数由光形成的裂缝一跳一跳地，包围著我，覆盖在我的身上！

Around me and fully covering me were countless dancing slivers of light!

無數由光形成的裂縫一跳一跳地，包圍著我，覆蓋在我的身上！

When you jump quads you can't put in as much transitions as when you jump only triples.

不是吗？当你跳四周的时候你就无法放进去像跳三周那么多的衔接。

In their leafy shelter a dozen red-eared monkeys leaped in alarm, trailing their long copper-colored tails along the branches and shouting their nasal call of warning.

红耳猕猴在树丛中尖叫着跳来跳去，黄色的尾巴荡漾在树枝间，不时听见猴群发出机警的叫声。

So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly

于是他们庄严地围着爱丽丝跳起舞来，一面用前爪拍着拍子。当他们跳到跟前的时候，常常要踩着爱丽丝的脚。素甲鱼缓慢而悲伤地唱道：鳕鱼对蜗牛说

What kind of feeling you shou7ld have when you haave a good Foxtrot?

当你跳狐步舞跳得很好的时候你会有什么样的感觉？

But as the weeks passed, we noticed that our pup seemed unable to do the things Lab puppies do so effortlessly -- leap onto furniture or hop into the back seat of the car.

但是几周过去了，我们注意到我们的幼犬似乎不能做一些拉布拉多幼犬轻而易举能做的事情――跳到家具上或是跳到汽车后座上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。