跳的

The young lambs were frolicking in the field....

那儿有些在草地上跳来跳去的小羊。

He jived very well in jazz music in the Hong Kong concerts.

在香港的演唱会上，他跟著爵士乐跳摇摆舞跳得很优美。

He jumps up and down on the hotel bed.

他在旅馆的床上跳上跳下

Well, next they got out a couple of long swords that the duke made out of oak laths, and begun to practice the sword fight -- the duke called himself Richard III.; and the way they laid on and pranced around the raft was grand to see.

好，到下一步，他们取出了一对长刀，是由公爵用橡木条做成的。他们开始练习斗剑――公爵自称是理查第三。他们那样一来一去开打，在木筏子上跳过来，又跳过去，那个模样叫人看得入迷。

When he saw them leaping about in the net upon the rock he said:"Oh, you most perverse creatures, when I piped you would not dance, but now that I have ceased you do so merrily."

看着鱼儿们在网中翻动跳跃，他说：&唉！背运的家伙！我吹笛时你们不跳，可现在我不吹笛了你们却跳得这么欢！&

In the multi-hop environment, the routing packeting is transmitted with the maximum power level to make it heard by all the nodes in one-hop range.

在多跳环境中，路由报文以最大功率发送，保证所有一跳范围内的邻节点可以接收到。

Petya ran to her and offered her his back, and he pranced along with her.

她跳到他背上，用手搂住他的颈顶，他一蹦一跳地背着她往前奔跑。

Fix emerged from his cabin and went on deck. Passepartout was promenading up and down in the forward part of the steamer.

但是，这事儿不能等仰光号到了香港才动手，因为福克有一种很可恶的习惯：他从一条船上刚跳下来会马上又跳上另一条船。

Standing in the heart of central Melbourne and linking the city centre with the Yarra River, Federation Square fuses art, architecture, hospitality and promenading into a distinct and striking public space.

开始了朱老师一声哨下，我们立刻跳了起来，我越来越紧张，就在这时侯我想起了妈妈对我说过不用怕，只要拼尽自己的实力去跳，就能成功。

Both 200 μmol/L and 100 μmol/L of nicorandil can arrest the dogs heart, which can be resuscitated by reperfusion.

200 μmol/L和100 μmol/L的尼可地尔均可使犬心停跳，再灌注后可复跳。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。