跳上

26 male students and 50 male athletes were examined their anaerobic power by deep jumping method s and Wingate method in order to find out and discuss the difference theoretically.

本研究通过对26名男大学生和50名男性运动员在纵跳法和w ingate法所测得的无氧功差值进行理论上分析，探讨造成这一差异的原因。

She hopped over quickly, and bumped into a fat old wombat.

她赶紧跳过去，装上了一只又老又肥的袋熊。

Writhe and holler as much as you want, you're not going anywhere.

毫无改变且无法跳脱地你将陷入此刻--你扎根于此刻；你是时间轮上的一个钢丝。

Dont just sit there like a yit, reciting your ideal scene, actually stand up, jump up and down, or punch the air if needed in order to get it on with your dream.

唐的 T只是坐在那里就像一个YIT公司，背诵您理想的现场，其实站起来，跳转向上和向下，或冲压空气，如果需要的，以便获得对与自己的梦想。

I decided to jump from bridge over, 365 feet, to the Zambezi River.

我决定从大桥上跳，365英尺，赞比西河。

It was your servant, Zillah,' I replied, flinging myself on to the floor, and rapidly resuming my garments.

"是你的佣人，齐拉，"我回答，跳到地板上，急急忙忙穿衣服。

"You didn't mention them when you first arrived," said Medivh absentmindedly, his fingers dancing inodd precision, lancing the needles into and out of the device. I remember asking you about other races.There was no mention.

&你第一次来这的时候你可没跟我提到过，&麦迪文看上去有些心不在焉，他的手指就像是在跳着怪异的舞蹈，探针精确在那个机械装置上进进出出，我记得当时问过你其他种族的信息，你没提到你见过兽人。

By the introducing the concept of embodied alterity as the original experience of religion, Thomas Csordas asserts that 'outside of horizon' will be the most essential resource of religious experience, that, according the views of French post-structurism, religious feeling pour out involuntarily.

本研究采用宗教现象学的取向，借重Thomas Csordas的引介，将异己性（他者性，alterity）作为圣世界的经验溯源，而以乔治巴塔耶的宗教理论为主要的发展核心，试图从实徵与理论两个层面包抄，发展癌末处境的圣世界之内涵，其中最具关键的问题在於(1)圣世界经验的发生应先排除语言的干预，使圣世界的发生完全在真切经验自然涌出：(2)圣世界经验的源头应为「域外」，那是非领域、非知，因此，研究问题遂在於「域外何以发生」；(3)圣世界的形成，本质上被假设为「异质跳接」，所以圣世界的复合逻辑应是由常人、医疗、宿缘以及无缘他者四者的逻辑平面交叠、挤压而形成多重皱摺，本研究试图通过病房田野，以实徵资料解明复合逻辑的内涵。

Here's a reminder check your tims they probably say "made in china" don't make me get on this tip and straight kill ya his name is sterling cause all he rocks is silver dude, you, stop followin trends your girl must love alcohol cause she be swallowin' jin yo imma bout to flip the when it's comin' to it aye yo you see me spittin on the block you runnin to it this is 106 and park, i'm a hard act to follow you a amateur, you go to the apollo cause i'm freestyling know when i'm done son, you ain't a baller tell the audience the truth i saw him breakdancing for spare change on 40-deuce

你那靴子上写着&中国制造&呐让我一下抓住你这个错把你说得无语你那亮闪闪的银链子比你名字拉风多了我说哥们，别见样学样你的妞肯定喝高了，因为她正suckin jin's dick（就不写中文了，大伙都明白。呵呵）我走哪你跟哪我吐口痰你都狠不得过去舔两口这是在106 and park，想学我可不容易你要是个业余的就去apollo吧我正freestyle呢，孙子，好好听着就快完了跟观众说实话吧，你屁也不是我看见这孙子刚才跳霹雳舞了！

Obi-Wan rode Boga right up to the control center's open arch way, then jumped down from the saddle.

欧比旺骑着波佳来到了控制中心那敞开的拱门前，接着从坐垫上跳了下来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。