跳上

When the greek ships reached the trojan land at the outbreak of the war,a prophet declared that the first greek setting foot on the enemy soil was doomed to die .protesilaus,a greek chief,seeing that there was a gooddeal of hesitation among his comrades,leapt overboard and fellinstantly,pierced through by hector\''\''s spear .when his wife laodamia heard of this she was simply inconsolable .she offered rich sacrifice to the gods and begged zeus to restore herslaughtered lord to her.moved by her fidelity ,zeus sent hermes to escort the shade of protesilaus back to the upper air tostay with his wife for three hours.laodamia\''\''s joy knew nobounds when she held her slain lord once more in her arms.protesilaus told her the story of his selfsacrifice,and laodamiawas happy to become a bride for a second time.however,shegave a sharp cry when she saw hermes coming at the fixed hourto take protesilaus back to the lower world.so sad was she at the second parting that she died of grief not long after.the pairwere reunited in hades.

当战争爆发时，希腊般抵达特洛伊地区。一位预言家宣称，第一个踏上敌人土地的希腊人注定会死。一位名叫普洛忒西拉斯的希腊酋长看着同伴踌躇不前，就从船上跳入水中，一瞬时他就倒下了，被海克特的长矛穿透了胸膛。他的妻子拉俄达弥亚听到这个消息，悲痛之心无法得以慰藉。她献给众神丰厚的祭品，哀求宙斯把被杀的丈夫还给她。她的忠贞感动了宙斯。宙斯派海默斯护送普洛忒西拉斯的幽魂回到阳间与他的妻子共度三个小时。她再次拥抱被杀的丈夫。她的喜悦无边无际。普洛忒西拉斯给她讲述了他自我献身的故事。拉俄达弥亚很高兴再做一次新娘。然而，当海默斯预定的时间到来时，普洛忒西拉斯将被带回阴间，她痛苦地叫了一声。对于第二次分别她如此悲痛不堪，以致于不久之后就在痛苦之中死去。他们在冥府之中再次团圆。古希腊神话故事：阿瑞塞莎

The Farmer felt in his pocket, gave the Lapdog some dainty food, and sat down while he gave his orders to his servants. The Lapdog jumped into his master's lap, and lay there blinking while the Farmer stroked his ears.

主人从兜里取出一份精美的食物给le它，就坐下来吩咐奴仆干活了，哈巴狗跳到农夫的膝盖上，眼睛乖巧的一眨一眨的，农夫喜爱的抚摸着它的耳朵。

He leaped out of his bed and looked about the room.

他从床上跳下来，在房间里东找西找。

A man and a woman are leaping from it not because they want to, but because they have no choice.

有个男人和女人从塔上跳出来，并不是他们想要这样做，而是他们别无选择。

Even as he spoke his leathery old face was beaming with delight and his heart was pounding violently

冯云卿惟恐听错了似的再问一句，同时他那青黑的老脸上已经满是笑意了，他的心卜卜地跳。

I remember like my sister not wanting to go to ballet class, there I was wanting to, partly because I knew that guys were allowed to wear leotard and tights (my first cross dressing experience was when I wore my sister's tights).

我记得，我姐姐不喜欢上芭蕾舞课一样，而我愿意去，部分原因是，我知道，跳芭蕾舞男孩子也可穿紧身的衣裤。（我的第一次CD就是穿我姐姐的女人紧身衣裤。

But I dare not lest my heart come out at my lips.

我不敢，怕我的心会跳到我的唇上。

Longjmp is a library routine that causes the non-local control flow in C programs. It damages the structure of C program and some common dataflow analysis techniques cannot work effectively on the program segments containing longjmp.

longjmp是C语言中实现非局部跳转的库函数调用，它破坏了程序的结构性，并使常见的数据流分析技术无法在包含longjmp的程序段上有效地进行。

Caroline fresh new cologne on feeling so good changed the color to my phone, orange kool-aid go good with patron, a naw hell naw boy steal my ring tones free carwash had to clean up the dodge give back when I can just playing my part church folk had a fish fry mustard, hot sauce, light bread, and French fries love for, the big guy hit the park, boys showing off their hops, Nappy Roots on the radio and you know it bops last night, I hit the pick tree, bought some Air Force ones, 4 tall tees man I love the Begees

卡罗琳的新古龙香水如此美妙，我在电话这头竟嗅到了味道；老主顾钟爱的橙色酷儿口感真好，没想被一个男孩模仿了手机铃声调；驾上免费洗好的道奇，和教会哥们去享受美味的拥抱；他们最爱炸鱼，芥末，辣酱，白面包，还有法式炸薯条；伴着收音机里 Nappy Roots 的曲调，男孩们在公园尽情秀舞蹈；其实昨晚也有人这样跳，因为太精彩我还撞到了树梢；买了几双耐克板鞋空军一号，最爱比吉斯乐队4个大高个的味道。

Perkins shows us there is something fundamentally wrong with Norman, and yet he has a young man's likability, jamming his hands into his jeans pockets, skipping onto the porch, grinning.

博金斯的诺曼给人感觉，但他手插裤兜，抿着嘴跳到走廊上的样子又透出年轻人的可爱。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。