跳上

And as she gathered herself together and drew up her dressing jacket, which had been ill fastened, Nana had all the appearance of having been surprised at her toilet: her skin was still damp; she smiled and looked quite startled amid her frills and laces.

娜娜蜷缩着身子，把未扣好的晨衣扣好，样子颇像梳妆时被人突然撞见似的：皮肤上还是潮湿的，满面笑容，身上裹着花网眼花边，见人进来，吓了一跳。

She jumped out of bed, threw on her dressing-gown, and opened her window.

珂赛特！她连忙跳下床来，套上她的长睡衣，开了窗子。

He dive from the bridge to rescue the drowne child.

他从桥上跳入水中去抢救那溺水儿童。

In April 1996, Jo discussed Duane's criminal and military past with a friend.

在1996年的4月，Jo和一个朋友在议论Duane的过去时回忆道，在Duane离世之前他曾跟他透露过自己的膝伤是因为从飞机上跳下来的缘故。

The dinner parties, the cinemas, the concerts when our names elided to NelandTom, AndrewandAngie, and we would sit round a table in our couples as if we were about to dance an eightsome reel, each linking arms with another for a round of conversation and then back to your partner for the skip home to bed, to talk about the evening with your spouse, to think, secretly, that no matter how nice Tom and Dick are, you're much happier to be coming home with your own Harry.

当我们的名字从耐尔和汤姆，安菊和安吉中省略的时候，我们就会去参加晚餐聚会，去看电影，我们会以我们的对子围着一个桌子坐下来，就像我们即将要跳轻松的八人舞蹈，每个人与另外一个人手钩手，进行一番对话，然后回到你的搭档边上。回到家里的床上，与你的配偶谈论这个晚上，悄悄的想。无论汤姆和蒂克是多么的美丽，你还是与你自己的哈利回家时，才会感到更加的高兴。

To this, literary commenter Zhu Dake thinks, the people stands on the entablement of comical phraseology, the Chinese dance that start makes the person is swimmy.

对此，文学批评家朱大可认为，民众站在滑稽语词的台座上，跳起令人眩晕的语文舞蹈。

Thus saying, from her side the fatal Key, Sad instrument of all our woe, she took; And towards the Gate rouling her bestial train, Forthwith the huge Porcullis high up drew, Which but her self not all the Stygian powers [ 875 ] Could once have mov'd; then in the key-hole turns Th' intricate wards, and every Bolt and Bar Of massie Iron or sollid Rock with ease Unfast'ns: on a sudden op'n flie With impetuous recoile and jarring sound [ 880 ] Th' infernal dores, and on thir hinges grate Harsh Thunder, that the lowest bottom shook Of Erebus.

V1：她边说边从身边取出那不祥的钥匙――人间万祸的媒介，向着大门转动她的兽尾，巨大的格子吊闸，被高高地拔起来，那吊闸坚固、沉重，除了她，即使用全地狱天使的力量也动弹不了它；随后她把钥匙放进锁眼里，旋开了复杂的弹簧，轻轻松开所有铁铸石炼的门鼻、门闩，轰隆一声，地狱的大门忽然开了，由于用力过猛，所以造成反跳，使得门键上的粗厉声响如雷鸣，连地狱最深的底层也被震动了。

In a wall near the arcade opens another arched door, of the time of Henry IV., permitting a glimpse of the trees of an orchard; beside this door, a manure-hole, some pickaxes, some shovels, some carts, an old well, with its flagstone and its iron reel, a chicken jumping, and a turkey spreading its tail, a chapel surmounted by a small bell-tower, a blossoming pear-tree trained in espalier against the wall of the chapel--behold the court, the conquest of which was one of Napoleon's dreams.

在离圆顶门不远的墙上，另辟了一道门，门上有亨利四世时代的拱心石，从门洞里可以望见果园中的树林。门旁有个肥料坑、几把十字镐和尖嘴锹，还有几辆小车，一口井口有石板铺地和铁辘轳的古井，一匹小马正在蹦跳，一只火鸡正在开屏，还有一座有小钟楼的礼拜堂，一株桃树，附在礼拜堂的墙上，正开着花。这便是拿破仑当年企图攻破的那个院子的情形。

In a wall near the arcade opens another arched door, of the time of Henry IV., permitting a glimpse of the trees of an orchard; beside this door, a manure-hole, some pickaxes, some shovels, some carts, an old well, with its flagstone its iron reel, a chicken jumping, a turkey spreading its tail, a chapel surmounted by a small bell-tower, a blossoming pear-tree trained in espalier against the wall of the chapel--behold the court, the conquest of which was one of Napoleon's dreams.

在离圆顶门不远的墙上，另辟了一道门，门上有亨利四世时代的拱心石，从门洞里可以 www.ssbbww.com 望见果园中的树林。门旁有个肥料坑、几把十字镐和尖嘴锹，还有几辆小车，一口井口有石板铺地和铁辘轳的古井，一匹小马正在蹦跳，一只火鸡正在开屏，还有一座有小钟楼的礼拜堂，一株桃树，附在礼拜堂的墙上，正开着花。这便是拿破仑当年企图攻破的那个院子的情形。

Based on expatiation of Frequency-Hopping Spread Spectrum and OFDM technical theory, synchronous method and performance also analyzed respectively.

在文中首先对跳频技术及OFDM技术理论阐述的基础上，也对各自的同步方法及性能进行分析。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。