跳上

Boggs and the men turned round to see who called him, and when they see the pistol the men jumped to one side, and the pistol-barrel come down slow and steady to a level -- both barrels cocked.

博格斯和搀他的人一转身，看看是谁在叫他。他们一看到手枪，搀他的人便往边上一跳。只见枪筒慢慢地往下放，放平了——两个枪筒都上了板机。

The boy was bouncing on the bed.

那男孩在床上蹦跳。

The little boys were bounding on the bed.

小男孩们在床上蹦跳。

He wrapped the tweed coat around the box and held the bundle in his arms like a baby.

他跳下车，脱下身上的夹克衫，把盒子裹了起来，然后像抱婴儿似的把那捆衣服小心翼翼地搂在怀中。

Michael is boxed in. He jumps onto the hood of one of their cars.

迈克尔是个盒装他跳引擎盖上的一个他们的汽车。

In my silver high-heel shoes,I go to take part in a belated dinner,I go through a tall wood in a rush,On the trees there are fantastic tropical fruits and clocks streamed with egg white,The sweet fragrance of those fruits seduces me,I pick off a beautiful dragon fruit,But see many white worms lying in it when cutting it,I scream and throw it on the ground,Those worms creep to me and begin to grow,I creep onto the tree,They also creep towards the tree wiggling their bodies,I remove my cumbrous high-heel shoes and voile skirt creeping towards a high place,like an agile cheetah,But strangely my small bag oppressively cumbers me,It turns out that the bag is full of pumpkins, monkey dolls with large mouths, crystal bottles and silver coins,I give all of these a vicious discard towards the ground from the tree,But those worms open their big mouths and swallow all of them greedily,Becoming more obese and uglier,I desperately creep upwards,Suddenly the moon is not so far from me,I jump on it with ease,Suddenly finding that the moon is a porous spongy body with the fragrance of the oven-fresh French stick bread,It takes me to flow away from that tree full of worms,I want to light a cigarette but ignite the sponge on the moon,So I descend from the height,Falling down to a huge birds' nest,In an instant my whole body is wrapped by a slick and white egg shell,I find myself becoming a new embryo,Crouching in the warm and ropy liquid,The world presents a color of delicate light yellow,In a vacuum-like silence,I hear my contented voice,"What a perfect world"

我穿着银色的高跟鞋，去参加一场迟到的晚餐，我匆忙地穿过一片高大的树林，树上挂满了奇妙的热带水果和流淌着蛋清的时钟，那些水果甜美的芳香诱惑了我，我摘下一颗漂亮的火龙果，切开来却看见里面躺满了白色的蠕虫，我尖叫着将它们丢在地上，那些蠕虫向我爬来并且开始生长，我爬到树上，蠕虫们也扭动身体朝树上爬来，我脱下了牵绊着我的高跟鞋和纱裙，象只敏捷的猎豹朝高处爬去，只是我的小包奇怪而沉重地拖累了我，原来包里装满了南瓜、大嘴猴玩偶、水晶杯子和银币，我将所有这些朝树下狠狠丢去，那些蠕虫却张开大嘴贪婪地将所有这些吞食下去，并因此变得更加肥大和丑陋，我拼命努力地向上爬，突然月亮就在我不远处了，我轻而易举地跳了上去，恍然发现月亮竟是一个带着刚出炉法棍香味的多孔海绵体，它带我慢慢飘离了蠕虫的树林，我想要点燃一支香烟却不小心引燃了月亮上的海棉，于是我从高处坠落啊坠落，落入一个巨大的鸟巢，顷刻间全身被光滑洁白的蛋壳所包住，我发现自己成为了一个暂新的胚胎，蜷缩在温暖粘稠的液体中，世界呈现出微妙的淡黄色，在真空般的静寂中，我听见自己满足的声音："多完美的世界啊！"

If the pair that jump up is Long then trade the two breakaway pairs LONG or vice versa.

如果往上跳的货币对是做多的那么就做多越界的两个货币对，反之亦然。

"This sun is broiling me and I can just hear freckles popping out on my neck."

看这太阳把烤的，我都听得见痱子在脖子上暴跳出来了。

So for me, this project shows kind of how far we can go from some of those sort of small things that I was working on at the beginning of my career. That by focusing on the needs of humans and by using prototypes to move ideas along quickly, by getting the process out of the hands of designers, and by getting the active participation of the community, we can tackle bigger and more interesting questions. And just like Brunel, by focusing on systems, we can have a bigger impact. So that's one thing that we've been working on.

对我而言，这个专案显示我们能延伸出多大的影响，就从这小小的一步开始，也就是那些我曾做过的事，在我设计生涯开始的时候，藉由关注人类的需求与使用模范原型来快速地启动创意，让进程跳脱设计师之手，让社区主动参与，我们就能应付更大、更有趣的问题，就像Brunel，只要专注於系统上，我们就能创造出更大的影响力，这就是我们正努力不懈的事。

Young man's lawn in the green lawn sprang up 欢 quick choreographic;The child is firm to enter to catch a butterfly in the flower bush;The old man squats down by the side of the garden pond to angle for fish;Someone even has a tent in in the middle in the garden, plan to lead their night of romantic midsummer here.

年轻人在绿草如茵的草坪上跳起了欢快的舞蹈；小孩子扎进花丛中捕捉蝴蝶；老人蹲在池塘边垂钓；有人甚至在花园当中支起了帐篷，打算在此过他们浪漫的盛夏之夜。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。