跳上

Think of the limitless possibilities in the mundane and practical: pots and pans become drums; mist on a window becomes a drawing board; rainfalls are opportunities for jumping in puddles; a caterpillar on a branch is as captivating as a shooting star.

想想在日常生活中平凡普通的事物里所蕴含的无限可能吧：锅碗瓢盆就是架子鼓；窗户玻璃上薄薄的一层雾气就是天然的绘画板；大雨过后，他们就能在小水坑间蹦跳嬉戏；树枝上缓缓蠕动的毛虫和天边的流星一样的神奇迷人。

Notice near the center that in traveling from 66 to 7 you strike the angle of 180* or 90*, but when the stock gets out to 162,it can travel up to 169 before striking another strong angle . That is why fast moves occur up and down as stocks get higher and as they move from a center of time.

注意在中心附近从66滑到7，你将撞击180度或90度，但是当股票跳过162去，在撞上另外一个强的角度之前他们可以达到169 ，这就是股票从时间的中心开始运动并为什么在比较高的价格上发生快速上下运动的原因。

Notice near the center that in traveling from 66 to 7 you strike the angle of 180* or 90*, but when the stock gets out to 162,it can travel up to 169 before striking another strong angle .

注重在中心四周从66滑到7，你将撞击180度或90度，但是当股票跳过162去，在撞上另外一个强的角度之前他们可以达到169 ，这就是股票从时间的中心开始运动并为什么在比较高的价格上发生快速上下运动的原因。

Notice near the center that in traveling from 66 to 7 you strike the angle of 180* or 90*, but when the stock gets out to 162,it can travel up to 169 before striking another strong angle .

注意在中心附近从66滑到7，你将撞击180度或90度，但是当股票跳过162去，在撞上另外一个强的角度之前他们可以达到169 ，这就是股票从时间的中心开始运动并为什麼在比较高的价格上发生快速上下运动的原因。

Notice near the center that in traveling from 66 to 7 you strike the angle of 180* or 90*, but when the stock gets out to 162,it can travel up to 169 before striking another strong angle .

注意在中心附近从66滑到7，您将撞击180度或90度，但是当股票跳过162去，在撞上另外一个强的角度之前他们可以达到169 ，这就是股票从时间的中心开始运动并为什么在比较高的价格上发生快速上下运动的原因。

Notice near the center that in traveling from 66 to 7 you strikethe angle of 180* or 90*, but when the stock gets out to 162,itcan travel up to 169 before striking another strong angle .

注意在中心附近从66滑到7，你将撞击180度或90度，但是当股票跳过162去，在撞上另外一个强的角度之前他们可以达到169，这就是股票从时间的中心开始运动并为什么在比较高的价格上发生快速上下运动的原因。

Notice near the center that in traveling from 66 to 7 you strike theangle of 180* or 90*, but when the stock gets out to 162,it can travelup to 169 before striking another strong angle .

注意在中心附近从66滑到7，您将撞击180度或90度，但是当股票跳过162去，在撞上另外一个强的角度之前他们可以达到169 ，这就是股票从时间的中心开始运动并为什么在比较高的价格上发生快速上下运动的原因。

Notice near the center that in traveling from 66 to 7 you strike the angle of 180* or 90* but when the stock gets out to 162it can travel up to 169 before striking another strong angle .

注意在中心四周从66滑到7，你将撞击180度或90度，但是当股票跳过162去，在撞上另外一个强的角度之前他们可以达到169 ，这就是股票从时间的中心开始运动并为什么在比较高的价格上发生快速上下运动的原因。

Notice near the center that in traveling from 66 to 7 you strike the angle of 180* or 90* but when the stock gets out to 162it can travel up to 169 before striking another strong angle .

注意在中心附近从66滑到7，你将撞击180度或90度，但是当股票跳过162去，在撞上另外一个强的角度之前他们可以达到169 ，这就是股票从时间的中心开始运动并为什么在比较高的价格上发生快速上下运动的原因。

"The unclothed bathers sit on wooden benches in the steam-filled hut, then beat themselves with branches until their skin is red and tingling, and dive into the cold water or roll in the snow."

沐浴者坐在蒸汽弥漫的木屋的板凳上，用树条拍打自己直到皮肤变红刺痛，然后跳进冷水里，冬季则在雪地上打滚。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。