路边的

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Can not be each business nevertheless so prosperous ↓ 3, just arrived of new city I, seek new view everywhere, the station takes camera to overflow in house of bubble steamed bun aimlessly a chaos is patted, do not let off even eaves ↓ 4, in the street alley of lane of whole the Huis, probably only I just can am opposite there is grumous interest ↓ in the take a walk cock hen of roadside 5, going, see the ancient Buddhist templeput on the brakes with one beautiful place and compound, it is one saves in good condition big mosque so this screen wall on ↓ or front door most the look ↓ that attracted me first 6, go in to look, the building distinguishing feature of each place is so attract my ↓ 7, boosting watch for a chance, to any one place in compound Gu Xianggu's lubricious construction details does not let off ↓ 8, also be to see a new world in the compound on the side of main hall ↓ 9, room apical moon, beautiful here is authentic mosque building ↓ 10, go out courtyard, better of a few the Hui nationality people sitting in the sun next prattle,↓ of good envy letting a person 11, this clever animal on mosque gate pier looked a long time, also doing not have differentiate to go out is what animal ↓ 12, come out from the Huis lane, along the town god's temple that the ave went to Xi'an toward westing again on the west, light is a card these upstairs woodcarving had let me admired a head to pat ↓ a long time 12, what main hall of town god's temple saves is not very good, xi'an municipal government also uses contemporary carpentry to come alive without sedulous ground it seems that overhaul, then ability sees audience hall two side this former juice raw ingredient woodcarving gate ↓ 13, the eaves of audience hall also follows pailou same distinctive ↓ 14, the gravelstone lion of two side of pailou looks to also resemble antique ↓ is breathed out, photography homework of the first day is explained end, will stick other again tomorrow...

不过可不是每一家的生意都这么红火↓3、刚到一个陌生城市的我，到处寻找新鲜的景致，站在泡馍馆拿起相机漫无目的地一通乱拍，连房檐都不放过↓4、整个回民坊的街巷里，大概只有我才会对在路边的散步的公鸡母鸡都有着浓厚的爱好↓5、走着走着，就看见一处漂亮的古刹和院落，原来是一间保存完好的大清真寺↓还是正门对面的这个影壁最先吸引住了我的目光↓6、走进往看，每一处的建筑特色都是那么吸引我↓7、捧着相机，对院落里的任何一处古香古色的建筑细节都不放过↓8、正殿旁边的院落里也是别有洞天↓9、房顶上的月亮，标致着此处是正宗的清真寺建筑↓10、出得大院，几位回族长者们正坐在太阳底下闲聊，好让人羡慕↓11、清真寺门墩上的这个灵兽看了半天，也没辨出是什么动物↓12、从回民坊出来，沿着西大街再往西走就到了西安的城隍庙，光是牌楼上的这些木雕就已经让我仰头拍了半天↓12、城隍庙正殿保存的不是很好，西安市政府似乎也没有刻意地用现代木工活来翻修，于是才能看到大殿两侧这原汁原味儿的木雕大门↓13、大殿的房檐也跟牌楼一样有特色的↓14、牌楼两侧的小石狮子看上往也像古董呢↓哈，第一天的摄影作业交代完毕，明天再贴其它的

Ying was abandoned byhis parents when he was only weight 3 pound ; Zou was abandoned byhis parents more than 50 days after he was born, he has serious heart problems, pulmonary hypertension and facing life-threatening; Snow is a child with cerebral palsy and has been abandoned; Zhao has serious equinus varus ; Lu leads to congenital absence of anus, this has not yet one month old baby was found in the trash can , and when he was sent to the orphanage he was dying; Run had been abandoned in a county hospital, only because she is a cleft lip and palate baby...

党英被父母遗弃时体重只有三斤多点，蔫蔫的；小邹成出生后被父母遗弃在山东省邹城县医院的过道上长达50多天，严重的心脏病致使他心内膜垫完全缺损、肺动脉高压，面临生命危险；瑞雪是脑瘫患儿，出生时由于硬肿症送到医院抢救，半岁后孩子出现脑瘫迹象，所以被遗弃；赵恒有严重的马蹄足内翻；路通先天无肛，这个还没有满月的娃是在路边的垃圾桶里被人发现的，送到福利院时已经奄奄一息；润润曾经被遗弃在河南一个县城医院里，只因为这是一个唇腭裂的宝宝。。。

Butthe influence of slope section on OM content in roadside slope was adverse to that in naturalslope. In roadside slope, the soil OM contents followed the order up＜middle＜slower, while innatural slope, the order is up＞middle＞slower.

道路边坡土壤有机质含量从坡上到坡下表现出与自然边坡截然不同的趋势，道路边坡土壤有机质含量表现出坡上＜坡中＜坡下，而自然边坡土壤有机质含量则表现出坡上＞坡中＞坡下。

In addition to telling how June's mother was forced to leave her twin daughters by a roadside in China, the audience gets a glimpse of how Lindo was once married to a ten-year old spoiled brat, the agonizing sacrifice of An Mei's mother to safeguard a better life for her daughter, and Ying Ying's act of vengeance against a philandering husband .

除了君的母亲在中国时迫于无奈把自己的双胞胎女儿丢弃于路边的辛酸故事，我们还能在影片中看到林多曾经嫁给一个年仅十岁的顽童的悲惨遭遇；安美的母亲为了给她创造一个幸福的生活而毅然结束自己的生命的伟大精神；莺莺如何报复那个玩弄了她感情的无良丈夫的痛心作为。

She saw the children of the settlement, on the grassy margin of the street, or at the domestic thresholds, disporting themselves in such grim fashion as the Puritanic nurture would permit; playing at going to church, perchance; or at scourging Quakers; or taking scalps in a sham-fight with the Indians; or scaring one another with freaks of imitative witchcraft.

特的一步。珠儿看到过这块殖民地上的小孩子们，在路边的草地上或是在自家门前，做著请教徒童规所允许的种种怪里怪气的游戏：有时装作一起去教堂，或是拷问教友派的教徒，或是玩同印第安人打仗和剥头皮的把戏，或是模仿巫术的怪样互相吓唬。

Roadside flowers, grass in the evening wind slowly fell asleep under the touch, was full of evening primrose have the power to see if they are dressing up, ready to work with their "Prince Charming" to dance, they used to do magnificent sunset rouge , face painted red do with luminous golden dress, put on the lumbar posture flexibility; brother to the river to a spray, wear beautiful hair.

路边的小花、小草都在徐徐晚风的抚摸下睡着了，夜来香们却充满了力量，看它们正在梳妆打扮，准备与他们的&白马王子&跳舞，它们用绚丽的晚霞做胭脂，涂红姣美的脸蛋；用金色的夜光做长裙，套上柔韧的腰姿；向小河哥哥要一朵浪花，戴在秀丽的头发上。

According to the driver's momery, the goods were sold out very early. On the way back that passing by Miluo,Hunan, a taxi at high speed ran in the truck's face. In order to give way to the taxi, the truck crashed with a truck that aside it and then hit on the house that along the road. The hirers were sleeping in the truck at that time. The truck was badly stricken and all the glass was broken into pieces, the head of it was badly damaged, the front tyre was broken away from the truck!

当时货车上有司机和另外3名租主，据司机回忆，那天货主的货物很早就卖完了，在回家的路上，经过湖南汨罗的时候，路上有一辆高速行驶的的士迎面而来，司机为了让的士，与车旁的一个货车相撞，相撞后又撞到路边的房屋上，当时租主们都在车内睡觉，货车受到严重的撞击，车上的玻璃全部破碎，车头严重受损，货车的前轮彻底脱离！

Now you know that I heart everything about you And that's why it's quite hard to get through this alone You're the only one I can talk to about it In my darkest night I will be on my own These walls that we climb are hard to recognize They fall when I say your name Here we go Fast and slow On the big chair But we don't know Where we're going On the big chair Don't you know it's hard, quite, in the time of confusion To tell you that I love you You see it could have been me instead of you It could have been me if I wanted to But it wasn't So we'll have to face the truth These walls that we climb are hard to recognize They fall when I say your name Here we go Fast and slow On the big chair But we don't know Where we're going On the big chair Time to pull the shutters down Breakin' clouds don't make a sound?

现在你知道我的心你的一切这就是为什么这是相当难以得到通过这个单独您是唯一一个我可以跟这我在黑暗的夜晚，我将我自己这些墙壁，我们爬上很难承认它们属于当我说你的名字在这里，我们去快速和慢速大主席但我们不知道我们会在哪里大主席难道你不知道这很难，相当，在时间的混乱告诉你，我爱你你看它可能已被我不是你它可能已被我，如果我想要但没有所以我们必须面对的真相这些墙壁，我们爬上很难承认它们属于当我说你的名字在这里，我们去快速和慢速大主席但我们不知道我们会在哪里大主席将车停靠在路边的百叶窗下跌分手'云彩不健全？

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。