跟上

George was on the stage, talking to a cove in shirt-sleeves and an absolutely round chappie with big spectacles and a practically hairless dome.

改：George站在台上，正跟一位只穿衬衫的人和一位戴大眼镜，脑袋上几乎寸草不生的圆球形仁兄说话。

Charlene, you are so hot. Can't wait to get you to bed.

夏琳，你好性感我等不及跟你上床

The part of your chart that we need to zero in on will NOT be the financial area I just spoke about - your second house of earned income - but your other financial house of the chart, the eighth house.

你星盘上需要瞄准的，不是我刚才跟你说的掌管收入的第二宫，而是另一个掌管财务的第八宫。

Most of her make-up had transferred itself to his own face or the bolster, but a light stain of rouge still brought out the beauty of her cheekbone

她搽的脂粉，大半全跑到了他的脸上跟枕头上，然而残存的那淡淡一层，依然显得她的脸颊美不胜收。

H! k% O9 c. g7 O Y% F3 p* e' z9 \ Hallowed ground, of course, for it was down Chippy Lane that Charlotte Church, the singer and chatshow host, first locked eyes with Gavin Henson, the Welsh egg-chaser and hair gel expert, at the end of a sambuca-fuelled Saturday night out.

在一个充满萨姆布卡酒的星期六节日晚上，从Chippy Lane这块神圣的土地下来，歌手夏绿蒂丘奇跟清谈表演主持人，第一次与加文汉森的眼睛锁上，那些威尔斯橄榄球员和发型专家。

Yesterday, after hobbling home on her game foot like a bird with a wounded wing, in a choler, she vigorously pitched them to the other side of the room, dashing them against her white closet door and leaving a raw, ugly scratch across the shiny wood.

其中的一只，尖尖的细跟已荡然无存。昨日跛着脚踝归家，她生气地将它们重重地扔掷去屋子的另一端，撞着白色的壁橱木门。泛光的木头上，即刻擦出一道青涩难看的疤痕。

She agreed not to fuck my best friend, Chook Chutney.

她答应不会跟我最好的朋友休可查尼上床

You slept with Chook. Excuse me. Come on.

你跟休可查尼上床，天啊-拜托

You slept with Chook Chutney.

你跟休可查尼上床

Another Christchurch vegan said she found non-vegans attractive, but would not want to be physically close to them.

另一名基督城的素食者说，她发现非素食者很有吸引力，却不会想要在身体上跟他们接近。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。