跟上

Not with the property in the global economy following the real estate craze, regardless of national boundaries, a region or a city, as long as the appropriate conditions, both on real estate prices, continued Shangcuan.

房地产不跟经济走这些年的全球性房地产热，不分国家疆界，一个地区或一个城市，只要条件适当，房地产价格就左右逢源，不停上窜。

Based on the language materials collected, the third chapter analyses the understanding restriction conditions of "VP+NP_1+DE+NP_2" ambiguity structure from the NP_2"s life and the VP"s mobility. The author comes to the following conclusions: the NP_2"s life rank with the "VP+NP_1+DE+NP_2" structural ambiguity in understanding becomes the correlation dependence, the monosyllable verb which expresses the hands" and the foot"s movement, easily combining with the tense auxiliary, enter the "VP+NP_1+DE+NP_2" structure to form the latent ambiguity structure; the double syllable verb which has the causes feature is easy to enter the"VP+NP_1+DE+NP_2" structure to form latent ambiguity structure; the double syllable "noun-verb", with the influence of the behind noun NP_1, both can be understood as the valency combination, and the non-valency combination, thus causes the "VP+NP_1+DE+NP_2structure to appear ambiguity.

在第三章中，我们将在语料分析的基础上分别从NP_2的生命度和VP的动性这两方面探讨这一歧义结构在理解上的制约条件：NP_2的生命度等级与&VP+NP_1+的+NP_2&歧义结构理解为偏正结构的几率成正相关关系：表示手、脚等的单音节动词容易与时态助词结合，进入&VP+NP_1+的+NP_2&结构形成潜在的歧义结构；带有致使特征的双音节动词容易进入&VP+NP_1+的+NP_2&结构形成潜在的歧义结构；双音节的&名动词&由于受其后所跟的名词NP_1的影响，既能理解为配价组合，又能理解为非价组合，从而使得&VP+NP_1+的+NP_2&结构出现歧义。

Among a few 10s pictures, Eddie chose this one in which Ah Mui was in uni sex tuxedo, white shirt and a little jersey vest. She also wore a black gentleman hat, looked very cool. It is said, Ah Mui liked this Tuxedo very well, and it is very well kept till today.

据知，刘培基从阿梅数十张照片中，最后挑选了阿梅这张以中性打扮之黑白封面照，作为灵堂上之遗照，阿梅穿上白色反领恤衫、领口露出通花厘士小背心、外披花边荷叶袖黑色礼服，佩戴黑色绅士高帽，冷艳回眸，跟她的百变形象十分配合，据知，阿梅生前十分钟意这套外衣，故一直保存至今。

I stacked blocks, made squadrons of paper airplanes, lined up toy soldiers, watched the "Three Stooges," planted corn kernels in paper cups, read comic books, tended my coin and stamp collections, counted baseball cards, painted shells I'd collected at the Jersey shore, picked at my guitar, wrestled with my brother, allowed my pet turtle to walk up my arm, teased the cat with string, brushed my hair in a funny way, made hand puppets out of paper bags - and this is just my short list.

除了这些，我还堆积木，用纸折飞机组成飞行中队，给玩具士兵列队，坐在电视机前看《活宝三人行》，把吃完的玉米棒插进纸杯里，看漫画，收集硬币和邮票，收集棒球卡片，给我在泽西海滩收集的贝壳上色，学了一点点吉他，跟我哥哥摔跤，让我的宠物龟爬上我的胳膊，用毛线逗小猫，梳过怪异的发型，用纸袋制作了手指木偶：这还只是我儿时活动清单的一小部分。

Now you know that I heart everything about you And that's why it's quite hard to get through this alone You're the only one I can talk to about it In my darkest night I will be on my own These walls that we climb are hard to recognize They fall when I say your name Here we go Fast and slow On the big chair But we don't know Where we're going On the big chair Don't you know it's hard, quite, in the time of confusion To tell you that I love you You see it could have been me instead of you It could have been me if I wanted to But it wasn't So we'll have to face the truth These walls that we climb are hard to recognize They fall when I say your name Here we go Fast and slow On the big chair But we don't know Where we're going On the big chair Time to pull the shutters down Breakin' clouds don't make a sound?

现在你知道我的心你的一切这就是为什么这是相当难以得到通过这个单独您是唯一一个我可以跟这我在黑暗的夜晚，我将我自己这些墙壁，我们爬上很难承认它们属于当我说你的名字在这里，我们去快速和慢速大主席但我们不知道我们会在哪里大主席难道你不知道这很难，相当，在时间的混乱告诉你，我爱你你看它可能已被我不是你它可能已被我，如果我想要但没有所以我们必须面对的真相这些墙壁，我们爬上很难承认它们属于当我说你的名字在这里，我们去快速和慢速大主席但我们不知道我们会在哪里大主席将车停靠在路边的百叶窗下跌分手'云彩不健全？

The reins. As it was, the gryphon's great foreclaws clutched at the crenellated wall, and almost tipped theolder mage over the side.

卡德加没有等洛萨爵士说话，冲上前去，接待的蓝衣侍从们紧随而上，洛萨脚步隆隆的跟在后面。

If the recruitment system was not complete enough so as to select the competent staff; furthermore, once recruited, better professional training cannot be provided, all these will have significant impacts on their future work execution in law enforcements and criminal fight.

虽然；我国基层警察人员招募考试跟治安维护、犯罪防治，主观上无直接关系，但在客观上却有著间接关系，基层警察为治安侦防第一线工作人员，倘若招募制度未能有著完善的规画机制，以便筛选适任人选，一旦录取后又无良好训练配套措施设计，对於未来执法与治安维护工作良窳有著深远影响。

Facing challenges of the new military transformation, whether military academies can train and bring up a large number of quality military personnel at higher starting point with strategic thinking and forwardlooking insight, and meeting the needs of modernization, the world and the future, will have a direct bearing on whether our military forces can keep pace with the trend of world military development and can remain unconquerable in future high-tech wars.

面对新军事变革的挑战，能不能以战略的思维，前瞻的眼光，面向现代化、面向世界、面向未来，在更高的起点上培养和造就大批高素质军事人才，将直接关系到我军能否跟得上世界军事发展的潮流，能否在未来高技术战争中立于不败之地。

Was really hard to win this tiebreak.

他打得很棒，但是在体力上跟心理上要赢得这个抢七真的很难。

Some of the best paintings in Japanese art can be found on sliding doors and folding screens. Famous artists, such as Hokusai or Hiroshige, made woodblock prints for the public. Distinctions between notions such as fine art and applied art, or high art and low art, do not exist. These distinctions appeared and became standards in Western art history. In Japan, with its different social and cultural background, these classifications were not made. Although the Japanese art system has been westernized over the past one hundred years, there still exists a cultural tradition that encourages artists and the audience to share artistic experiences outside art venues.

艺术跟相同领域的之於西方并不是那麼绝对，因为艺术本身的目的不同这是众所皆知，一些日本最好的图画可以在传统木门或是屏风上发现，有名的艺术家像是Hokusai 或是 Hiroshige他们在公开场合做版画，若要区别纯艺术和传统艺术，或高等和低等艺术的看法是不存在的，这些区分在西方艺术史上成为规范，而日本不同的社会文化背景这种区别根本不适用，虽然日本的艺术系统在近百年来已被西化，但是他们仍保有鼓励艺术家和观众在艺术馆外面分享艺术的文化传统。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。