跟上

In the same direction, the focus on the crowns of their head, then a group portrayed face on to those in profile, a one-child family,in a tondo composition, with father filming and mother and child grouped in harmony, or a swanky duo dressed up to party, The slightly unreal appearance of these standardized groups is intensified by thinly applied colors, where the plastic effect results more from a masterful application of color rather than from a concern with the forms of the body.

在稍近的一些作品中，画面开始复杂，四个女人站成一排，显示出美丽的发型或者优美的脸部曲线；圆形构图中的三口之家，父亲用录像机拍摄着妻儿；或者还有在聚会上穿着入时的人们。而在这样一些标准的美丽的图像有着一些稀薄的颜色，与其说它们是跟画面相关颜色倒不如说它们像一种塑料一样覆盖在这些图像上。

Liu's hamstring problem forced him to pull out of a meet in New York on May 31—the same night Usain Bolt first broke the world record in the 100 meters.

刘翔跟腱的伤病迫使他在上一次五月三十一日纽约大奖赛上就退赛了，就是Usian Bolt打破百米记录的那晚。

I saw a woman at a party recently wearing a pair of crocodile slingback shoe-boots with a large mink-trimmed tongue, and I was so taken with them that I stood next to her for quite some time relishing their glamour by proxy.

在最近的一次派对上，我看到一个女人穿了一双鳄鱼皮露跟女靴，还有个很大的用貂皮装饰的舌片（鞋子上的舌片，不是这位女士的舌头），我十分为之吸引，所以在她旁边站了好一会，用品味他们的魅力来代替。

As soon as he heard it, Sikes called his white dog, put on his hat and left without saying goodbye to anyone.

一听到这个消息，赛克斯叫上他的白狗，戴上帽子，没跟任何人打招呼就离开了。

He was pleased, on the day after leaving Suez, to find on deck the obliging person with whom he had walked and chatted on the quays

在甲板上，路路通又遇见在埃及码头上跟他谈过话的那位殷勤的朋友。

He was pleased, on the day after leaving Suez, to find on deck the obliging person with whom he had walked and chatted on the quays.

10月10日，那是从苏伊士出发后的第二天。在甲板上，路路通又遇见在埃及码头上跟他谈过话的那位殷勤的朋友。这当然使他很高兴。

One correlate of that axiom is that Creole languages fall outside the class of structurally "normal"/"genetic" languages with "normal"/"genetic" pedigree as defined by the family-tree model of gradual linguistic change / speciation: languages in the standard family-tree (e.g., French) are assumed to have developed gradually from "normal" full-fledged languages (e.g., Latin), not from structurally reduced Pidgins.

一个跟这个原则相关的就是克里奥尔语言不属于有正常&起源由来&／结构&正常&的语言—也就是在语言上由逐渐改变和演化的家谱模型定义中&正统&且&具起源性&的出身：有正常系统的语言是从&正常&成熟的语言逐渐发展而来，而不是从一个结构上简化的洋泾？语发展而来。

One correlate of that axiom is that Creole languages fall outside the class of structurally "normal"/"genetic" languages with "normal"/"genetic" pedigree as defined by the family-tree model of gradual linguistic change / speciation: languages in the standard family-tree (e.g., French) are assumed to have developed gradually from "normal" full-fledged languages (e.g., Latin), not from structurally reduced Pidgins.

一个跟这个原则相关的就是克里奥尔语言不属於有正常「起源由来」结构「正常」的语言—也就是在语言上由逐渐改变和演化的家谱模型定义中「正统」且「具起源性」的出身：有正常系统的语言是从「正常」成熟的语言逐渐发展而来，而不是从一个结构上简化的洋泾？语发展而来。

One correlate of that axiom is that Creole languages fall outside the class of structurally "normal"/"genetic" languages with "normal"/"genetic" pedigree as defined by the family-tree model of gradual linguistic change / speciation: languages in the standard family-tree (e.g., French) are assumed to have developed gradually from "normal" full-fledged languages (e.g., Latin), not from structurally reduced Pidgins.

一个跟这个原则相关的就是克里奥尔语言不属於有正常「起源由来」结构「正常」的语言—也就是在语言上由逐渐改变和演化的家谱模型定义中「正统」且「具起源性」的出身：有正常系统的语言是从「正常」成熟的语言逐渐发展而来，而不是从一个结构上简化的洋泾滨语发展而来。

One correlate of that axiom is that Creole languages fall outside the class of structurally "normal"/"genetic" languages with "normal"/"genetic" pedigree as defined by the family-tree model of gradual linguistic change / speciation: languages in the standard family-tree (e.g., French) are assumed to have developed gradually from "normal" full-fledged languages (e.g., Latin), not from structurally reduced Pidgins.

一个跟这个原则相关的就是克里奥尔语言不属于有正常&起源由来&／结构&正常&的语言—也就是在语言上由逐渐改变和演化的家谱模型定义中&正统&且&具起源性&的出身：有正常系统的语言是从&正常&成熟的语言逐渐发展而来，而不是从一个结构上简化的洋泾滨语发展而来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。