超道德

When you see everyone strange, amoral, hard to understand or with whatever strangeness, there's a better chance that you are the oddball here.

当你看所有人奇怪、超道德，难于理解或者其他任何怪异的东西，那么你有很大的可能是那个古怪的人。

Transcendentalism offers Wharton relief from Calvinistic moral burdens and contributes to her progress in the exploration of mans conversion to God.

超验主义思想缓解了加尔文宗给华顿的道德压力，这使华顿在探索人对上帝的皈依问题上又前进了一步。

By focusing on the narrator Ishmael's analogy of human mind as "light" and "color", the main ways of interaction with Nature presented in the novel are incorporated into a whole to reveal the essential truth about Melville's vision of man-nature relationship that Nature is but a meaningless, amoral existence like the Spanish coin the Doubloon on the mast of Pequod, reflecting what the human mind inscribes on it; while human is a spiritual isolato in this colorless, atheistic world.

通过作为麦尔维尔代言人的叙述者伊什梅尔关于人的思想与"光"和"色"之间的类比，文本中隐含的对于自然的几种认识可以合成一个意义整体来揭示麦尔维尔关于人与自然的关系之观念的核心内容，即自然是无意义的，超道德的，就像钉在裴廓德号桅杆上的西班牙金币都布隆一样只会反射出人的思想对它的书写；而人类在这一无意义的无神的世界中只不过是一个精神上的孤独者，只能在人类自身的友谊与亲情之爱中寻找出路。

More over, in the two aspects, the Happy Excursion embodies complex and interlinked dual structures, and this explains why the idea has complicated influence. Because of different historical background, concept of value and method of research, people always hold different views and comments on the idea of the Happy Excursion.

进一步看，在精神境界和生存方式这两个方面，"逍遥游"又分别表现为复杂且内在相通的二重结构，诸如精神境界层面上的安顺自适与忘我超拔、有情与无情，生存方式层面上的随顺委蛇与疾俗孤傲、道德与超道德，等等。

Whoever approaches the Olympians with a different religion in his heart, seeking moral elevation, sanctity, spirituality, loving kindness, will presently be forced to turn away from them in ill-humored disappointment.

若是有人怀着别种宗教信念去接近奥林匹斯诸神，想从他们那里寻找道德的高尚，神圣的虔洁，超肉体的灵性，慈祥的秋波，他势必怅然失望，立刻掉首而去了。

Political or moral utilitarianism and aesthetic utilitarianism are the two main traditions in modern Chinese aesthetics. The former considers aesthetics and art to be tools for political struggles or moral preachment, and requires them to "serve"directly for political or moral purposes, while the latter, taking aesthetics for the sake of life, or thus a life concept of aesthetics, is against the consideration of aesthetics and art to be tools for politics or morality, and requires them to affect intrinsically the improvement of life state. Liang Qichao is the direct ideological source in the end of the 19〓 century for the former, while Wang Guowei the founder for the latter.

真正构成中国现代美学的两大传统是政治、道德功利主义和审美功利主义：前者主张以审美和艺术作为政治斗争或道德说教的工具，要求审美和艺术直接"服务于"政治或道德目的；后者主张为人生的美学，或者是人生论美学，反对审美和艺术直接充当政治或道德的工具，而是要求审美和艺术内在地作用于人生境界的提升；前者在19世纪的直接思想源头在梁启超，而后者的开创者是王国维。

Any attempt to treat supererogation as moral duty will lead to very bad consequences in moral practice.

将超道德的行为混同于道德义务会导致超道德的要求，在实践中会引起种种弊病。

Whether an act is morally right depends on whether it meets the demand of a moral duty, but not whether it meets the demand of supererogation.

一个人的行为是否道德取决于它是否满足了道德义务所要求的，而不取决于它是否满足了超道德的要求。

Based on transcendentalism ,he describes the foundation and principle of morality.

同时，他还在自己的体系中试图合理解决道德观念与道德实践即道德的超验部分和经验部分的分歧和隔离。

It is a quasi super-moral value, while the love of God in the philosophy of Spinoza is a real super-moral value.

它只是类似超伦理价值。而斯宾诺莎哲学里的爱上帝才是真超道德价值。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。