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This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手,归纳出西方现代"表现"观念的核心内涵,以此为基点来逐步分析西方现代造型艺术史,进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程:印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口;野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉,并在艺术中反抗物象对表现的压迫;德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象;至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型,在造型的范围内实现彻底的表现;二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制;经由抽象表现主义、最低限艺术,表现逐步摆脱了纯粹造型,寻求造型之外的新的表现可能。

Marylise Frecheville bashes the living shit out of drums and vocalizes across a wild range of styles from death screams to French chanson to German punk to Arabic chanting.

Curiosities Of Popular Customs是他们的音乐最清楚的一张录音专辑—--就像一套采样,岂有此理地把嬉戏的无政府主义朋克和中国现代民歌混和在一起,古怪的衣领笔挺的歌舞表演和春上村树的超现实主义诗歌则籍着伊斯兰教的托钵僧的精神和Lignting Bolt(一支癫狂的美国实验朋克乐队)的巨浪翻滚似的狂乱传达出来。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手,归纳出西方现代&表现&观念的核心内涵,以此为基点来逐步分析西方现代造型艺术史,进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程:印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口;野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉,并在艺术中反抗物象对表现的压迫;德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象;至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型,在造型的范围内实现彻底的表现;二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制;经由抽象表现主义、最低限艺术,表现逐步摆脱了纯粹造型,寻求造型之外的新的表现可能。

It's hard to get away from art in Italy. Here's one last solely art-related suggestion, and one that quickly brings us up to the 20th century. The Giorgio de Chirico House-Museum is a chance to get a guided look at some of the signature works of the master of classically fueled surrealism and to get a peek into his sunny attic studio. The pristinely preserved two-level apartment, where De Chirico lived for more than 30 years until his death in 1978, also lets you glimpse how the city's upper crust have lived for centuries. In this case, it's accompanied by about the best view overlooking the splendid Piazza di Spagna. The living area has been left largely as it was during De Chirico's life and displays dozens of his works. Reservations must be made in advance.

在意大利艺术无处不在,下面给你一些建议,你可以去看下20世纪的近现代作品,里科的乔治加亚日众议院博物馆就是一个不错的去处,导游会带领你去参观一些超现实主义工程硕士们的阳光阁楼工作室,在那里至今保留了2个高规格级别的公寓,里科在那里居住了30年直到他1978年去世,你还可以去参观这座城市百年以上的老建筑,你可以在那些老建筑上面找到最佳俯瞰辉煌的西班牙广场的地方,至今保留有艺术家里科生活过的几十个地方,那里至今保留有他大量的作品。

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