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The research used content analysis to analyze the Chinese print advertising. It chose the print advertising that won the Longyin Awards as the object. The research investigated the variables about the years, pictures, colours, corpus, the rhetoric of pictures, the surrealism of pictures, Chinese characters, the Sinicism of pictures, the rhetoric of text, the types of slogan, the types of text, the types of proviso, spokesman, the usage of media ect. The purpose of this study is to discuss the trend of Chinese print advertising and the change of Chinese creative elements during the past ten years. Furthermore, the research hopes to provide theory guidance for further research and experience for the practitioner in china.

本研究采用内容分析的方法,以《龙吟榜》上榜的华文平面广告为研究对象,通过对这些代表华文平面广告最高水准的作品的年份、创意的载体、色彩、画面主体、画面展现方式、画面修辞表现法、超现实表现法、中国元素的图案表现、汉字表现法、文案修辞手法、标题类型、正文类型、随文、长文案、代言人以及异型媒体应用等相关变量的分析,全面系统地探讨华文平面广告创意十多年来的变化态势,希望为今后的华文平面广告研究提供新的理论指导,并为广告从业者以及关注华文广告发展的人士提供些许借鉴。

The show is divided into sections, starting with some of Cartier-Bresson's most arresting surrealist work from the 1930s, such as a sunbather in Trieste, Italy, whose white body echoes a sliver of white in the grass, and his self-assured prostitutes in Mexico City.

展会划分为几个部分,起始部分是布勒松自19世纪30年代以来拍摄的最受人瞩目的超现实主义作品,如摄于意大利里亚斯特城的日光浴者,其白皙的身体仿佛草丛上一抹白色的裂痕,又如摄于墨西哥城的一个自信的妓女。

Thirdly, scar literature breaks the visual figure criterion: the common people come forth as front and focus figure; not only traditional methods but some modernism methods such as stream of consciousness, superrealism and free-association are applied to represent mentality; a set of complex characters are coming up with complex composing and movement.

第三,"伤痕文学"打破了以往形象塑造的规范,出现了一些新的特点:普通人物作为正面形象大量涌现,成为文学表现的焦点;从外部视角开始转向内在视角,不仅使用传统的心理描写方法,而且开始使用意识流、超现实、自由联想等现代主义的表现手法;出现了一批具有复杂性格的人物形象,揭示了他们性格构成的复杂性和性格运动。

His digital Sony 717 recorded a theoretical superrealist scene during the SARS crisis.

一台索尼717数码相机使他的影像观念有了彻底的改变,《慌神的城市》、《早晚》等作品给我们带来了全新的影像感受,而在《阻挡》这组非典时期全国紧急状态下,河南农民的反应与环境肖像,我们看到的是一种"戏剧性"的超现实表现。

In "theatre", a virtual space, there is a conflict between the logical of surrealistic and the awareness of the author: to contract with his awareness, the original piece of the "caves" became bizarre, and he has shown this quality ceaselessly in his "theaters", making the original uncanniness.

在"剧场"这样一个原本充满虚拟性的空间里面,超现实主义的顺理成章与作者的清醒状态形成了一种微妙冲突:张业兴的清醒使原本平静的"洞穴"变得怪异,他在他所描画的"剧场"中不停地展现这种怪异,使原本的"真实影像"具有了滑稽的成分。

Combining traditional Chinese ink and brush techniques with the spirit of Western surrealism, his paintings are poetic mysteries, cerebrally enticing and visually arresting with their saturated ink and color palette and fusion of symbolic motifs from Eastern and Western painting traditions.

他的画将中国传统的墨汁和毛笔的运用技法与西方的超现实主义紧密结合,用其饱满的墨和色彩的调和融合了东西方绘画传统的象征性的主题,其作品充满了诗意的神秘,触动灵魂的诱惑力以及视觉上带给人们的强烈冲击力。

He first became known in the late 1980s as a writer of surreal short fiction whose raw violence — in one story, a 4-year-old strangles his cousin, a baby, in order to "enjoy the explosive crying"; in another, a young girl is hacked to pieces — brashly defied the hygienic pieties of socialist realism to which China's state-supported writers were expected to conform.

他成名于八十年代,当时他的超现实主义短篇小说中渲染了原始暴力,在一个故事里,一个4岁的小孩闷死了自己还是婴儿的小侄子,只是为了享受那种&一瞬间的大哭&;另一个故事里,一个年轻的女孩被砍成了几块——极大地藐视了支持政府的那些作家所遵循的社会主义现实主义的净化虔诚。

This title is suitable for those interested in art or art history. This incredible retrospective takes a sweeping look at the origins, historical influences and growth of art in the Western world, all the way from ancient cave paintings to video art, taking in Egyptian sculpture, Gothic architecture, Romanticism, Surrealism and many more schools and styles along the way.

西方世界的艺术:从史前到21世纪-----安东尼梅森----格式:精装本,全彩色复制----日期:01 - 4 - 2010 -----这个令人难以置信的时间在追溯起源,历史影响和西方世界的艺术的发展,从古代壁画全面的检查,一直到录像艺术,在埃及雕塑人质,哥特式建筑,浪漫主义,超现实主义,还有更多的学校和风格前进的道路。

To see from the art style of the picture, we will not difficult to find that the artist had begun to try the surrealist art language, in addition, he also had added more or less something cubistic in his works, like the red rocks at the foreground of the picture.

不难看出,艺术家在这里明显的借用了超现实主义的创作观念:前景处用立体主义手法处理的醒目的红色垒石、天空中漂浮的建筑、剪影式的人物,等等,所有的元素共同营造了一个虚幻的超验场景。

All along the wild, craggy Catalan coast, in the town squares and the village bars, you can see pictures and posters of the moustachioed surrealist: Dalí communing with a live octopus, Dalí sitting in state wearing a crown, a goggle-eyed Dalí with his moustache tips pointing towards heaven, Dalí and his wife Gala looking respectable.

沿着怪石嶙峋的加泰罗尼亚海岸,在城镇的广场和村庄的酒吧里,你可以看到这位留着八字须超现实主义者的照片和海报:与章鱼交谈的达利、戴着皇冠坐在宝座上的达利、瞪大着眼睛、而胡须末梢指向天空的达利、仪态庄重的达利和他的妻子盖拉。

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