起绉

Crepe paper of bright colours was hung across the ceilings for the festival.

为了庆祝节日，人们在开花板上交叉挂起了色彩艳丽的绉纸。

On the basis of analysis and experiments as the above, the technology of crepe effect control is verified and can be applied in the finishing process of manufacture is put forward in this paper.

最后在以上分析和实验的基础上，形成在起绉后加工环节中实现绉效应水平控制的方法。

I savor the feeling of the crinkly old skins through silk gloves, turning them page by page.

我味道那感觉起绉旧的皮肤完成的丝手套，旋转他们一页接着一页。

It is neither the separation between the mail and femail, nor the district dividing line between day clothing and the evening wear.his special style,bardian hue and the cultural conflict and communication brought up the dandyism which made him thought the most affective fashion designer in the early 1980s.in 1975,he successfully held his first fashionable issue show,whose revolutionary design opinion made a great contribution to the Milan to become a new fad city.non-liner and stink design of frame and lines,not stickto formal or inforaml fig and the natural colors completely got rid of the popular hippie style in the 1960s.with simple contour and loose lines changed the traditional mail endure and cabined style ,its crape grain coat was the rage.three months later,because of the contract of man fashion ,woman fashion fetched to heel,which adopted traditional man suuff,showing the stongly neutral style.

不是男女性别的截然划分，不是日装和晚装的严密分界，阿玛尼特立的风格、个性的色彩和文化冲突与交流造就的时髦使他自80年代起就一直被认同是最影响力的时装设计师。1975年阿玛尼的第一次时装发布会获得成功，其革命性的设计理念也为米兰成为新的时尚之都做出了巨大贡献。没衬里和张扬结构线条的设计，不拘于正式与非正式的休闲衣着打扮，天然去雕饰的色彩，完全剔除了60年代盛行的嬉皮风格，以简单的轮廓、宽松的线条，改变了传统男性硬挺拘束的风格，绉纹风格的外套风靡一时。三个月后，男装的微缩女装版紧跟着推出，采用传统男装面料，显示出强烈的中性风格。阿玛尼因此成为继保罗·波烈和夏奈尔之后的又一位女性时尚设计的解放者。

There was nothing there which she could not have used--nothing which she did not long to own. The dainty slippers and stockings, the delicately frilled skirts and petticoats, the laces, ribbons, hair-combs, purses, all touched her with individual desire, and she felt keenly the fact that not any of these things were in the range of her purchase.

这里没有一样商品是她用不上的，没有一件东西是她不想拥有的：那些精美的舞鞋和长统袜，饰有漂亮绉边的裙子和衬裙，还有花边、缎带、梳子、钱包，这一切的一切都激起了她的种种欲望，但她痛苦地认识到这里没有一样东西是她买得起的。

The dainty slippers and stockings, the delicately frilled skirts and petticoats, the laces, ribbon s, hair-combs, purses, all touched her with individual desire, and she felt keenly the fact that not any of these things were in the range of her purchase.

那些精美的舞鞋和长统袜，饰有漂亮绉边的裙子和衬裙，还有花边、缎带、梳子、钱包，这一切的一切都激起了她的种种欲望，但她痛苦地认识到这里没有一样东西是她买得起的。

The dainty slippers and stockings, the delicately frilled skirts and petticoats, the laces, ribbons, hair-combs, purses, all touched her with individual desire, and she felt keenly the fact that not any of these things were in the range of her purchase.

那些精美的舞鞋和长统袜，饰有漂亮绉边的裙子和衬裙，还有花边、缎带、梳子、钱包，这一切的一切都激起了她的种种欲望，但她痛苦地认识到这里没有一样东西是她买得起的。

Georgette - A sheer silk or rayon crepe of dull texture.

带有暗淡起绉表面的薄而结实的丝或似丝质的布料

In a preferred embodiment, a creped spunbond layer is used as the cover material and a co-apertured intake/distribution layer and transfer delay layer are the capillarity fabric.

在一个优选实施例中，起绉纺粘层用作覆面层材料，且共穿孔的吸入/分布层和输送延迟层是毛细作用织物。

The obvious parts to check are the brakes, the steering and the suspension a ten foot drop with no suspension is going to cause you to crumple on impact.

最明显的部分检查是刹车，转向和悬架（下降了10英尺，没有暂停会导致您起绉的影响。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。