赶不上

If we miss the last train we can always thumb a lift home .

如果我们赶不上末班火车，我们总可搭便车回家。

Ten to one you'll miss your train.

你很可能要赶不上火车了。

I can't catch up with train when i don't know how is well.

当我意识到我已赶不上火车时，我不知如何是好。

I have no idea when i realize i can't catch up with train.

当我意识到我已赶不上火车时，我不知如何是好。

I can't do anything when i don't catch up with train.

当我意识到我已赶不上火车时，我不知如何是好。

I'm at a loss when I realised I couldn't catch up with the train.

当我意识到我已赶不上火车时，我不知如何是好。

I had no idear when I realized that I couldn't catch up with the train.

当我意识到我已赶不上火车时，我不知如何是好。

I don't know how to do,when we know that we don't catch up with the train

当我意识到我已赶不上火车时，我不知如何是好。

You must hurry or you won't make it for the train.

你得赶快，否则你会赶不上火车了。

If you miss the train I'm on, you will know that I am gone.

如果你赶不上我搭乘的那班火车，你就会知道我已经走了

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。