走一步

She was afraid that bited by snakes and not willing to have one more step in the brushwood.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She was afraid of being bitten by snakes,and dare not go further in the brushwood.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She is afraid of bit by a snake so not move any more in the brushwood.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She's too afraid of being bited by a snake to move on a step in the brushwood.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She doesn't dare to walk in the brushwood, for she is afraid of biting by the snake.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She is so afraid to be bitten by snake that she don't dare to make a move in brushwood.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She's afraid to be bited by snake, therefore she did not dare to move forward at brushwood.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She is so scared to be beaten by snakes that she didn't dare to go step in the brushwood.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She is so scared of the snake that she can't take even one more step forward in the brushwood.

她生怕被蛇咬着，而不敢在草丛中再走一步。

She dare not to go a step in the brushwood,for she is afraid to be bitten by the snake

她生怕被蛇咬着，而不敢在草丛中再走一步。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。