赎

It takes a spong man to save himself, and a great man to save another.

坚强的人只能救赎自己，伟大的人才能拯救他人

The paper tries to analyze objectively and evaluate aesthetically the desire and spirits of city novels, ponders stereoscopically on how to develop the novels of the new century and to redeem its spirit.

全文对城市小说的欲望与精神力求做出客观分析和审美评价，立体地思索新世纪小说的出路问题与精神救赎。

We saw in the last message that the idea of substitutionary sacrifice was God's idea.

在上一次的节目里我们看到，牺牲代赎的救恩，是神的意思。

Substitutionary sacrifice was God's idea.

在上一次的节目里我们看到，牺牲代赎的救恩，是神的意思。

God's substitutionary sacrifice began after Adam and Eve rebelled against him.

早在亚当夏娃犯罪以后，神的救赎计划已经订好了。

His sinless life and substitutionary atonement alone are sufficient for our justification and reconciliation to the Father.

基督在世上的无罪的生活与救赎性的代死是足够于让我们得称义及与上帝和好。

Justification is relatively "passive," relying on Jesus' substitutionary atonement to accomplish Salvation for each of us.

理由是相对&被动&，依靠耶稣的替代赎罪，以完成救赎，为我们每一个人。

I have believed in the appointed propitiation, even Jesus crucified, and therefore my sins are at this moment, and for ever, forgiven by virtue of his substitutionary pains and death.

我相信耶稣宝血的救赎，因为祂代罪之痛苦及受死，我的罪到得永远的赦免。

The rest is closer to the Coldplay we know: a competent blend of heavily orchestrated redemption songs ("Viva La Vida," already the biggest hit of the band's career), swirly arena rock ("Lovers in Japan") and life-stinks-without-you ballads ("Strawberry Swing") likely to resonate despite the new bells and whistles.

除此之外，专辑的其余部分都接近于我们熟知的Coldplay：战无不胜的交响浸染下的救赎歌曲（&Viva La Vida&，已然成为乐队职业生涯中最夯单曲）、跌宕起伏的舞台摇滚（&Lovers in Japan&）、&生活没有你就糟糕&的情歌（&Strawberry Swing&），尽管新添了一些花里胡哨的制作，但这些歌曲仍有可能引起人们的共鸣。

James says this:"ex operibus justificatur homo, et non ex fide tantum"(James 2:2); and here, by works, he does not understand the pagan good works to which St.

在painest语言使徒圣雅各福群会说：&当然operibus justificatur骨头等非当然真正的唯一&（詹姆斯2：2 ）；这里，由工程，但他并不了解异教的优秀作品，其中以圣保罗是指在书信向罗马人，或工程，做履行犹太法律，但该工程的救赎成为可能的运作有神灵的恩典，这是公认的圣奥古斯丁

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。