赌输

Money runs out.; be hard up for money; run out of money; be in poverty

例句他嗜赌如命；至今已输得～了；还欠了许多债。。

B 116. bet on the wrong horse

误译： 为什么贾森赌马输了？

Bet on the wrong horse 例句: Why did Jason bet on the wrong horse?

误译： 为什么贾森赌马输了？原意：为什么贾森的希望落空了？

K3 b' M0 Z; r f Now in active semi-retirement, he runs, among other things, a quietly successful bloodstock business. He knew nothing of racing or horses when he began, but he applied sound business principles and considerable intelligence and so he has succeeded where most fail.

Z2 ？/ n 如今在他仍然忙碌的半退休生活中，除了其他生意之外他也悄悄地投资着一些纯种马，当他开始时他对比赛和赛马一无所知，他靠着恪守从商多年以来的黄金律和一些智慧取得了成功--在一个十赌九输的领域之中。

If there was a horse-race, you'd find him flush or you'd find him busted at the end of it; if there was a dog-fight, he'd bet on it; if there was a cat-fight, he'd bet on it; if there was a chicken-fight, he'd bet on it; why, if there was two birds setting on a fence, he would bet you which one would fly first; or if there was a camp-meeting, he would be there reg'lar to bet on Parson Walker, which he judged to be the best exhorter about here, and so he was too, and a good man.

赛的要是马，收场的时候他不是赢得满满当当，就是输得一干二净；如果斗的是狗，他赌；斗的是猫，他赌；斗的是鸡，他还赌；嘿，就算有两只鸟落在篱笆上，他也要跟你赌哪一只先飞；屯子里聚会他必到，到了就拿沃尔克牧师打赌，他打赌说，沃尔克牧师布道在这一带是头一份；那还用说，他本来就是个好人么。

If there was a horse-race, you'd find him flush or you'd find him busted at the end of it; if there was a dog-fight, he'd bet on it; if there was a cat-fight, he'd bet on it; if there was a chicken-fight, he'd bet on it; why, if there was two birds setting on a fence, he would bet you which one would fly first; or if there was a camp-meeting, he would be there reg'lar to bet on Parson Walker, which he judged to be the best exhorter about here, and he was, too, and a good man.

赛的要是马，收场的时候他不是赢得满满当当，就是输得一干二净；如果斗的是狗，他赌；斗的是猫，他赌；斗的是鸡，他还赌；嘿，就算有两只鸟落在篱笆上，他也要跟你赌哪一只先飞；屯子里聚会他必到，到了就拿沃尔克牧师打赌，他打赌说，沃尔克牧师布道在这一带是头一份；那还用说，他本来就是个好人么。

I'll sing it one last time for youThen we really have to goYou've been the only thing that's rightIn all I've done And I can barely look at youBut every single time I doI know we'll make it anywhereAll away from here Light up, light upAs if you have a choiceEven if you cannot hear my voiceI'll be right beside you dear Louder louderAnd we'll run for our livesI can hardly speak I understandWhy you can't raise your voice to say To think I might not see those eyesMakes it so hard not to cryAnd as we say our long goodbyeI nearly do Light up, light upAs if you have a choiceEven if you cannot hear my voiceI'll be right beside you dear Have heart my dearWe're bound to be afraidEven if it's just for a few daysMaking up for all this mess Light up, light upAs if you have a choiceEven if you cannot hear my voiceI'll be right beside you dear

我会为你最后一次歌唱然后就会离开你是我所做过的事情中唯一正确的我几乎无法注视你但当我独自一人时我会我知道我们会好起来只要远离这里振作吧振作起来只要有一丝机会有赌未为输就算你听不到我的声音亲爱的，我也会在你身边加油吧加油我们都在为生活打拼有时我会哑然迷失为何你不痛快跟我说想到再也看不到那双眼眸我强忍了眼泪当我们道别时我哭了振作吧振作起来只要有一丝机会有赌未为输就算你听不到我的声音亲爱的，我也会在你身边勇敢吧我亲爱的我们注定会害怕就算只有那么几天也要好好整理那般凌乱振作吧振作起来只要有一丝机会有赌未为输就算你听不到我的声音亲爱的，我也会在你身边

Outside the Huskers and them punk-ass Irish, I'm up about four G's.

真带劲。就算Huskers队和那个烂队Irish赌输，我还净赚4球呢

I do not know Yuandufushu or Yuantianyouren, it can not be the scorching sun drying my cold heart, cool thoroughly, no Qudu the courage and the capital, dare not look forward to the next results, gambling, I lost All, gambling, I do not have the courage to find the heart gamble, I know that a White Piaoxiang bar where the wind and drift!

我不知道要愿赌服输，还是怨天尤人呢，烈日无法晒到我冰冷的心，彻底的凉了，再没有去赌的勇气和资本了，不敢期待下一次的结果，赌，让我输掉了一切，赌，让我没有勇气去寻找心的赌注，我这一张白纸吧知道飘向哪里，随风而飘！

At Monte Carlo he made a modest killing at the chemin de fer table, but lost at poker.

在蒙特卡洛，他在赌十一点的牌桌上小赢了一把，但是在扑克牌赌中又输了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。