赋格曲

Then,again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars.

随后，这雄壮的组合声部还不时略微间歇，让道给念圣母经时那密集和应的赋格曲，乐声轰鸣，如同星光闪亮。注意，注意力集中

The architectonics of an elaborate fugue.

复杂赋格曲的巧妙构思

Sawicki Ernest Bloch Fugue of Concerto Grosso No.1, with piano obbligato JEAN BINET Slow and Animatedly from String Quartet Astor Piazzolla Melodia: Fugue and Mystery string version by J.

萨维奇改编欧内斯特布洛克第一号大协奏曲中的赋格曲简比耐缓慢与活泼阿斯多尔皮亚左拉《赋格与秘密》

Of or relating to or in the style of a musical fugue.

属于或关于赋格曲的，或以赋格曲风格的。

Here is an example of fugue in the song "Alexander's Fugue."

下面是赋格曲的歌曲"亚历山大的赋格曲的例子。"

They are:1 Max-Reger's biography and creation synopsis2 A summary of the structure of Partita and Fuga3 Synopsis of Chromatische Polyphonie4 Creation background of(op 132)5 Linearity writing technique of(op 132)6 Partita inheriting with innovation and Parts analysis7 Fuga melody analysis

本文将分七个部分予以陈述，分别为：一马克思-雷格尔生平及创作简介二简述变奏曲与赋格及其它赋格音乐套曲结构三半音复音音乐简介四《莫扎特主题变奏与赋格》(op 132)的创作背景五《莫扎特主题变奏与赋格》(op 132)线性写作技巧六变奏手法的继承与创新及各变奏乐章分析七赋格曲分析

Structure-wise, there usually is an introductory section, a fugue and a postlude, but this basic scheme is very frequently expanded: both BuxWV 137 and BuxWV 148 include a full-fledged chaconne along with fugal and toccata-like writing in other sections, BuxWV 141 includes two fugues, sections of imitative counterpoint and parts with chordal writing.

结构明智，通常有一个导言部分，一个赋格和postlude，但这一基本计划是非常频繁地扩大了：既BuxWV 137和BuxWV 148包括一个完整的，以及成熟的舞曲真菌和托卡塔，其他部分一样书面BuxWV 141包括两个赋格曲，对位的模仿与弦写作部分章节。

There is some variation, however, in the way they are constructed: in the first and last fugues of BuxWV 136 the second voice does not state the subject as in enters during the initial exposition; in BuxWV 153 the second exposition uses the subject in its inverted form, etc.

有一些变化，但是，在它们的制造方式：在BuxWV 136秒的声音第一个和最后赋格曲没有说明这个问题在博览会期间首次进入，在BuxWV 153次博览会的主题使用在其倒等形式赋格曲某前奏科目可能与在弗罗贝格尔's和弗雷斯科巴尔迪氏 ricercars 和 canzonas（BuxWV 150，152等

When Scarlatti's cat struck certain notes on the keys of his harpsichord, one by one, with its paws, Scarlatti proceeded to write The Cat's Fugue, a fugue for harpsichord in D minor.

斯卡拉蒂的猫用脚爪在他的大键琴的琴键上踩出一个一个音符时，斯卡拉蒂着手写了一首大键琴D小调赋格曲，《猫的赋格曲》。

WhenScarlatti's cat struck certain notes on the keys of his harpsichord ,one by one, with its paws, Scarlatti proceeded to write The Cat'sFugue,a fugue for harpsichord in D minor .

斯卡拉蒂的猫用脚爪在他的大键琴的琴键上踩出一个一个音符时，斯卡拉蒂着手写了一首大键琴D小调赋格曲，《猫和赋格曲》。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷