费赞

The Fezzan reveals thousands of years of life struggling against change, of humans adapting to a hostile environment.

费赞揭示了千万年来人类为适应不利环境与气候变化斗争的生活。

Ensp;Clearly the last chapter of the Fezzan is yet to be written.

其实，费赞的最后篇章仍然在写。

As rainfall dwindled, the inhabitants of Libya's remote Fezzan region congregated around scattered oases.

因为降雨减少，利比亚的居民迁徙到遥远的费赞地区集合在四周分散的绿洲。

As rainfall dwindled, the inhabitants of Libya's remote Fezzan region congregated around scattered oases.

当降雨减少，这些利比亚偏远费赞地区的著民会迁往周围的绿洲。

A drying climate forced ancient people to retreat, leaving Fezzan's parched beauty quiet under desert skies.

干燥的气候迫使远古的人民举家迁徙，在沙漠的蓝天下留下费赞炎热宁静的美景。

A rare aerial look at Libya's remote Fezzan region, where ancient societies thriv...

Unseen Sahara 不曾见过的撒哈拉难得一见的鸟瞰利比亚的遥远的费赞地区，在空中寻找古代社会繁荣和消亡，如同这里的雨来了又去。

As rainfall dwindled, Fezzan's inhabitants congregated around scattered oases.

当降雨量减少时，费赞的居民聚居在星罗棋布的绿洲周围。

Now another notion is being explored: that the Fezzan may have been part of a long migratory corridor leading some modern humans to the shores of the Mediterranean and from there across the Sinai.

现在另一种正在探索的意见是：费赞地区可能是导致一些近代人长期以来迁徙走廊之一，他们由此到达地中海沿岸并从那里穿过西奈。

A rare aerial look at Libya's remote Fezzan region, where ancient societies thrived and collapsed as the rains came and went.

利比亚边远的费赞地区的一组空中景象，在那里，因雨水的降临和消失，远古社会随之繁荣昌盛与衰退。

In the southwest part of Libya, a region called Fezzan is the beating heart of the Sahara, an inaccessible place full of sand seas, wadis, mountains, plateaus, oases, and mystery.

利比亚的西南部的一个叫作费赞的地区是撒哈拉沙漠跳动的心脏，是一个充满沙海、干涸河道、高山、台地、绿洲和各种神秘事物的人迹罕至的地方。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。