贯穿的

On the basis of the analysis of the scores, the author makes conclusions about the characteristics of Schubert"s last three piano sonatas as followings: 1 The device of universal development in the movements composed in sonata form and rondo-sonata form is the most distinctive feature in the last three sonatas, which is also decisive in the trend of the whole movement and makes the developments relatively "still". 2 In the device of themes, the method of irregularity is preferred. However, By using extension, abbreviation, repetition and further repetition of periods, Schubert brings those themes to ingenious balance in both architectonics and aesthetics. 3 Chain method is applied in the connection of themes, in which the previous material is taken as basis and then modified together with the variations of new materials. By this way, the theme is continuously developed. 4 The principle of the dominant-subordinate is followed in Schubert"s three-key exposition, and the process of each key is extended.

本文在详尽分析乐谱的基础上，对最后三首奏鸣曲的主要创作特点进行了以下总结： 1、奏鸣曲式和奏鸣回旋曲式乐章中展开的普遍化是最后三首奏鸣曲最为显著的特点，它决定了整个乐章的走向，并使展开部具有相对"静止"的特点； 2、舒伯特的主题写作中更喜欢运用非方整性写法，并通过自身材料的延长、缩减和重复或者更高一级的段落重复使其达到了结构上和审美上的巧妙平衡； 3、舒伯特喜欢用链式的主题贯穿方式，音乐以之前的材料为依据，经过变化后再加入新的材料，用这种方式不间断地发展； 4、舒伯特的三调呈示部遵循从主到属的总体原则，并扩展了调性历程。

In the chapter, the author discusses features of personality and ascendance reflected in the image of God; the author also notes in this part the traditional viewpoints of God is facing up to the challenges from all viewpoints from science and technology in the modern time; in the third chapter, the author focuses the relationship between God and human beings, which constitutes the theme of his thought on God.

第二部分是本论文的重点。上帝是基督教神学的核心范畴，基督教的上帝观特别强调上帝的人格性和超越性，但是位格主义的上帝观在当今技术时代遭到了否定，然而本文所要指出的是，上帝作为一个位格出现是奥特上帝观的主题和出发点，也是他的理论体系的重要支点。第三部分是本论文的进一步展开。在奥特的上帝观中，有一个贯穿始终的主题：上帝和人。具体说，只有把人作为言说的重点才能准确地理解上帝和人之间的关系。

This thesis tries to analyze 'Carmen' by reviewing the characteristics of its musical score and the imagination of the character. The score in 'Carmen' applied the strong march and the local folk dance rhythm, sequence of beautiful melodies appeared time and again. Within the whole opera, Bizet illustrated the minute psychological changes of the character and the motifs by excellently using the elegant rhythmic expressions in a variety of styles; and he also used a different ploy to imply the development of tragedy.

本文试图通过对歌剧《卡门》中的音乐特征和人物想象进行分析，《卡门》里面运用了强烈的进行曲节奏和具有地方风格的舞曲节奏；优美的旋律层出不穷，比才很好的用优美的旋律体现把人物微小的心理变化；主导动机都以不同的形式贯穿全剧，对悲剧的发展作了不同手法的暗示。

This paper gives an analysis based on Britten s violin concerto op.

论文从小提琴协奏曲中音乐语言的陈述方式和组织结构的调性等因素来进行分析，在宏观结构的框架下，找出素材贯穿手法的运用与结构的联系，与调性的联系，试图说明布里顿早期作品呈现出来的稳定的技术手法，他即运用调性写作也运用传统的结构形式但又不拘泥与传统的写法。

I argue in my paper that there are two states of time running through Tsai Ming Liang's movie, What Time is it There, a fluid state symbolized by the prevalence of water in the movie and a static state, symbolized by digital time, also highlighted in the movie: the clepsydra versus digital time in Taiwan is a symptom of Taiwan's particular historical experience of being a state of exception, as Giorgio Agamben would have it.

我在文中的论点为，蔡明亮电影《你那边几点？》全片由两种不同的时间状态贯穿而成，其一为流动的时间，以电影里随处可见的流水作为象徵，另一则是静止的时间状态，作为象徵的是片中亦不断强调突显的数位时间。就台湾的脉络而言，水钟与数位时间所形成的对比，症候式地再现了台湾作为阿冈本所称的「例外状态」特殊的历史经验。

The author analyzes the formation of the theory in terms of its theory origin, philosophical base and practice foundation, with a conclusion that Deng Xiaoping"s theory has been anteceded by Mao Zedong"s theory, with a matter-of-fact attitude and a permeance of historical materialism and materialist dialectics. The practice of political and ideological education from the establishment of the CPC until the Third Central Committee Meeting of the Eleventh Plenary Central Committee of the CPC is a historical precedent condition; the practice since the Reform and Open Policy is a realistic factor; and Deng Xiaopings own practice of political and ideological education is also an very important condition.

主要从邓小平新时期思想政治教育理论形成的理论来源、哲学基础和实践基础、三个角度论述邓小平新时期思想政治教育理论的形成，阐明邓小平新时期思想政治教育理论是和革命导师特别是毛泽东的思想政治教育理论一脉相承的，实事求是是其灵魂，历史唯物主义和唯物辩证法贯穿于这一理论的各个方面，中国共产党成立到十一届三中全会以前近六十年党的思想政治教育实践是其形成的历史依据，改革开放以来党的思想政治教育实践是其形成的现实依据，邓小平长期的思想政治教育实践是其形成的重要条件。

This program primely adopt the tactics that weaken the action strength of opponent.four corners priority tactics、the most edacity tactics.at the beginning of the game and the middle of the game,the program adopt weaken the action strength of opponent,namely reduce the positionn of the opponent to play the chess mostly;at the end of the game we use the he most edacity tactics,namely to eat up the chess of the opponent to the best of one ' s abilities;the four corners priority tactics is run through the whole game,the four corners of the chessboard are stabilization corner,can ' t eated up by the opponent,so here is the most important position of player to contest,at the same time of prevent opponent to put the chess in the corners of the chessboard,we make great efforts to put the chess in the corners.

本文首先详细介绍了黑白棋的游戏规则，和一些基本的战术，然后将这些战术编写成代码存储在计算机中，使计算机在对弈过程中，可以灵活的运用这些战术。该程序主要运用的战术有削弱对手行动力战术、四角优先战术、最大贪吃战术。在游戏开局和中局时，程序采用削弱对手行动力战术，即尽量减少对手能够落子的位置；在游戏终局时则采用最大贪吃战术，即尽可能多的吃掉对手的棋子；而四角优先战术则是贯穿游戏的始终，棋盘的四角为稳定角，不会被对手吃掉，所以这里是兵家的必争之地，在阻止对手进角的同时，自己却又要努力的进角。

This article illustrates the art characteristic of Fu Gengchen, researching on his music works in his creating career, through carrying on the systemic, concrete discussion to the music creation and representative works of various types. For example,in view of the extent of the subject matter , he described the army and social life of people , endowing works containing " Self " spirit of the revolutionary armyman. Meanwhile, he expressed a kind of " Great love " on the party , army and people with this kind of spirit . In view of the style: Lofty sentiments and passion are seen everywhere, high aim and lofty ideal are carried throughout, and the visualization and imageination are vivid and distinct.

本文以傅庚辰创作的音乐作品为研究对象，从探究其创作历程出发，对各种体裁的音乐创作及其代表性作品进行系统、具体的讨论后，又总结出傅庚辰音乐创作的艺术特征：从题材的广度看，抒写军队和人民的社会生活，使作品中蕴涵了革命军人的&大我&精神，同时，他以这种精神表达一种对党和军队、人民的&大爱&；从风格上看：豪情、激情随处可见，大志、壮志贯穿始终，形象、意象生动鲜明。

Creativity training should be integrates on sides aspects of Chinese teaching. Reading and writing are important parts of Chinese teaching, thus we can develop creativity of students from reading and writing, then extending to others. It is highly appealed by taking creativity as element of students that developing creative consciousness, creative genius, creative thinking and creativity ever and anon.

学生创造力的培养应该贯穿在语文教学的不同侧面，阅读教学和写作教学则是语文教学中的重要组成部分，那么培养学生的创造力可从阅读教学和写作教学入手再引申到其他方面，只有这样时时处处培养学生的创造意识、创造精神、创造思维和创造能力，才能使学生具备创新的基本素质，从而达到创造力培养的目的。

There is a very beautiful river in Paris.It is the Seine,it runs across the City,people drink coffee, chat on the bank in the day,at night,they enjoy the beautiful scenery in the boat,songs from the river fly into the Sky made the river more attractive, the Seine is a famous symbol of France;on the west coast of pacific ocean there lies the modern City Shanghai,another river which used to be a very important transportation route runs through the center of the city,people respected and regard it as"mother".

有一个很美丽的河paris.it是塞纳河，它可以运行在全国各地的城市，人们喝咖啡，聊天，央行在一天，在当天晚上，他们欣赏美丽的风光，在船民，歌曲从河白日飞升天空作河更具吸引力，塞纳河，是一个著名的象征法国；对西海岸的太平洋，那里蕴藏了现代城市的上海，另一个河原本是一个很重要的运输线，并贯穿于中心城市，人们尊重和把它当成&妈妈&。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。