负债的

A financial obligation which is currently enforceable against an entity or which is expected to become enforceable in the future provided that the amount of the obligation can be determined whit reasonable certainly and that it does not arise from an executory contract.

负债是企业必须承担，或在将来必须承担的一种财务性责任，其金额能比较确切地确定，而且这种责任不产生于尚未执行的合同。

In this essay, we modify the extendible debts model proposed in Longstaff (1990) to help relieve the moral problem induced in the original model.

在本文内，我们修改Longstaff(1990)的可展延负债模型，以舒缓原本模型内会产生的道德问题。

In April, a 61 year-old man fatally poisoned himself because of his daughter's debts.

今年4月，一位61岁的老人因女儿的负债问题而服毒自尽。

These courses examine the tools and techniques of managing short-term assets and liabilities, fixed assets and capital investments, and long-term financing.

这些课程研究的工具和管理短期资产和负债，固定资产和资本投资的技术，和长期融资。

They are not liabilities, but, if material , they are disclosed in footnotes to the financial statements.

它们不是企业的负债，但如果金额较大，它们应在财务报表的附注中揭示。

That strategy paid off for rivals able to go public amid frothy markets in 2007 and repay their pre-IPO debt.

这一策略为在2007年市场处于泡沫时能够上市的竞争对手带来了回报，让它们偿还了IPO之前的负债。

Its goal is to provide financial knowledge to children and young adults before they get into debt.

它的目标是在孩子们和年轻的成年人负债前提供给他们一些财务知识。

Risk management of interest rate is the hard core of Asset Liability Management.

第二章主要从四种分析思路和相应的模型具体地论述了现代资产负债管理的发展。

Dubai is not the only onetime highflier that risks drowning in debt.

野心勃勃的迪拜，并不是唯一一个因负债招致灭顶之灾的城市。

We point out that the value assessment of finance enterprise should be in a broad sense.

针对金融企业负债经营的实际状况，我们突出强调了商誉等在金融企业价值评估中的重要性。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。