贝拉尔

Those currently working with Studio Azzurro in various roles include: Marco Barsottini, Elisa Bolis, Reiner Bumke, Matteo Cellini, Mario Coccimiglio, Daniele De Palma, Elisa Giardina Papa, Francesca Gollo, Tommaso Leddi, Carmen Leopardi, Chiara Ligi, Chiara Longo, Mauro Macella, Alberto Massagli Bernocchi, Daniela Mezzela, Elisa Midali, Alessandro Pecoraro, Silvia Pellizzari, Giulio Pernice, Sonia Ragno, Lorenzo Sarti.

目前蓝色工房与各类艺术人才合作，他们是：马可。巴索提尼、艾丽莎。薄丽丝、雷讷。布恩可、马泰奥。切利尼、马里奥。可齐米里奥、达涅莱。德。帕尔玛、艾丽莎。嘉尔迪娜。帕琶、弗朗切斯卡。戈洛、托马索。莱迪、卡门。雷欧帕尔蒂、基娅拉。丽姬、基娅拉。隆歌、茅罗。马切拉、阿尔贝托。马萨丽。贝尔诺基、达涅拉。梅泽拉、艾丽莎。米达丽、阿莱桑德罗。贝科拉罗、希尔维娅。佩丽扎礼、朱里奥。佩尔尼切、索妮娅。拉妮奥、罗伦佐。萨尔蒂。

Counties or Shires: Avon, Bedfordshire, Berkshire, Buckinghamshire, Cambridgesshire, Cheshire, Cleveland, Cornwall, Cumbria, Derbyshire, Devon, Dorset, Durham,, Essex, Gloucestershire, Hampshire, Hereford and Worcester, Hertfordshire, Humberside (N.Humberside), Kent, Lancashire, Leicestershire, Lincolnshire, Norfolk, Northamptonshire, Northumberland, Nottinghamshiire, Oxfordshire, Shropshire, Somerset, Staffordshire, Suffolk, Surrey (Kingston-upon-Thames), East Sussex, West Sussex, Warwickshire, Isle of Wight, Wiltshire, North Yorkshire, Clwyd, Dyfed, Gwent, Gwynedd, Mid Glamorgan, Powys, South Glamorgan, West Glamorgan, Borders, Central, Dumfries and Galloway, Fife,Grampian, Highland, Lothian, Strathclyde, Tayside, Western Isles, Orkney, Shetland, Antrim, Ards, Armagh, Ballymoney, Belfast, Carrickfergus, Castlereagh, Coleraine Cookstown, Craigavon, Down, Dungannon, Fermanagh, Larne, Limavady, Lisburn Londonderry, Magherafelt, Moyle, Newtownabbey, Newry and Mourne, North Down, Omagh, Strabane, Northern lreland and Ballymena.

郡：埃文、贝德福、伯克、白金汉、剑桥、柴、克利夫兰、康沃尔、坎布里亚、德比、德文、多塞特、达勒姆、埃塞克斯、格罗斯特、汉普、赫里福德-伍斯特、哈福德、亨伯塞德、肯特、兰开夏、莱斯特、林肯、诺福克、北安普敦、诺森伯兰、诺丁汉、牛津、什罗普什鲁斯伯里）、萨默塞特、斯塔福德、萨福克、萨里、东塞萨克斯、西塞萨克斯、沃里克、怀特岛、威尔特、北约克(诺萨勒顿、克卢伊德、达费德、格温特、圭内斯、中格拉摩根、波伊斯、南格拉摩根、西格拉摩根、博德斯、中部大区、邓弗里斯－盖洛韦、法夫、格兰扁、苏格兰高地、洛锡安、斯特拉斯克莱德、泰赛德、西部群岛、奥克尼群岛、设德兰群岛、安特里姆、阿兹、阿尔马、巴利马尼、贝尔法斯特、卡里克弗格斯、卡斯尔雷、科尔雷恩、库克敦、克雷加文、唐、邓甘嫩、弗马纳、拉恩、利马瓦迪、利斯本、伦敦德里、马拉费尔特、莫勒、纽敦阿比、纽里和莫恩、北部丘陵、奥马区、斯特拉斑、北爱尔兰和巴利米纳。

In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gyies, and Moors were expelled from ain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

In 1492, under the rule of King Ferdinand II Queen Isabella I, Jews, Gypsies, Moors were expelled from Spain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gypsies, and Moors were expelled from Spain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gy ies, and Moors were expelled from ain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

3 E d u 教育网 In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gypsies, and Moors were expelled from Spain.

公元1492年，在国王费迪南二世和王后伊莎贝拉一世的统治下，犹太人、吉普赛人和摩尔人被逐出西班牙。

In 1492, under the rule of King Ferdinand II and Queen Isabella I, Jews, Gypsies, and Moors were expelled from Spain.

在国王费迪南二世和女王伊莎贝拉一世统治时期，犹太人、吉卜赛人以及摩尔人在1492年被西班牙驱逐。

In fact, the differences resulted from Borodin's own revision of the work before publication of the first full score in 1882; the phrase hinting at posthumous collaboration by Rimsky-Korsakov and Glazunov was added by the publisher Bessel simply in order to secure copyright (and royalties from performances) in western Europe.

里姆斯基—科萨耶夫和格拉祖诺夫在遗著中增添的那句话是由出版商贝塞尔添加的，仅仅是为了在西欧保护版权。

The decision to approve the BayerCrop GM soybean was a step in the right direction but it should not be an excuse for not making the proposal to modify the zero tolerance policy," said COPA-COGECA official Marie-Christine Ribera."

决定批准进口拜尔公司的转基因大豆是朝着正确方向迈出的一步，但并非因此就有理由不提议修订零容忍政策，& COPA-COGECA官员玛丽克里斯廷利贝拉说。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。