贝尔奈

Chris Bangle, Director of Design, BMW Group Peter Barna, Provost, Pratt Institute Yves Behar, Founder, fuseproject Katherine Bennett, IDSA Education Vice-President, and Professor of Product Design, Art Center College of Design Mark Breitenberg, Dean of Undergraduate Education, Art Center College of Design, and Chair of the Education Committee, International Council of Societies of Industrial Design Heather Fraser, Director, Business Design Initiative, Rotman School of Management, University of Toronto Tamara Giltsoff, Live | Work Walter Herbst, Director, Master of Product Development Program, McCormick School of Engineering and Applied Science, and Professor of Marketing, Kellogg School of Management, Northwestern University Barry Jaruzelski, Vice-President, Innovation Practice, Booz Allen Hamilton Chuck Jones, Vice-President, Global Consumer Design, Whirlpool Lorraine Justice, Professor and Head of Hong Kong Polytechnic University, School of Design Larry Keeley, President, Doblin Inc. David Kelley, Founder of IDEO, and Co-founder of Stanford s Hasso Plattner Institute of Design Claus Knapheide, Director of User Experience, Siemens Mick Malisic, Director of Marketing, Frog Design Brian Matt, Founder, CEO, Altitude Dev Patnaik, Founder, Jump Associates Ravi Sawhney, CEO-President, RKS Design Jeff Semenchuk, EVP, Global Consumer Group Innovation, Citigroup RitaSue Siegel, President, RitaSue Siegel Resources Bob Sutton, Professor of Management Science and Engineering, and Co-founder of Stanford s Hasso Plattner Institute of Design Sohrab Vossoughi, President, ZIBA Design Patrick Whitney, Director, Institute of Design, Illinois Institute of Technology Gianfranco Zaccai, President and CEO, Continuum

克里斯手镯，设计，宝马集团董事彼得巴纳，教务长，普拉特学院伊夫贝哈尔，方正，fuseproject 凯瑟琳贝内特，IDSA的教育副总统，以及产品设计，艺术中心设计学院教授马克布赖滕贝格，本科教育，艺术中心设计学院，以及教育委员会，国际工业设计协会理事会主席迪安石南弗雷泽，主任，业务设计倡议，罗特曼管理，多伦多大学塔玛拉Giltsoff，直播|工作沃尔特赫布斯特，主任，产品开发计划，麦考密克工程和应用科学学院硕士，以及市场营销，Kellogg管理，西北大学法学院教授巴里雅鲁泽尔斯基，副总统，创新实践，博思艾伦查琼斯，副总裁，全球消费者设计，惠而浦洛林司法，教授和香港理工大学校长，设计学院拉里开利，总裁，德布林公司大卫凯利，IDEO的创始人兼联合创始人斯坦福虏哈索普拉特纳设计学院克劳斯Knapheide，用户体验，西门子公司董事米克马利希奇，市场营销，青蛙设计总监布赖恩马特，创始人，CEO，海拔 dev的帕特奈克，方正，跳转协会拉维梭尼，首席执行官，总裁，设计可胜杰夫谢缅丘克，执行副总裁，全球消费者集团创新，花旗集团 RitaSue西格尔先生，RitaSue西格尔资源鲍勃萨顿，管理科学与工程学院教授，兼联合创始人斯坦福虏哈索普拉特纳设计学院苏赫拉布Vossoughi，总统，Ziba设计帕特里克惠特尼主任，设计，伊利诺斯技术研究所詹弗兰科扎卡伊，总裁兼首席执行官，连续

I think Nekhorvich created a monster virus in chimera ,and the anti-virus to kill it in Bellerophon.

我认为奈科维克制造了一种凯米拉病毒，并制造了贝拉尔芬抗毒素。

The former or the Realist, more numerous in the early Middle Ages (Fredugisus, Rémy d'Auxerre, and John Scotus Eriugena in the ninth century, Gerbert and Odo of Tournai in the Tenth, and William of Chapeaux in the twelfth) attribute to each species a universal essence, to which all the subordinate individuals are tributary.

前者或写实，多在中世纪早期（ Fredugisus ，雷米德欧塞尔，约翰司各脱Eriugena在第九世纪，热尔贝特和Odo的图尔奈在第十，和威廉的开头语中的第十二届）每个属性物种的普遍本质，这是所有的下属个人的支流。

It is strange that Courbet Monet is why it did not put pen to paper to stay停笔, Monet said:"I was waiting for the sun."

库尔贝奇怪的是莫奈为什么没有动笔却停笔呆着，莫奈说："我在等太阳。"

The new method has led to fame Courbet, Courbet Monet to see the outdoors for the completion of this giant, had dug in the garden has been a big pit in order to draw the upper half of the time the picture into the bottom.

全新的方法引来了已经成名的库尔贝，库尔贝看到莫奈为了在户外完成这幅巨作，不得不在花园里挖了一个大坑，以便画上半部的时候把画放进坑底。

Cast : Tom Hanks as Sam Baldwin, Meg Ryan as Annie Reed, Bill Pullman as Walter, Ross Malinger as Jonah Baldwin, Rosie O'Donnell as Becky, Gaby Hoffmann as Jessica, Victor Garber as Greg, Rita Wilson ..

演员：汤姆汉克斯为萨姆鲍德温，梅格瑞恩的安妮里德，比尔普曼的沃尔特，罗斯林吉尔为约拿鲍德温，杨奥唐奈的贝基，加比霍夫曼的杰西卡，维克托加伯的格雷格，丽塔威尔逊。。。

From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance.

除7l临摹卢浮宫的先辈大师作品外，她也到巴黎沙龙学习同时代艺术家的作品。1867年她参观了库尔贝和马奈的画展，对马奈作品很有兴趣。1872年春，卡萨特向巴黎沙龙送的第一件作品《狂欢节日之前》被接受，其后两年她都送作品参加沙龙的展览。1874年她的一幅妇女肖像画在沙龙展出，受到德加的高度评价。1879年，应德加的邀请，卡萨特参加了印象派画展，直到l船6年这段时间，她始终是印象派的活跃成员。1879年展出的《蓝色扶手椅中的小女孩》和作于1883年的《穿黑衣的妇女》是她的代表作品。

In 《China Mansion》, scenes are collected from all the masters in the western art history such as Angres, Courbet, Monet, Gauguin, Klein, Jones, Boucher, Rembrandt,Rubens, David, Renoir etc.The scene is decorated with coarsely copied traditional Chinese furniture,cheap copies of the western small objects, the numerous figures are all modeled by the vulgar nude, strikingly raffish and vulgar, the "nude" and the "bed"are the only point of connection with the original paintings. This cross time and space"cultural exchange"is utterly absurd creating many uncertain concepts (Wang Qingsong's words), but it is the portrait of the current blind cultural exchange.

中国之家》集合了西方艺术史大师如安格尔，库尔贝，莫奈、高更、克莱因、琼斯、布歇、伦勃朗、鲁本斯、大卫特、雷诺阿等经典作品的场景，场景以粗糙仿制的中国古典家具布置，廉价仿制的外国小玩意儿装饰，场景中众多的人物全部以粗俗的裸体模特扮演，充满中国当下的艳俗气息，裸体和"床"是唯一保留的与西方古典原作的联系点，这种跨时空的"文化交流"十分荒诞，"产生了许多不确定的概念"，但却是中国当下盲目的文化交流的写照。

Local services such as refuse disposal, housing grants and parking control are still run by the 32 boroughs: Barking, Barnet, Bexley, Brent , Bromley, Camden, Croydon, Ealing, Enfield, Greenwich, Hackney, Hammersmith and Fulham, Haringey, Harrow, Havering, Hillingdon, Hounslow, Islington, Kensington and Chelsea, Kingston-upon-Thames, Lambeth , Lewisham, Merton, Newham, Redbridge, Richmond-upon-Thames, Southwark, Sutton, Tower Hamlets, Waltham Forest, Wandsworth, and Westminster.

当地服务如垃圾处理，住房补助及停车管制，仍是由以下32个区县管辖：巴金，巴奈特，贝克思雷，布伦特，布罗摩里，坎登，克罗伊登，伊令，埃菲尔德，格林威治，哈克尼，汉莫史密斯和富勒姆，哈林盖，耙，海沃林，惠灵顿，洪斯洛，伊斯林顿，金斯顿和切尔西，金斯顿在泰晤士，朗伯斯，琉易舍姆，墨顿，纽汉，雷德布里奇，里士满在泰晤士，南华克，萨顿，哈姆雷特塔，沃尔瑟姆福雷斯特，旺兹沃思，威斯敏斯特。

As a result of this Becker has visited several places in Europe promoting the service, including Glasgow , Nairn , Moscow and Airdrie .

贝克尔因此在欧洲多国游历，包括格拉斯哥，奈恩，莫斯科，艾尔德里。

The concept of equivalent rotationally rigidity is offered and the formula of rotationally rigidity is obtained.

主要做了如下几个方面的工作：对伸臂位于顶部的单层框架—筒体模型进行分析，提出了等效转动约束的概念和转动约束刚度的表达式。

Male cats normally do not need aftercare with the exception of the night after the anesthetic.

男猫通常不需要善后除了晚上的麻醉。