贝多芬的

Come the main body of a book to be analysed the body drawing support from Beethoven sonata fair amount of confidence face material and document material such as music aesthetics , the science of history , philosophy , complying with music and study Beethoven sonata dramaticism characteristic cause of formation and concrete technique of expression.

本文借助贝多芬奏鸣曲的谱面材料以及相关文献材料，着重从音乐的本体来分析和研究贝多芬奏鸣曲的戏剧性特征的成因以及具体的表现手法。

Sonata form plus polyphony in late Beethoven and composers after him is a treasure to be explored.

奏鸣曲加上复调，对于晚期贝多芬，以及贝多芬之后的作曲家来说，一直是一个非常值得挖掘的宝藏，一个极有文章可作的方向。

I'll be your Beethoven; Roll over, Beethoven; Come and play with me

我就是你的贝多芬；奏起来吧，贝多芬；来和我一起演奏吧。

The introduction deals with these pieces composed before Beethoven so as to get the conclusion about the historical background of how specific color of C minor came into being. Chapter One studies three C minor piano pieces composed by Beethoven (Sonata No.5, Sonata No.8, Piano Concerto No.3), analyzes these first movements in detail from the perspective of the binary conflict, dotted rhythm, diminished seventh chord and the use of repeat notes. Chapter Two focuses on the similar backgrounds concerning compositions, general idea, theme design, heroic characters, etc. All of these characters could explain that how Beethoven understood and used the to...更多nality of C minor.

随后选择贝多芬1800年之前创作的三部C小调钢琴作品(《第五钢琴奏鸣曲》、《第八钢琴奏鸣曲》、《第三钢琴协奏曲》)进行研究，并着重第一乐章，从二元冲突、附点节奏、减七和弦、重复音的运用等方面进行具体分析，归纳三部作品在创作背景、总体构思、主题设计、英雄性格等方面的相似之处，从而解释贝多芬对C小调调性的理解与运用以及这三部作品对贝多芬英雄主义风格形成的影响。

This Song Cycle is not only the real reflection of Beethoven's inner affection, but also a musician's strict and brave pursuit for art.

这部套曲不仅是贝多芬内心情感的真实写照，更是音乐家对声乐艺术严谨而大胆的尝试，是贝多芬晚期声乐创作中非常值得重视的作品。

He has made more than 20 recordings for the TELARC label including the complete Beethoven Bagatelles, four volumes of Mozart Piano Concertos, numerous works by Schubert, works of his fellow countryman John Field, Concertos, Sonatas and Nocturnes.

约翰-奥柯诺于1986年在美国通过发行他所演奏的全部贝多芬奏鸣曲的唱片而闻名，他为TELARC录制了20多盘CD包括贝多芬全部小品，莫扎特协奏曲，舒伯特作品和他的同乡约翰-菲尔德协奏曲，奏鸣曲和夜曲等。

In 1800 Prince Lichnowsky settled an annual salary of 600 florins on him, which was to be continued until Beethoven found a permanent position paying more.

当年轻的伯爵夫人约瑟芬和塞利斯·范·布伦斯维克1779年从匈牙利来到维也纳，贝多芬连续16天每天教她们4至5个小时，并且拒绝接受报酬。1800年，里奇洛乌斯基王子每年提供给贝多芬600弗罗林，一直延续到贝多芬找到一份薪水更高的固定工作为止。

In 1800 Prince Lichnowsky settled an annual salary of 600 florins on him, which was to be continued until Beethoven found a permanent posi tion paying more.

当年轻的伯爵夫人约瑟芬和塞利斯·范·布伦斯维克1779年从匈牙利来到维也纳，贝多芬连续16天每天教她们4至5个小时，并且拒绝接受报酬。1800年，里奇洛乌斯基王子每年提供给贝多芬600弗罗林，一直延续到贝多芬找到一份薪水更高的固定工作为止。

Based on essence of music, this part mainly studies on how Beethoven expressed the theatrical characters by focusing on Beethoven"s reform both in sonata"s divertimento and music form and other ways of composing.

三、&贝多芬钢琴奏鸣曲&戏剧性&特征成因&主要从内在和外在两方面因素、从史学和哲学角度探究产生贝多芬音乐戏剧性特征的因素。

Beethoven's first composition published in 1782,Paul Hindemith is the guest of honor in Beethovenhaus. His works and history is displayed alongside Ludwig van Beethoven because they appear to have many amazing similarities and correlations. For example, both of them had been deeply affiliate with Voila (below is the voila used by Beethoven in Bonn). Both of them shared similar admiration for Bach and had worked on his music.

信德米特同学是贝多芬故居的荣誉客座嘉宾，贝多芬故居里同时展览贝多芬和他的展品，这两位同志原本八竿子打不着的，不过后来越走越近，历史学家翻旧账时候的亦发现了诸多惊人的相似处，譬如他们与中提琴的深厚渊源和热爱(照片上是贝多芬在波恩用过的中提琴)，譬如他们对巴赫同学的崇拜以及对巴赫作品的在加工，等等。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。