贝多芬的

In 2007 the young musicians impressed critics and audiences with their polished performances of Beethoven and Berlioz.

期间，由杜达梅尔和他的乐团录制，由德意志唱片公司发行的的几张唱片都引起了不小的轰动，其中包括了贝多芬的第五交响曲和马勒的第五交响曲。

While not as bombastic as Savatage's fourteen rock epics which touch on topics as diverse as the Russian Revolution, the 15th century explorer Ferdinand Magellan's descendants, and Beethoven's last night, the record still has a grandiose, almost over-arching baroque feel, with its prog-rock organ swells and electronic alchemy.

虽然不是夸夸其谈的Savatage的14摇滚史诗其中涉及的主题多种多样，包括俄国革命，15世纪探险家费迪南德麦哲伦的后裔，和贝多芬的最后一夜，记录仍然有一个宏伟的，几乎涵盖范围广泛的巴洛克式的感觉，其编岩器官膨胀和电子炼金术。

Let's tell the truth; Beethoven's music is nice and heart-stirring while Michelangelo's art is wonderful. No one can deny them.

且让我摸着我的良心说话，贝多芬的音乐是优美悦耳的，是振奋人心的；米开朗基罗的雕刻艺术是无懈可击的，这一切皆是无可否认的事实。

I have always enjoyed observing patterns: the point and counterpoint in Beethoven's 15th string quartet and the intricate fingerings and crescendo in his Kreutzer sonata, for example, as well as the rise and fall of the empires of history.

我总是喜爱观察模式：在贝多芬的第15首弦乐四重奏里的点与对位法和和他的克罗伊策奏鸣曲里的高潮和错综复杂的弹奏，例如，就像历史帝国的建立和灭亡一样。

Indeed,"Luminosa" boasts choral numbers arranged by Prizeman from a surprising variety of sources, including Saint-Saens'"Carnival of the Animals," Beethoven's Seventh Symphony, Pachelbel's "Canon," and Debussy's "Clair de Lune." Set to Latin words and recorded in an echoey acoustic style, the results have a churchy feel without being doctrinal.

的确，luminosa专辑中包括了很多出色合唱歌曲，是罗伯特从众多的音乐类型中选取出来的，包括Saint-Saens'"Carnival of the Animals，"贝多芬的第七交响曲，巴夏贝尔的圣颂和德彪西的月光，以拉丁文和回响式的音响风格编奏，因此演唱具有教堂的氛围，却不刻板。

In September 1981, he was invited by Center of U.S. China Arts Exchange to the United States, where he studied with Prof. Otto Muller of Yale University. In 1982, he successfully conducted at Aspen Festival in the United States. Commissioned by French Music Sound Records Corporation, he made the recording of Beethoven's Symphony No. 1 and No 4. From September 1983 to January 1985, he was involved in the production of the Song Cycle of Chinese Revolutions. Since 1985, he has toured Russia, Japan, Italy, the United States, Britain, Switzerland, South Korea, Democratic People's Republic of Korea, Thailand, Singapore, Australia and Germany, as well as such places as Hong Kong, Macao and Taiwan. In January 1998 and February 1999, Chen Xieyang visited Austria, Germany, and Denmark with Central Nationalities Orchestra of China. He gave concerts on the New Year's Eve of the lunar calendar in the Golden Hall in Vienna, Berlin Philharmonic Hall and so on. In August 2000, with the Central Nationalities Orchestra of China Chen Xieyang participated in the project 'Chinese Culture Touring in the United States', during which they presented concerts in Lincoln Center.

1981年9月，陈燮阳应邀赴美国考察，师从耶鲁大学奥托·缪勒教授进修指挥课并指挥多个美国乐团演出。1982年他在美国阿思本音乐节指挥音乐节乐团获得成功。1983年8月，他应法国"音乐之声"唱片公司之约，指挥中央乐团录制了贝多芬的第一、第四交响曲。1983年9月至1985年1月，陈燮阳参加大型音乐舞蹈史诗《中国革命之歌》的指挥工作。1985年以来，陈燮阳先后赴前苏联、日本、意大利、美国、英国、瑞士、韩国、朝鲜、泰国、新加坡、澳大利亚、德国等国家和港、澳、台地区举办音乐会，均受到欢迎和赞誉。1998年1月和1999年2年，陈燮阳率中央民族乐团赴奥地利、德国、丹麦等地，在世界著名的维也纳金色大厅和柏林爱乐大厅以及其他城市音乐厅举办中国新年音乐会。2000年8月，他又率中央民族乐团赴美国参加"中华文化美国行"的巡回演出，其中包括在纽约著名的林肯艺术中心举办音乐会。

Mozart's Don Juan was played in the first performance of the opera house. However it failed to escape during the WWII in 1945. The reconstruction work lasted for ten years. On 15th Nov., 1955, the new house took Beethoven's opera Fidelio as its first show to celebrate its new future.

歌剧院以莫扎特的《堂璜》作为首演，却没能躲过1945年二战的战火，重建工作持续了十年，1955年11月15日，整修一新的歌剧院以贝多芬的《费德里奥》为首演，庆贺自己的第二个春天。

Bestriding the two periods of classical music and romantic music, Beethoven's A Major Key Piano Sonata (Op.101) is a big fantasia, with the precise way of classical rural style and the mark of romanticism. It exceeds the epoch and fully reflects a great composer's creative bourn of high professional proficiency.

贝多芬的《A大调钢琴奏鸣曲》(Op.101)是一首大型的幻想曲，横跨古典音乐和浪漫主义音乐两个时期，它既有古典田园风格的严谨作风，又有浪漫主义的痕迹，超越了时代，达到了伟大作曲家炉火纯青的创作境界。

If Beethoven's "Moonlight Sonata" and of Shakespeare, whose Lorenzo declaims in The Merchant of Venice, How sweet the moonlight sleeps upon this bank!

想到了贝多芬的&月光曲&，想到了莎士比亚的威尼斯商人中Lorenzo的台词河床上熟睡着的是多么甜美的月光啊！

Inspired by Psalm 42 in the Book of Psalms, Mendelssohn wrote the music during his honeymoon at age 29 and dedicated his tender and submissive love to God the Creator. His Symphony No.2, Lobgesang was influenced by Beethoven's Choral and he described it as a "symphony-cantata." The composer conducted as many as 500 people for its world premiere at Thomaskirche, Leipzig, creating a spectacular event.

这首来自诗篇42的泉涌灵思，在他29岁蜜月旅行时飘然入谱，他把温柔、深情、顺服的爱全然献给创造宇宙生命的上帝，新婚之心洋溢著哈利路亚；第二号交响曲《颂歌》，创意来自贝多芬的「合唱交响曲」，是首「交响清唱剧」的圣颂，当年在莱比锡汤玛士大教堂由孟德尔颂指挥五百人演、唱，盛况可想而知！

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。