贝多芬

During the one hour performance, Lang Lang, captivated the audience with several classical pieces, by Chopin, Beethoven, De Bussy, and a traditional Chinese piece 'Running After The Moon'.

在短短一个小时的演出中，朗朗为来宾们带来了诸多经典曲目，包括肖邦、贝多芬、德彪西，还有著名的中国名乐"彩云追月"。

These reflections came to mind while recalling the sensation experienced once when I played Mozart's D minor Concerto [K. 466] at a prominent European music festival, with Beethoven's magnificent cadenza.

这些想法源于我对往事的回忆，那时我在欧洲的一个著名音乐节上演奏莫扎特的D小调协奏曲[K.466]，中间用到了贝多芬所写的华采段。

If you want to know why classical music is in trouble, why it plays a smaller role in middle-class life than at any time since Beethoven's death, you will need to take a closer look at the camera-shy figures who control its organisation and assets.

如果你想知道为什么古典音乐是麻烦，所以发挥的作用较小的中产阶级的生活比在任何时候，因为贝多芬的死亡，你需要仔细看看相机，害羞的数字谁控制其组织和资产。

This is why countryside carline feels nothing special on Shakespeare's opera and Beethoven's music and can never understanding it.

这也就是，为什么乡下老太婆不会觉得贝多芬的音乐有什么特别，莎士比亚的歌剧，有什么值得会心一笑的地方了。

Then came his revolutionary Beethoven and the start of a trail blazing relationship with the Chamber Orchestra of Europe,to whom he remains a spiritual father.

然后他革命性地诠释了贝多芬的音乐，并开始与欧洲室内乐团结成史无前例的亲密关系。对他们来说，他是一位精神之父。

Then came his revolutionary Beethoven and the start of a trail blazing relationship with the Chamber Orchestra of Europe, to whom he remains a spiritual father.

接下来的生涯中，哈农科特对贝多芬的音乐做出了颠覆性的诠释，也开始同欧洲室内乐团进行引人注目的合作。对后者来说，他犹如精神之父。

Her students had also been invited to perform the Piano Concerto No.3 of Beethoven conducted by Hans Graf with St. Paul Chamber Orchestra of high reputation in USA.

此外，她的学生还应邀与美国极负盛名的圣保罗室内乐团合作演出贝多芬第三钢琴协奏曲。

In order to sustain their livelihood, he had to chop woods in the mountain at the age of 8. There are similarities between his childhood and that of Einstein and Beethoven.

六祖的处境与爱因斯坦、贝多芬、爱迪生的童年有相似之处，他们的智慧是来自於他们不得不默默地自己走路。

To my surprise, there was only one Chopin's piece and one from Beethoven.

令我惊讶的是，只有一人弹萧邦，一人弹贝多芬。

His compositions, particularly those of his later period, are notable for their contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: themes associated with specific characters, locales, or plot elements.

前面承接莫扎特，贝多芬的歌剧传统，后面开启了后浪漫主义歌剧作曲潮流，理查·施特劳斯紧随其后。同时，因为他在政治、宗教方面思想的复杂性，成为欧洲音乐史上最具争议的人物。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。