贝多芬

Ludwig von Beethoven: Piano Sonata No.16 in E major, Op.81a "Les Adieux"

贝多芬：降E大调第16钢琴奏鸣曲，作品81a，"告别"

Sonata in E flat major 'Les Adieux',Op.81a L.V. Beethoven

降E大调"告别"钢琴奏鸣曲，Op.81a 贝多芬

The programs provide some idea of the richness of Parisian artistic life during this period, such as the concert on March 23, 1833, in which Chopin, Liszt and Hiller played the solo parts in a performance of Johann Sebastian Bach's concerto for three harpsichords, and the concert on March 3, 1838, when Chopin, Alkan, Alkan's teacher Pierre Joseph Zimmerman and Chopin's pupil Adolphe Gutman played Alkan's 8-hand arrangement of Beethoven's 7th symphony.

节目表现了当时巴黎艺术生活的丰富多采，比如：1833年3月23日的音乐会上，肖邦、李斯特和希勒表演了JS巴赫三大键琴协奏曲的独奏部分，1838年3月3日的音乐会上，肖邦、Alkan、Alkan的老师Pierre Joseph Zimmerma和肖邦的学生Adolphe Gutman演奏了Alkan改编的贝多芬第七交响曲八手联弹版。

It's Beethoven who dominates the boondocks aboveboard actuality and it's absurd that he'll accept to accord up his even to a cairn adulatory a conference, which apoplectic all-around warming.

波恩广场，贝多芬俯视着这个城市，也不会把自己的地位让给一个正在举行的会议，这次会议将制止全球变暖的趋势。

General sonata, the first movement is all used to beginning from the sonata form of the allegro, but Beethoven is here destroys this kind of convention completely on one, begin from the adagio movement directly, after second movement in the allegretto , advance by leaps and bounds get urgent finale of board.

一般的奏鸣曲，第一乐章都习惯从快板的奏鸣曲式开始，但是贝多芬在此曲上彻底破坏了这种惯例，直接从慢板乐章开始，经过稍快板的第二乐章后，突进到急板的终曲。

I am,at once,Shakespeare,Beethoven,and Michael Angelo.

我同时是莎士比亚，贝多芬和米开朗琪罗。

Sure, there have been exceptions (say, Matisse's The Dance), but it would not be a stretch to say that for the past century or so, serious art has been at war with happiness. In 1824, Beethoven completed the "Ode to Joy." In 1962, novelist Anthony Burgess used it in A Clockwork Orange as the favorite piece of his ultraviolent antihero.

当然也有些例外（比如，马蒂斯的《舞蹈》），但可以毫不牵强地说，在过去的大约一个世纪里，严肃艺术一直与快乐相冲突。1824年，贝多芬完成了《欢乐颂》。1962年，小说家安东尼·伯吉斯在《发条橙》中将它作为书中极端粗暴的反英雄最喜欢的乐曲。

The thesis mainly discusses the basic demand for emotional experience when a music appreciator is listening to music.

而当我们听到缓慢的、如泣如诉的贝多芬《悲怆》第一乐章音乐主题时，一种悲苦、凄凉的感情会不由自主地在我们的心头涌起。

A student of Claudio Arrau, Mr. Ohlsson has come to be noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire.

作为克劳迪亚·阿劳的学生，奥尔森在演绎莫扎特、贝多芬、舒伯特作品时候所展现出来的水准完全不亚于其对于浪漫主义作品的诠释，充满着大师的风范。

He knows that he's not going to magically wake up one day and be gifted with the amazing ability to play Beethoven's fifth.

乔知道自己不会神奇的在某天里有所觉悟并能熟练地演奏贝多芬的第五交响曲。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。