贝多芬

The music is incomparable to that of Beethoven.

这乐曲不能与贝多芬的相比。

There was still a set of those fascinating volumes on the living-room bookshelves, incongruously kept upright by a bookend of Beethoven at his piano.

客厅的书架上现在还放着这么一套有意思的书，不协调的是，让这套书立得直直的是一个贝多芬弹琴模型的书档。

From this point of view, we know that the difference between the voice of oriole and the music of Beethoven is the feeling between innateness and one must acquired by education.

这种贝多芬与黄莺之间的差异，或许就是后天感觉与天真之间的差别吧！

The music of Irving Berlin is scarcely comparable to that of Beethoven.

欧文·伯林的音乐很难与贝多芬的媲美。

The music of Irving Berlin is scarcely comparable to that of Beethoven .

这时，在他脑海里盘旋着贝多芬的乐曲。

In our same contemporary culture we accept and evaluate, according to different standards, both a new performance of Beethoven's Fifth and a new Jam Session on the Basin Street theme.

与我们同时代的文化中，按照不同的标准，我们对贝多芬第五交响曲的新演出和某场《北新街》主旋律的新的即兴演奏，均加以接受和评价。

This is an exaggerated expression of a true enough state of affairs: Johannes Brahms, as pianist, began with chamber music and remained devoted to the genre all through his life.

从贝多芬到马勒的交响乐，这是一种被十足夸张了的表述形态。身为钢琴家，勃拉姆斯从室内乐开始，并终身醉心与保持了这种风格。

Ludwig van Beethoven copied several contrapuntal examples by Caldara from a publication by his teacher Johann Georg Albrechtsberger , and Johannes Brahms is known to have possessed a copy of some of Caldara's canons.

贝多芬一些使用复制的出版物的例子几个对位的卡尔达拉他的老师约翰格奥尔Albrechtsberger，以及布拉姆斯是已知拥有一对卡尔达拉的大炮一些副本。1

I have always enjoyed observing patterns: the point and counterpoint in Beethoven's 15th string quartet and the intricate fingerings and crescendo in his Kreutzer sonata, for example, as well as the rise and fall of the empires of history.

我总是喜爱观察模式：在贝多芬的第15首弦乐四重奏里的点与对位法和和他的克罗伊策奏鸣曲里的高潮和错综复杂的弹奏，例如，就像历史帝国的建立和灭亡一样。

Beethoven is nonsense, Pushkin and Lermontov also.

贝多芬的作品都是无聊的废物。。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。