象狗的

In the half light, the Alsatian took on the appearance of a wolf.

在暗淡的光线下，奥尔赛梯安狗象一只狼。

My daddy said it looked like the coon dog he had when he was a kid ..

我爸爸说它看起来有点象他小时侯养的一条狗。。

Amputated spirit. There is no prosthetic for that. You think you're merely sending this splendid foot soldier back home to Oregonwith his tail between his legs, but I say you are...

义肢，你以为你只是把这好青年象落荒狗似的送回家，我说你是处死了他的灵魂，为什么？

We sort of bonded the last time and talked about dogs and clothes, girlie things.

上次我们谈论了许多美女之间的事情，象小狗，衣服等等。

You cannot compare race to skill like you would compare a greyhound's speed to a husky's.

你不能把种族和技巧作比较，就好象你不能把灰狗和爱斯基摩犬的速度作比较一样。

Others took up the mats covering the platform, shook them to leeward, lash them down again in a seamanlike manner, and heaved on the forestays, now slackening with the heat of the sun, while a third party brought up small pigs,edible dogs and fowls, in baskets, mostly from larboard hull, and arranged them on the forward part of the deck where they sat good and quite, as ship-borne animals so often do.

另一些人把铺在平台上的席子拿起来，在下风处摇晃一番，再象水兵那样，把席子重新用绳子扎牢，又开始拉紧前桅支索，因为太阳的烤晒，现在前桅支索已经变松了。第三组女人把篮子里装的小猪、菜狗和家禽，从左舷船身里运上来，再把这些都安排在靠近船头那边的甲板上，这些猪狗和家禽都安静地坐着，海上出生的动物经常就是这样的。

As indicated by the paleontological record, mammoths were social animals, just like elephants, dogs, and humans.

如表示的是由古生物学纪录，庞然大物是社会动物，象大象、狗和人。

All of Erkynland seemed to roister and tumble like a summer-drunken dog.

整个Erkynland土地，似乎都在喧闹着、混乱着，象一只夏天喝醉了的狗。

For centuries, silk trade yielded substantial profits and tycoons emerged one after another. At length , nowhere was found more affluence than in the coastal duo . In Nanxun Town alone, northern Zhejiang's Huzhou City, there lived "four Elephants, eight Bulls , seventy-two Gold Dogs". The "Elephant" was a nickname for people whose property valued over one million tael of silver (some 23 million USD).

几百年来，靠丝业致富的巨商大贾比比皆是，江浙终成近代中国最富庶的地方，仅在湖州一个叫南浔的小镇上，就有"四象八牛七十二黄金狗"，称"象"者，家产需在100万两白银以上。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。