象狗

In the half light, the Alsatian took on the appearance of a wolf.

在暗淡的光线下，奥尔赛梯安狗象一只狼。

But as soon as he came near to Androcles he recognised his friend, and fawned upon him, and licked his hands like friendly dog.

但是，当他来了近到他认可他的朋友的Androcles和讨好在他和舔他的象友好的狗的手。

The nigger kind of smiled around graduly over his face, like when you heave a brickbat in a mud-puddle, and he says: Yes, Mars Sid, A dog.

是喂狗么？"这个黑奴脸上漾开了笑容，好象一块碎砖扔进了一片泥塘。他说："是的，西特少爷。

In this work, he mounted LCD displays approximately the size of eyeglasses in a helmet and connected them through a trunk-like tube with a camera the size of a pinhead attached to the end of this trunk. The trunk reached to just below the knee of the viewer, in other words to just the height, where a dog's eyes would normally be.

这件作品为一个头盔里面安装了眼镜般大小的液晶显示器，以一条类似象鼻的长管，连接到管子末端的针孔摄影机，长度大约到达膝盖以下，也就是「狗眼」的位置。

A dog of dignity, the Clumber Spaniel may sometimes seem aloof with people unknown to him, but in time he will display his playful and loving nature.

他是一种高贵的狗，有时好象会避开人类，有时又显示出顽皮、友爱的天性。

My daddy said it looked like the coon dog he had when he was a kid ..

我爸爸说它看起来有点象他小时侯养的一条狗。。

He would scream, and young Dagwood would come rushing into the boss's office like a frightened puppy.

他常常这么大声喊叫自己的下属，而那倒霉的巴姆斯戴德，总是象只受惊吓的小狗一样赶紧跑到老板的办公室。

For example, when German author Michael Ende created a "Luckdragon" in his fantasy novel "The Neverending Story" and a movie was made based on it, many western audiences were confused as to why a "Luckdragon" had no wings and looked like a giant flying dog.

例如， 当德国作者迈克尔Ende 创造了一"Luckdragon"在他的幻想新颖的"The Neverending Story"并且电影拍了根据对此，许多西部观众是迷茫的至于为什么"Luckdragon"没有翼和看起来象一条巨型飞行狗。

In appearance he is a small, thickset, cobby, black, tailless dog, with a fox-like face.

其外貌是小型、粗壮、象矮脚马、黑色、没有尾巴的狗，脸象狐狸。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失