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We tell the brethren, that if they do not pay more attention to the pure, simple, beautiful symbolism of the Lodge and less to the tinsel, furbelow, fire and feathers of Scotch Ritism and Templarism, the Craft will yet be shaken to its very foundations!

告诉我们兄弟,如果他们不给予更多的关注纯粹的,简单,美丽的象徵意义的旅馆和较少的金属丝,俗丽的装饰,消防及羽毛的苏格兰Ritism和Templarism ,工艺将尚未被动摇它的根基!

In spite of these disavowals, the Declaration of 1682 remained thenceforward the living symbol of Gallicanism, professed by the great majority of the French clergy, obligatorily defended in the faculties of theology, schools, and seminaries, guarded from the lukewarmness of French theologians and the attacks of foreigners by the inquisitorial vigilance of the French parliaments, which never failed to condemn to suppression every work that seemed hostile to the principles of the Declaration.

尽管有这些disavowals ,该宣言的1682年仍然thenceforward生活的象徵Gallicanism ,声称绝大多数的法国教士,强制辩护的神学系,学校和神学院,守卫从lukewarmness的法国神学家和袭击外国人的审问警惕的法国议会,而从未失败过,谴责以制止一切工作似乎敌视的原则宣言。

Another rite common to both is that in which the presiding officer brands on the body of the worshiper with hot metal stamps the sacred symbols of his sect, the trident and the linga of Siva, or the discus and conch-shell of Vishnu.

另一个成年礼共同的是,在该品牌的主持官员对人体的崇拜者与铁水邮票的神圣象徵,他的教派,三叉戟和林加的湿婆,或铁饼和海螺,贝壳的毗湿奴。

But now since Christ the true Messiah is exhibited unto us, and the abundance of grace is poured forth upon the people of The New Testament, the sacraments of the old people are surely abrogated and have ceased; and in their stead the symbols of the New Testament are placed--Baptism in the place of circumcision, the Lord's Supper in place of the Paschal Lamb and sacrifices.

我们的圣礼接替旧其中废止,但现在既然基督真实的弥赛亚是展示讲给我们和丰富的恩典是浇出来后,人的新约圣经,圣礼的老人们肯定废止,并已停止;,并在其而起的象徵新约圣经放在-洗礼,在地方的割礼,主的晚餐到位的逾越节羔羊和牺牲。

Yet even this religion is rarely classed by scholars among monotheistic religions, owing to the polytheistic colouring of its worship of the subordinate nature-spirits, and also to its retention of the ancient Aryan rite of fire-worship, justified by Zoroastrians of modern times as a form of symbolic worship of Ormuzd.

然而,即使这种宗教是很少归类学者之间的一神教,由於多神教色彩的崇拜服从自然的精神,同时也保留了古代雅利安人成年礼的消防崇拜,合理的拜火教徒的现代倍一种形式的象徵性的崇拜Ormuzd 。

These personal judgments can be generalized as an expression of values. According to the contradictions of Pugin's values, the fusion of Ruskin's values, and the relative importance of Viollet-le-Duc's values, we can infer the ideology of the theorists who encouraged the Gothic Revival.

理论家个人的价值判断可以被归结为价值观的呈现,普金内心的价值观呈现机能与形式的矛盾现象,罗斯金内心的价值观呈现美感与象徵意义的融合,维奥列-勒-杜克内心的价值观呈现工程技术至上、历史文化次之的轻重之分,我们可以据此推论理论家推动哥德复古的心路历程,并给予历史的评价。

Pugin considered that the meaning of the Gothic Style is religious symbolization. Ruskin considered that the meaning of the Gothic Style is a perfect combination of beauty and human nature. Viollet-le-Duc considered that the meaning of the Gothic Style is the rationality of construction technology.

藉由个人论述的拆解,三位理论家的观点异同顿时浮现,普金认为哥德样式的内涵在於宗教的象徵意义,罗斯金则认为哥德样式的内涵是美感与人性精神的完美结合,维奥列-勒-杜克则强调哥德样式的内涵在於构造技术的合理性。

Known as the last Darayee weaver in Yazd, Iran, Ramazan Rezayee is creating a rich and symbolic Persian rug. Pressing down the wooden panel to secure the colorful threads, Ramazan begins this traditional art. With each shuttle, the wooden machine clicks away looming together the silken threads of natural tones dipped in pots of red, green and blue dyes. He has been doing this ancient skill for 70 years and intends to keep this artistry alive till his final breath.

伊朗亚兹德的拉玛桑E瑞萨伊,是最后的达拉依编织师傅,编织著华丽、充满象徵性的波斯地毯,压下木条,拉紧五彩缤纷的线,拉玛桑开始这项传统的艺术,木制编织机的梭子,将红绿蓝色丝线编织起来,这项古老的技术,他已经做了70年,也要将这个手艺继续存活,直到他咽下最后一口气。

The paper is based on field work, the author classified the folk temple into 3 types: 1, the simple temples spontaneously built by root class: peasants, 2, the great temple which have symbolic meanings, 3, the temple as part of tour buildings which have some official backgrounds. In the following section, the author analysised the causes of the classification in theory, thereof, he discussed the function and value of folk religion.

本文在实地调查的基础上分析了民间寺庙的三种类型-一是较为自发和简易的"三间房"类型;二是带有象徵意味的较为雄壮气派的类型;三是带有旅游参观性质的具有一定官方背景的类型;并分析各种类型寺庙的建立原因,分别给予理论上的解释,由此进一步讨论了民间宗教的功能及其价值。

What these three edifices manifest is "concrete-form imagery": The most eye-catching feature of the Grand Louvre expansion project is I.M. Pei's glass pyramid, employing modern-day materials to manifest anew the dream of the ancient Egyptians, to transcend mundane existence and to enter into a heavenlyparadise beyond the influence of events in time and space and not subject to natural deterioration; the four-sided La Defense Arch symbolizes a window "opened to the world and welcoming the future"; and the French National Library's four L-shaped glass-walled towers concretely represent opened books standingon end, giving the viewer the immediate impression of "book."

这三件建筑作品呈现的都是「具支配之世外桃源的古老梦想;拉德芳斯凯旋门象徵「一扇开向世界、迎向未来」像的意象」:大罗浮宫计画中最受注目的,是贝聿铭的玻璃帷幕金字塔,使用现代材料重现埃及民族渴望超脱其生存的现世,进入一个不受时间与自然毁坏法则的窗子;国家图书馆则以四座L型玻璃帷幕高塔,具体表现出四本打开立放的书,直接传递「书」的立即印象。

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