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Taiwan drove to the 21 line continued to visit on the 12th bridge, the entrance to a note card, that is, at the entrance to Mount Zion, according to indicators continued to turn left can see the door of Zion Holy Mountain, above the two white A winged cherubim (Mount Zion built cherubim door is symbolic of God Chapai angel guards the road leading to the tree of life, security guards God's sacred mountain, symbol of human life to the Eden tree has smooth the road), The mood is extremely beautiful; along the way can also see many of special significance to the beautiful scenery and attractions, such as the Tianchi Zion, David Castle, the Arc de Triomphe House, Victory Tower, the Monument of truth over power, Tianxiayijia, Meiyuan, Ting Li-jun, The altar, the Temple of Christ is the rock, flashing the tent, Zion tree house, and so on the beautiful scenery, as if your exposure in the nature of worldly paradise!

驱车前往台21线续行至12号桥头处,可以入口处有一说明牌,此即为锡安山的入口处;依指标左转续行可以看见锡安圣山的大门,上面安有两个白色著翅膀的基路伯(锡安山建基路伯大门乃象征神差派天使看守通往生命树的道路,护卫神的圣山,又象征人类通往伊甸生命树的道路已经畅通了),意境极为优美;沿途也可以看见许多具有特殊意义的景物和美丽的景点,如锡安天池、大卫城堡、凯旋楼、胜利大楼、真理战胜强权纪念碑、天下一家、梅园、立君亭、祭坛、圣殿、基督是磐石、闪的帐棚、锡安树屋等等美丽的景致,让您置身在彷佛人间仙境的大自然中!

Allowed the date that" year" indulge in atrocities on the whole, the common people treat this terrible night as to close to come then very, call" year end", and figured out a the whole set to celebrate New Year's Eve the way of the pass:Each time to this evening, each per families work well the supper in advance, turn off the clean cooking stove, then chase a fastening with all stockade of chicken, the house hospital in front and back the doors all seal, hiding to eat" New Year's Eve dinner" in the house, because of this dinner have fierce 吉 don't 卜 of meaning, so buy very flourishing, in addition to wanting that the whole family the old and the young rounds together to have a meal to mean in peace and harmony and reunitedly, return the beard at have a meal to provide the worship of ancestors before and first first, the spirit of the imprecation ancestry protect, spending this night safe and sound, after eating the supper, who all dare not the sleeping, pushing to sit together to talk away to encourage.

到了宋代,人们便开始在桃木板上写对联,一则不失桃木镇邪的意义,二则表达自己美好心愿,三则装饰门户,以求美观。又在象征喜气吉祥的红纸上写对联,新春之际贴在门窗两边,用以表达人们祈求来年福运的美好心愿。为了祈求一家的福寿康宁,一些地方的人们还保留着贴门神的习惯。据说,大门上贴上两位门神,一切妖魔鬼怪都会望而生畏。在民间,门神是正气和武力的象征,古人认为,相貌出奇的人往往具有神奇的禀性和不凡的本领。他们心地正直善良,捉鬼擒魔是他们的天性和责任,人们所仰慕的捉鬼天师钟馗,即是此种奇形怪相。所以民间的门神永远都怒目圆睁,相貌狰狞,手里拿着各种传统的武器,随时准备同敢于上门来的鬼魅战斗。

Allowed the date that" year" indulge in atrocities on the whole, the common people treat this terrible night as to close to come then very, call" year end", and figured out a the whole set to celebrate New Year's Eve the way of the pass:Each time to this evening, each per families work well the supper in advance, turn off the clean cooking stove, then chase a fastening with all stockade of chicken, the house hospital in front and back the doors all seal, hiding to eat" New Year's Eve dinner" in the house, because of this dinner have fierce 吉 don't 卜 of meaning, so buy very flourishing, in addition to wanting that the whole family the old and the young rounds together to have a meal to mean in peace and harmony and reunitedly, return the beard at have a meal to provide the worship of ancestors before and first first, the spirit of the imprecation ancestry protect, spending this night safe and sound, after eating the supper, who all dare not the sleeping, pushing to sit together to talk away to encourage.

到了宋代,人们便开始在桃木板上写对联,一则不失桃木镇邪的意义,二则表达自己美好心愿,三则装饰门户,以求美观。又在象征喜气吉祥的红纸上写对联,新春之际贴在门窗两边,用以表达人们祈求来年福运的美好心愿。为了祈求一家的福寿康宁,一些地方的人们还保留着贴门神的习惯。据说,大门上贴上两位门神,一切妖魔鬼怪都会望而生畏。在民间,门神是正气和武力的象征,古人认为,相貌出奇的人往往具有神奇的禀性和不凡的本领。他们心地正直善良,捉鬼擒魔是他们的天性和责任,人们所仰慕的捉鬼天师钟馗,即是此种奇形怪相。所以民间的门神永远都怒目圆睁,相貌狰狞,手里拿着各种传统的武器,随时准备同敢于上门来的鬼魅战斗。由于我国民居的大门,通常都是两扇对开,所以门神总是成双成对。唐朝以后,除了以往的神荼、郁垒二将以外,人们又把秦叔宝和尉迟恭两位唐代武将当作门神。相传,唐太宗生病,听见门外鬼魅呼号,彻夜不得安宁。于是他让这两位将军手持武器立于门旁镇守,第二天夜里就再也没有鬼魅搔扰了。

The author thought Li He and Keats'similarity, lies not merely in the work content, the style and the rhetoric technique, looking from deeper one, they both have inherited and developed romanticism technique, also have advancing, have the symbol and only the beautiful tendency, but this is related with the psychology which created with theirs special situation , their unsimilarity, besides experience different, also is closely linked with the different cultural tradition they inherited.

本文从浪漫主义向唯美主义、象征主义转化的这一大背景出发看李贺诗歌在诗歌史上的地位和意义,并将其与济慈比较,认为李贺与济慈的相似,不仅仅在于作品的内容、风格和修辞手法上,从更深一层看,他们在继承和发展了浪漫主义手法的同时,又具有超前性,有象征和唯美的倾向,而这与他们的特殊处境所造成的心理状态有关,他们的不同之处,除了经历的不同外,也与他们所继承的文化传统息息相关。

Muscular and handsome breed of working dog known for its distinctive white mask and dark widow's peak; also called Arctic sled dog; double coat is thick, of medium length, coarse, and insular and comes in various shades of gray with lighter white and darker black areas; ears relatively small compared to head and are erect and slightly rounded at ends; tail is bushy and carried gaily and loosely curled over rump; eyes are almond-shaped, wolflike yet trusting, and light brown in color; adult stands 20 25 in.(51 64 cm) tall at shoulders and weighs 50 85 lbs (23 39 kg); firm, compact feet allow dog to pull heavy loads through deep snow; where the Siberian husky is designed for speed, this breed is designed for power; very fond of people, especially children; enjoys rolling around in snow and prefers outdoor life; great at sled-pulling contests; named after the Mahlemuts, nomadic and skilled Inuit people who migrated from Siberia over a land bridge into northwestern Alaska with these dogs thousands of years ago.

爱斯基摩犬是工作犬的一支,肌肉发达,英俊潇洒,因其与众不同的白色双颊和暗色额头&V&型发尖而闻名,它也被称为&北极雪橇犬&;厚而粗糙适中长度偏狭的双层毛皮,以多样化的灰度梯度混杂着轻度的白色和深黑区域表现出来;耳朵相对头部较小,挺立并轻微地环绕在头部末位;尾巴浓密的,松弛地卷曲盘绕在臀部上方;眼睛呈杏仁状,狼一般的长相,值得信赖,毛色呈浅棕色;成年犬站立肩高51—64厘米,重23—39公斤;牢固坚实的足部使得爱斯基摩犬能够拉动重负载在深厚的雪中前进;如果说西伯利亚哈士奇被认为是速度的象征,爱斯基摩犬被认为是力量的象征;它们喜欢人类,尤其是孩子,喜欢在雪中滚动,尤其喜欢户外生活;非常擅长牵引雪橇的竞赛;它以爱斯基摩而命名,游牧和富有经验的因纽特人在几千年前和这些狗一起从西伯利亚通过北方大陆桥迁移到阿拉斯加。

The triangular figure is like screw of the steamer , signify Shanghai is a city that is advancing constantly; Pattern in the center set sail large junk that go to sea,Shanghai Harbor most old shipping, it signify Shanghai one with a long history port city , show magnificent brilliant a tomorrow; The background of the large junk is in face of the white yulan in full bloom of early spring.

三角图形似轮船的螺旋桨,象征着上海是一座不断前进的城市;图案中心扬帆出海的沙船,是上海港最古老的船舶,它象征着上海是一个历史悠久的港口城市,展示了灿烂辉煌的明天;沙船的背景是迎着早春盛开的白玉兰。

It suggests therefore that people should follow their instinct and"man-as-consumer considers the experience of pleasure an obligation, like an enterprise of pleasure and satisfaction; one is obliged to be happy, to be in love, to be adulating/adulated, seducing/seduced, participating, euphoric, and dynamic"Baudrillard believes that the ideology of consumption is"presented under the guise of gratification, of a facilitated access to affluence, of a hedonistic mentality, and of'freedom from the old taboos of thrift" The Titan is Dreiser's representation and encouragement of hedonism and consumerism Here, women become a subject consuming as well as an object being consumed In The Financier, we see what is promised for Cowperwood is"a world of mansions, carriages, jewels, beauty, a vast metropolis outraged by the power of one man, a great State seething with indignation over a force it could not control, vast halls of priceless pictures, a palace unrivaled for its magnificence, a whole world reading with wonder, at times, of a given name"Throughout The Trilogy, Cowperwood indulges in his pursuit of women, mansions and art objects I think Dreiser's representation of the hero's pursuit of women, mansions, objects of art indicates the inherent ideology--consumerism.

消费文化旨在诱导或鼓励人们摆阔性的挥霍浪费。这种文化所倡导的道德标准是,有钱建豪宅,买昂贵服装,吸引和占有最美的女人在道德上就是正确,有价值的。这时的物品就象鲍德里拉所说的那样已经成为地位的象征,而不是仅仅满足基本的需要。因此,人们应该听从本能的驱使,&作为消费者的人将享乐看成是自己的义务,享乐和满足就象是一种事业&。鲍德里拉指出消费意识形态的欺骗性在于其&倡导的满足、富裕、享乐和'冲破节检的旧樊篱'&。德莱塞在《巨人》中正是表现了这种消费意识形态。妇女、服装和豪宅已成为地位和权力的象征。《金融家》所预示给柯帕乌的是&公寓、四轮马车、珠宝和美物;整个大都会都要被一个人的权力所激怒;一个伟大的国家也要因为一种不能控制的力量而愤怒填膺;充满了无价珍宝的大厅;无与伦比的豪华宫殿;整个世界都惊叹地阅读着一个熟悉的名字&。当然,在整部小说里我们很少发现柯帕乌有抽烟饮酒的嗜好,但他却始终沉溺于性乱交之中。

Pumpkins are also a symbol of Halloween46; The pumpkin is an orange-colored squash, and orange has become the other traditional Halloween color46; Carving pumpkins into jack- o'-lanterns is a Halloween custom also dating back to Ireland46; A legend grew up about a man named Jack who was so stingy that he was not allowed into heaven when he died, because he was a miser46; He couldn't enter hell either because he had played jokes on the devil46; As a result, Jack had to walk on the earth with his lantern until Judgement Day46; So Jack and his lantern became the symbol of a lost or damned soul46; To scare these souls away on Halloween, the Irish people carved scary faces out of turnips, beets or potatoes representing "Jack of the Lantern," or Jack-o-lantern46; When the Irish brought their customs to the United States, they carved faces on pumpkins because in the autumn they were more plentiful than turnips46; Today jack-o-lanterns in the windows of a house on Halloween night let costumed children know that there are goodies waiting if they knock and say "Trick or Treat!"

南瓜也是万圣节的标志性象征。南瓜是橘黄色的,所以橘黄色也成了传统的万圣节颜色。用南瓜雕制南瓜灯也是一个万圣节传统,其历史也可追溯到爱尔兰。传说有一个名叫杰克的人非常吝啬,因而死后不能进入天堂,而且因为他取笑魔鬼也不能进入地狱,所以,他只能提着灯笼四处游荡,直到审判日那天。于是,杰克和南瓜灯便成了被诅咒的游魂的象征。人们为了在万圣节前夜吓走这些游魂,便用芜菁、甜菜或马铃薯雕刻成可怕的面孔来代表提着灯笼的杰克,这就是南瓜灯(Jack-o'-lantern)的由来。爱尔兰人迁到美国后,便开始用南瓜来进行雕刻,因为在美国秋天的时候南瓜比芜菁更充足。现在,如果在万圣节的晚上人们在窗户上挂上南瓜灯就表明那些穿着万圣节服装的人可以来敲门捣鬼要糖果。

However, the same one character, in modern times in Europe but have completelydifferent meanings. In 1920, when the German Nazi leader Adolf Hitler the "swastika" as the Nazi Party's emblem, which he considered a symbol of "Aryan fight for the victory of the struggle of the mission","swastika" became a fascist rule, violence and bloody terror symbol.② the same symbol, in a different

但是,同样的一个字符,在近代的欧洲却有着完全不同的含义。1920年,当时的德国纳粹党魁希特勒将&卐&用作了纳粹党的党徽,他认为这象征着&争取雅利安人的胜利的斗争的使命&,&卐&遂成为了法西斯统治,暴力和血腥恐怖的象征。

Then a conclusion is drawn that Mao Zedong is a poet of the red flag because the red-flag image,with symbolic implications and aesthetic values,is a poetic reflection of his views towards revolution,reflecting his political sense,revolutionary belief,and battle lif.

本文运用马克思主义文艺观和中国传统文艺美学的批评方法,通过对毛泽东诗词中&红旗&意象的细致的文本解读,来剖析其成因和美学蕴涵,然后得出结论:因为&红旗&意象映照出毛泽东的政治意识、革命信念和战斗生涯,是他对革命生活和斗争的诗化的认识和反映,具备了象征内涵和审美价值,形成了象征美、色彩美、动态美和力量美的统一,所以,毛泽东堪称&红旗&诗人。

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However, as the name(read-only memory)implies, CD disks cannot be written onorchanged in any way.

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