象征性的

Eastern Han period, the country under the Confucian classics in order to worship and Court dress costumes as the center of ritual clothing, formal clothing and the ceremonial activities corresponding to the different costumes, such as Level and make a series of provisions, so that the system of the Eastern Han Dynasty costumes been formally established.

东汉的服饰制度以鲜明的等级性为主要特点，并具有明确的场合性、对使用者不同身份的象征性，对不同礼仪活动的标志性等特点，对使用者在国家统治运作系统中的位置予以明确的定位，亦成为东汉国家的"礼治"的政治管理模式的载体之一。

How to summarize the shadowgraph modelling characteristic in the possece of finding the culture background and the esthetic ideal ,particularly the Huayin and Hua xian shadowgraph modelling characteristic in Shanxi east road ,with the aim of using for the provision of some fresh blood for the dulness and the teaseless in the plane design , is the question being discussed in this thesis .

本文通过对皮影各种资料的分析和对比，在总结、归纳出华阴华县皮影具有雕刻精细、造型小巧、体制庞大，人物造型具有夸张化、程式化等特点，以及具有明显的装饰性和象征性特点的过程中，显示出华阴华县皮影独特的、深厚的并富有魅力的民族传统文化特征和视觉文化特征，以此为平面设计中的单调、乏味和缺乏感情的状态，提供一点新鲜血液，这是本文探讨的问题。

It is rightly felt, for instance, that the symbolical meaning of the names of several persons in the narrative is not a conclusive argument that they have been fictitiously accommodated to the characters in the episode, and more than the similar symbolical meaning of the proper names of well known and full historical personages mentioned in Israel's annals Saul, David, Samuel, etc.

它是正确的感觉，例如，认为象征性意义的名称，几个人在叙事（诺埃米， mahalon ， chelion ）是不是一个决定性的说法，他们已安置，以虚假的特点，在首发，并较类似的象征意义，适当的名称，以及已知的和充分的历史人物中提到的以色列的史册（娑罗双树，朱，黄秉槐等）。

During this time, Japanese manga influenced their ideas and consciousness. But the crime Japanese committed in World WarII made stereotypes in hearts of Chinese youths, which impede interculture communication between both country by means of manga.

由于二战的影响在中国青年关念里构成的刻版成见，使其对日本动画的欣赏一般而言只止于感官审美的层面，而不涉及意识形态层面；同时由于所反应的本不是日本文化的全貌，加之日本文化的矛盾的一面在其中的体现导致的解读困难，日本动画所设置的象征性现实与中国青年头脑中的主观真实是不相吻合的。

Systematic analysis has done out with research method of semeiology.

用符号学的研究方法对导向图示做出了有系统的分析，对图像性、指示性、象征性等导向图示的意义传达方式做出了基于符号学基础上的阐释；对基础的导向图示的设计做了较为细致的分析；对导向图示的创作步骤做了分节研究；对导向图示商业化和个性化的优秀范例做了调查例举；对导向图示的新使命做出了自己的结论

The author expanded his amazing imaginations by employing the two spirits with extreme features-"Sylph" and "Gnome" to narrate respectively the effects and functions in the process of events,and to represent the spiritual and ethical essences of Belinda,the heroine and ...

作者主要借助于两类具有极端特征的精灵——"气精"与"地精"，展开丰富而惊人的想象，叙述他们分别对于事件发展过程中所产生的影响与作用，并通过他们的观察视角以及他们自身的种种象征性行为，生动地再现了女主人公贝林达以及她所属的上流社会人们的精神面貌与道德实质，完成了作者对于诗歌的道德主题的揭示，即社会交往中人们对于诚实规则与节制规则的遵从。

Her tale is in many ways emblematic of how those customers and the designers they favor are being pushed aside for a younger, trendier and more lucrative shopper. A vibrant 55-year-old, Ms. Olsen is coming to terms with the unceremonious end of her fashion career — as the windows of the last remaining stores were papered over last month and the stock sold at discounts of 70 percent, including the hangars — at the same time she is starting over as an artist and entrepreneur.

在某些方面，她的故事及具象征性——消费者和他们所喜爱的设计师们在面对那些年轻的，追求潮流的，带来更多利润的购物者面前怎样的被忽视。55岁然而却充满活力的Olsen就这样随便的结束了她的时尚职业生涯——最后一家商店的橱窗在上个月也已经关闭，所有的库存包括仓库都已3折的低价出售——于此同时Olsen又重新成为了一个艺术家和企业家。

In his novel The Boder Town, Shen Congwen described all the plots to express his pity for the loss of the simple ancient customs and his ideal to rebuild the national qualities so as to form the whole symbol .

沈从文在《边城》中用整个情节的描述形成象征，以表达作者对古朴民风的失落的惋惜和重创民族性格的理想，构成了作品的整体象征；把边城如诗似画般的自然背景作为人物性格形成的象征性氛围，用翠翠父母的爱情悲剧和大老的死创造一种感伤的氛围，以此氛围象征作品感伤性的悲剧结局，形成了氛围象征；还运用了细节象征，让白塔、碾坊、翠翠的梦等细节也寓含了深刻的象征意蕴。

His paintings were often regarded as containing poetic references and his compositions suggest a timeless world where the workers of the field symbolically were linked with literary elegies that evoked their best qualities.

他的绘画作品往往被视为载有诗意的参考和他的组成表明，永恒的世界里，工人的象征性领域的联系与文学elegies认为，诱发他们的最好的素质。

Characteristic of Tibetan Buddhism is the unusually large segment of the population actively engaged in religious pursuits (up until the Chinese communist takeover of the country in the 1950s an estimated one-quarter of the inhabitants were members of religious orders); its system of "reincarnating lamas"; the traditional merger of the spiritual and temporal authority in the office and person of the Dalai Lama; and the vast number of divine beings (each with its own family, consort, and pacific and terrifying aspects), which are considered symbolic representations of the psychic life by the religiously sophisticated and accepted as realities by the common people.

藏传佛教的特征就是很多部分的人口积极地忙碌于宗教追求（中国共产党1950年接管西藏的时候，估计有四分之一居民是僧侣成员），有&喇嘛转世&的体制；传统上是精神与当时暂时的行政权威和达赖喇嘛合并在一起；大量数目的神职人员（每一个都有各自的家庭，配偶，有平静和可怕的面貌），被认为是笃信地诡辩象征性地描绘着精神生活，被普通人承认为真实。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。