象...

The concept, symbolic play deficit in autism, was partly supported by this study. Most of children with autism could gradually develop the capacity of dual representation; and moreover, in the case of high functioning autism, symbol comprehension of triune representation remained intact. Their difficulties are more on the flexibility of functional or symbolic spontaneous play, rather than symbolic comprehension.

总结而论：自闭症儿童游戏能力的缺陷在本研究中得到部分支持，随著年龄成长，他们能逐渐发展出双重表徵的能力，三重表徵的能力发展在高功能自闭症儿童中亦未有困难，自闭症儿童象徵能力的缺陷，仍较集中在自发的功能性或象徵性游戏能力中弹性使用的部份，而非象徵理解的部分。

There was me and my monkey And with his dungarees and roller blades Smoking filter tips Reclining in the passenger seat of my super charged jet black Chevrolet He had the soft top down He liked the wind in his face He said son you ever been to Vegas I said no He said that's where we're gonna go You need a change of pace And when we hit the strip with all the wedding chapels and the neon signs He said left my wallet in El Segondo and proceeded to take two grand of mine We make tracks to the Mandalay Bay Hotel Asked the bell boy if he take me and my monkey as well He looked in the passenger seat of my car And with a smile he said If your monkey's got that kind of money sir Then we've got a monkey bed Me and my monkey With a dream and a gun I'm hoping my monkey don't point that gun at anyone Me and my monkey Like butch and the sundance kid Trying to understand why he did what he did Why he did what he did We got the elevator, I hit the 33rd floor We had a room up top with the paronama views like nothing you'd ever seen before He went to sleep in the bidest And when he awoke He ran his little monkey fingers through yellow pages Called up some escort services and ordered some okey doke Forty minutes later there came a knock at the door In walked this big bad ass baboom into my bedroom with three monkey whores Hi, my name is Sunshine, these are my girls Lace my palm with silver baby and oh yeah They'll rock your world So I watched pay per view and polished my shoes and my gun Was diggin' on Kurt Cobain singing about lithium There came a knock at the door and in walked Sunshine What's up you'd better get your ass in here boy Your monkey's having too much of a good time Got tickets to see Sheena Easton The monkey was high Said it was a burning ambition to see her before he died We left before encores he couldn't sit still Sheena was a blast baby but my monkey was ill We went to play blackjack kept hitting twenty three Couldn't help but notice this Mexican just staring at me Or was it my monkey I couldn't be sure It's not like you'd never seen a monkey in rollerblades and dungarees before Now don't test my patience cause we're not about to run That's a bad ass monkey boy and he's packing a gun My name is Rodrigue he says with death in his eye I've been chasing you for long time amigos And now your monkey's gonna die Me and my monkey Drove in search of the sun Now me and my monkey We don't wanna kill no Mexican But we've got Ten itchy fingers one thing to declare When the monkey is high You do not stare you do not stare You do not stare Looks like we've got ourselves a Mexican stand off here boy And I ain't about to run Put your gun down boy How'd I get mixed up with this fuckin' monkey anyhow

有我和我的猴子并且与他的dungarees 和路辗刀片抽烟过滤器要诀斜倚在我的超级被充电的喷气机黑色薛佛列汽车乘客座位他下来有软的上面他喜欢风在他的面孔他说您曾经是到维加斯I 说没有的儿子他说we're 去去的that's 您需要步幅的变动并且当我们击中了小条以所有婚礼教堂和霓虹灯广告他左说我的钱包在El Segondo 和进行采取二盛大我的我们做轨道对曼德勒海湾旅馆问响铃男孩如果他采取我并且我的猴子他看了在我的汽车乘客座位并且以微笑他说如果您的monkey's 得到了那金钱先生然后we've 得到了猴子床我和我的猴子与梦想和枪 I'm 希望我的猴子don't 把那杆枪指向任何人我和我的猴子象butch 和sundance 孩子设法了解为什么他做了什么他为什么他做了什么他我们得到了电梯，我击中了第33 楼我们有一间屋子上面以paronama 看法象没什么you'd 以前曾经被看见他去睡觉在bidest 并且当他醒了他跑了他小的猴子手指通过黄页召集了一些伴游服务和定购了一些okey doke 那里四十分钟以后来了敲在门在走了这大坏驴子baboom 入我的卧室与三个猴子妓女喂，我的名字是阳光，这些是我的女孩系带我的棕榈与银色婴孩和oh 呀 They'll 岩石您的世界如此我观看了薪水每看法和擦亮了我的鞋子和我的枪是diggin'在Kurt Cobain 唱歌关于锂那里来了敲在门和在走的阳光里 What's you'd 更好得到您的驴子在这里男孩您的monkey's 有太多好时光被得到的票看见Sheena Easton 猴子是高的前述这是灼烧的志向看见她在他死了之前我们离开在他couldn't 坐直的encores 之前 Sheena 是疾风婴孩但我的猴子是不适我们去演奏大酒杯继续击中二十三 Couldn't 帮助但注意这墨西哥人凝望我或是它I couldn't 是肯定的我的猴子 It's 不是喜欢you'd 以前从未被看见一只猴子在rollerblades 和dungarees 现在don't 测试我的耐心起因we're 不跑 That's 坏驴子猴子男孩和he's 包装枪我的名字是他说以死亡在他的眼睛的Rodrigue I've 追逐您为久时间朋友并且现在您的monkey's 去死我和我的猴子驾驶了寻找太阳现在我和我的猴子我们don't 不想要杀害墨西哥人但we've 得到了十个痒的手指一件事宣称当猴子是高的您不凝望您不凝望您不凝望看起来象we've 这里得到了墨西哥立场男孩并且I ain't 跑把您的枪男孩放下 How'd I 得到与这fuckin'混合；猴子无论如何或有我和我的猴与他dungarees和滚刀片吸烟过滤嘴斜倚在客运座位我国超级控喷射黑色雪佛兰他有软顶下来，他最喜欢的风在他的面对他的儿子说：你到过赌城我说没有，他说哪里，我们gonna你走需要改变步伐，而当我们打带所有的教堂婚礼和霓虹灯他说离开我的钱包在El segondo进而采取两项盛大的矿井，使我们路轨次电子曼德勒湾酒店询问钟男孩，如果他把我和我的猴子以及他的表情，在次电子乘客座位上我的车，面带微笑，他说，如果你的猴得到这笔钱思住宅，然后我们拿到猴床上，我和我的猴同一个梦想和一支枪，我希望我的莫 nkey不点炮人，在我和我的猴像布奇和森丹斯孩子设法了解后WH y他做他为何他做了什么，我们得到了电梯，我打到33楼，我们有一个房间顶与paronama看法没有像您见过会捶他睡在bidest而当他醒来，他跑他的小猴子手指透过黄坝天麻打电话询问过保姆服务，并订购了一些东西doke四十分钟左右，有一个前来敲门做或者走这个大坏驴子baboom到我的卧室有三名妓女猴喜，我的名字是阳光，硒是我的女孩花边我的手心与银宝宝，哦噢人家，你的摇滚世界，让我眼睁睁看着付每意见，并擦拭鞋子，我的枪是diggin '库尔特罗克塞特歌唱锂出现了一针玉在门口，并走在阳光下是怎么回事，你最好明白你的驴子在这里你男童和尚安永的有太大的一个好时机得到入场券见sheena伊斯顿猴高表示，这是燃烧的雄心，看到她生前我们离开之前，以encores他不能坐视sheena仍然是一个基本法 AST的婴儿，但我的猴子生病，我们去发挥酒杯一直打到23不禁通知书策墨这只是瞪着我，抑或是我的猴子，我也不能肯定它不像您在Neve 住宅看到一只猴子在晒太阳和dungarees之前，现在不考验我的耐心，我们的事业不是对办好次下午的一个坏驴子猴男孩和他的包装带枪我的名字是罗德里格说，他的死亡与他眼睛，我一直追你很久地球，现在你的猴死gonna我和我的博士猴脏器寻找太阳，现在我和我的猴子，我们不想杀任何墨西哥，但我们拿到碲氮手指发痒一回事申报时，猴子是高你不盯着你不盯哟美国不瞪眼样子，我们拿到了自己的立场，墨西哥产的男孩在这里，我并不是对办好把你的枪下男孩，我为什么会有这种攻防得到混为一谈这fuckin '猴不管怎样

First scanning the known handwriting materials then number them ,In pretreatment, we convert the valid part of the image into a standard size, as images carries out duotone and go throw off chirp handling in order to achieve better effect.draw features from the known handwriting materials with the Co-occurence,especially,we divided a copy of handwriting into 25 little pieces with the size of 128*128 ,drawing features from every little piecese with four directions(0 degree, 45 degrees, 90 degrees as well as 135 degrees) and calculate the four major feature values( veins and the statistical quantity of veins contrast and the statistical quantity of veins consistency Shang the statistical quantity of statistical quantity as well as the veins correlation of gray scale ), preservation all the feature value that drawn from all known ma terials to the handwriting characteristic database,then input the unknown handwriting materials, also using the method of the Co-occurence to draw those features, recycling the minimum European Distance law match the unknown writing material feature value with the handwriting characteristic feature database, export the label of the known hand writing materials which is most similar to the unknown material with minimum European Distance, and then we can confirm who is the author of the unknown material.

首先将笔迹材料作为图象扫描输入，并对其进行编号。预处理部分可将笔迹图象的有效部分规范化到一个统一尺寸，接着对其进行二值化和去除噪声的处理，以便于更好的提取图像的特征。在此我们采用了灰度共生矩阵法提取手写笔迹材料的纹理特征，与以往有所不同的是，我们将一份手写材料分割成64块大小为80*80象素的子图象，每个小块都从四个方向（0度、45度、90度以及135度）来更全面的提取特征，并计算出四个最主要的特征值（纹理一致性的统计量、纹理反差的统计量、纹理熵的统计量以及纹理灰度相关性的统计量），将从所有已知材料提取的特征值保存到纹理特征库中，对于待检手写材料，同样采用灰度共生矩阵的方法提取其纹理特征，再利用最小欧氏距离分类法将从待检手写材料中提取的特征值与纹理特征库中的特征值进行比对，与欧氏距离比对值最小的相匹配，输出匹配成功的原材料的标号，进而识别出待检材料书写者的身份。

The elastic constant of the spring model will decreases as the process proceeds.

引 言图象的变形匹配是指对于一幅图象通过寻求一种空间变换模型来使它经过变换后与另一幅图象的空间相关性达到最大[1] 的过程。

Upward from what resembled his waist I saw what gleamed like electrum; downward from what resembled his waist I saw what looked like fire; he was surrounded with splendor.

我望见在他相似腰部的上面，好象有发亮的金属，内里和周围好象一团火。我又望见在相似腰部的下面，好象有火的形状，周围有光环绕

Would I were steadfast as thou art-- Not in lone splendour hung aloft the night, And watching, with eternal lids apart, Like Nature's patient sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft fallen mask Of snow upon the mountains and the moors-- No--yet still steadfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever--or else swoon to death.

我祈求象你那样坚定——但我不愿意高悬夜空，独自辉映，并且永恒地睁着眼睛，象自然间耐心的、不眠的隐士，不断望着海滔，那大地的神父，用圣水冲洗人所卜居的岸沿，或者注视飘飞的白雪，象面幕，灿烂、轻盈，覆盖着洼地和高山——呵，不，——我只愿坚定不移地以头枕在爱人酥软的胸脯上，永远感到它舒缓地降落、升起；而醒来，心里充满甜蜜的激荡，不断，不断听着她细腻的呼吸，就这样活着，——或昏迷地死去。

Would I were steadfast as thou art— Bright star! would I were steadfast as thou art— Not in lone splendour hung aloft the night, And watching, with eternal lids apart, Like Nature's patient sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft fallen mask Of snow upon the mountains and the moors— No—yet still steadfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever—or else swoon to death.

我祈求象你那样坚定－－但我不愿意高悬夜空，独自辉映，并且永恒地睁着眼睛，象自然间耐心的、不眠的隐士，不断望着海滔，那大地的神父，用圣水冲洗人所卜居的岸沿，或者注视飘飞的白雪，象面幕，灿烂、轻盈，覆盖着洼地和高山－－呵，不，－－我只愿坚定不移地以头枕在爱人酥软的胸脯上，永远感到它舒缓地降落、升起；而醒来，心里充满甜蜜的激荡，不断，不断听着她细腻的呼吸，就这样活着，－－或昏迷地死去。

On the basis of the kinetic equation of substrate reaction in the presence of urea or guanidine hydrochloride, all microscopic kinetic constants for the free enzyme and enzyme-substrate binary and ternary complexes have been determined. The results of the present studies indicate that:①In the presence of urea or guanidine hydrochloride, enzyme-substrate complexes lose their activity less rapidly than the free enzyme. Therefore, both substrates, NADPH and 7, 8-dihydrofolate, protect dihydrofolate reductase against inactivation.②The denaturation of dihydrofolate reductase by urea follows single-phase kinetics, and changes in enzyme activity and tertiary structure proceed simultaneously in the unfolding process, so it may be an"all or none"process.③The GdnHCl-induced unfolding of the dihydrofolate shows a biphasic transition, while the change in the enzyme activity is a single exponential process. The rate constant of inactivation is consistent with that of the fast conformational change. Therefore, the kinetic intermediate of protein unfolding should be a partially folded and inactive form.

我们根据在脲或盐酸胍存在下的底物反应动力学方程求得游离酶和酶底物二元、三元复合物的微观动力学常数，结果表明：①酶-底物二元、三元复合物的失活速度明显慢于游离酶，说明两个底物二氢叶酸和NADPH对酶的失活都具有一定程度的保护作用；②在脲作用下，酶的失活和构象变化均为单指数项过程，而且酶的活力丧失和三级结构变化是同时发生的，说明二氢叶酸还原酶的脲变性可能是一个"全或无"的两态过程；③在盐酸胍作用下，酶的构象变化为两相过程，而失活则是单指数项过程，酶分子构象变化的快相速度常数与失活速度常数基本一致，因此我们认为二氢叶酸还原酶的盐酸胍变性过程中存在一个没有活力、但仍具备一定空间结构的变性中间体。

In view of the demand of computerized eye-glasses-wearing system, an approach to match two dimensional (2D) human head images with 3D glasses frame graphics in 3D space has been proposed. First, the operator points out three or six key points, which are used to locate 3D eye-glasses frame, on the human face image displayed on the computer screen interactively.

论文针对计算机化眼镜配戴系统的要求，提出了一种在三维空间匹配二维人头图象和三维眼镜图形的方法，即通过人机交互方法，由操作者在显示于计算机屏幕上的二维人头图象上，指出确定三维眼镜位置的三个或六个关键点的二维坐标及其三维对应点，从而可以近似求出人面朝向及视点坐标，再用相应位置上的三维通用人头图形替换二维人面图象，计算人面和眼镜间的遮挡关系并显示，从而完成二者的空间匹配。

This paper provides the analytic method to calculate the value of Green s functions in space domain at the zero distance by the discrete complex image theory,that is ,to express the finite progressional sum of Green.

对此，本文在讨论采用离散复镜象理论计算空间域Green函数时，提出了采用该镜象理论计算空间域Green函数零距离处奇异值的解析方法，即，采用Taylor公式展开镜象理论得到的空间域Green函数的有限级数和形式，并结合特定的分域基函数来得到零距离处Green函数奇异值的解析计算式进行计算。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。