谢谢你

No exotics here, thank you Monsieur le Maire.

谢谢你'集市先生'，我在这儿住的很习惯。

Thank you for your kind words. We want to expand our relationship with you as well.

谢谢你的来信，我们也非常希望能与你们发展良好的关系。

I'm sorry, but thank you for the explosion.

不好意思，但是谢谢你的"火爆"。

Thank you. I think it's exquisite.

谢谢你。我认为它很贵。

Thank you. I think it''s exquisite.

谢谢你。我认为它很精致。

B:Thank you. I think it's exquisite.

谢谢你。我认为它很精致。

B: Thank you. I think it's exquisite.

谢谢你。我认为它非常精致。

Thank you. I think its exquisite.

谢谢你。我认为它很贵。

Thank you for the invitation you extended to me.

谢谢你给我发出的邀请。

F: Thank you very much for your help.

谢谢你的帮忙。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。