谐谑曲

The third movement is one of Borodin's most brilliant gossamer scherzos, making effective use of harmonics and left-hand pizzicato, and the finale is rhythmically energetic.

第三乐章是鲍罗丁最华丽和轻柔的谐谑曲，充分的运用了和声学和左手的拨奏。终乐章在节奏上充满活力。

Often paired with this piece is the 24 bar sketch of a scherzo.

经常和这个作品一起演出的是一个24小节的谐谑曲的轮廓。

To the best of our knowledge, the scherzo dates from approximately the same period and may well be part of the same work.

目前只知道这首谐谑曲和钢琴四重奏大致出自同一时期，而且可能是后者的一部分。

Chopin's scherzo is a single-chapter piano solo which has distinctive contrast and enormous structure.

肖邦的谐谑曲是音乐形象对比鲜明结构庞大的一种单乐章的钢琴独奏曲。

The scherzo is of an exceptionally strict form considering the piano part.

谐谑曲对钢琴部分的要求异常的严格。

Chopins scherzo is a single-chapter piano solo which has distinctive contrast and enormous structure.

肖邦的谐谑曲是音乐形象对比鲜明结构庞大的一种单乐章的钢琴独奏曲。

Words spoken by Vladimir Horowitz after he performed - badly - Chopin's 1st Scherzo.

引自霍洛维兹，在他弹砸「萧邦第一号谐谑曲」后讲的话。

In the fourth chapter, the author utilizes the theory of Musical apperceive analysis , which is established by Leonard B. Meyer, a famous American musical esthetician and theoretician, and then, from the angle of music apperceive, analyzes the third scherzo of Chopin more particularly.

在第四章中，运用了美国著名音乐美学家、理论家伦纳德·迈尔所创立的音乐感知分析的理论，从音乐感知角度入手，对肖邦创作的第三首谐谑曲进行了较为细致的音乐分析。

This outline has been elaborated on and reconstructed by the composer Alfred Schnittke with a twentieth century perspective in both his own piano quartet and in his fourth string quartet. This provides interesting listening for those whose keen to hear more of this beautiful music.

作曲家Alfred Schnittke站在20世纪的视角扩充了并重建了这支谐谑曲，用在他自己的钢琴四重奏和第四弦乐四重奏里，为想听到更多马勒室内乐之声的人们提供了很有意思的选择。

The scherzo which follows, in the tonic minor (i.e. A minor), prominently features off-beat accents and is interspersed with a trio in the major that is heard twice.

接下来的谐谑曲是第一乐章的主音小调，突出的不对拍的重音配合大调上的装饰震音出现了两次。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。