谐谑

Chopins scherzo is a single-chapter piano solo which has distinctive contrast and enormous structure.

肖邦的谐谑曲是音乐形象对比鲜明结构庞大的一种单乐章的钢琴独奏曲。

Words spoken by Vladimir Horowitz after he performed - badly - Chopin's 1st Scherzo.

引自霍洛维兹，在他弹砸「萧邦第一号谐谑曲」后讲的话。

In the fourth chapter, the author utilizes the theory of Musical apperceive analysis , which is established by Leonard B. Meyer, a famous American musical esthetician and theoretician, and then, from the angle of music apperceive, analyzes the third scherzo of Chopin more particularly.

在第四章中，运用了美国著名音乐美学家、理论家伦纳德·迈尔所创立的音乐感知分析的理论，从音乐感知角度入手，对肖邦创作的第三首谐谑曲进行了较为细致的音乐分析。

This outline has been elaborated on and reconstructed by the composer Alfred Schnittke with a twentieth century perspective in both his own piano quartet and in his fourth string quartet. This provides interesting listening for those whose keen to hear more of this beautiful music.

作曲家Alfred Schnittke站在20世纪的视角扩充了并重建了这支谐谑曲，用在他自己的钢琴四重奏和第四弦乐四重奏里，为想听到更多马勒室内乐之声的人们提供了很有意思的选择。

The scherzo which follows, in the tonic minor (i.e. A minor), prominently features off-beat accents and is interspersed with a trio in the major that is heard twice.

接下来的谐谑曲是第一乐章的主音小调，突出的不对拍的重音配合大调上的装饰震音出现了两次。

The middle movement, Vivace , is a sprightly scherzo, whose dissonances and jagged harmonic content give it a certain irony; its exoticism reminds us of Ravel's Piano Trio .

中间的乐章，速度标记为活泼的，是一个欢快的谐谑曲，不谐和音和参差的和声效果使得它有绝对的讽刺意义。它的异域情调让我们想起拉威尔德《钢琴三重奏》。

To return to Franklin, this didactically waggish man blandly assured English readers that it was grand to see the whales leap like salmon up the falls of Niagara.

再回过来说好训人，喜谐谑的富兰克林，可不动声色地使欧洲人相信鲸鱼象鲑鱼那样跳过尼亚加拉瀑布，真可谓蔚为大观。

If one has a feeling that Waley found what he needed to find——a wryness,adelicacy,a languor,that seems to imbue Genji and Yuan Mei,Sei Shonagon ,andMonkey,even the imperial commissioner Lin Tse-hsu---onecannot cavil and can immediately find other works thatnegate any simple genera1ization.

假如有谁觉得，韦利所发现的是他要发现的东西，这些东西就是看来浸润于源氏(大约指《源氏物语》。——译者)、袁枚、清少纳言和孙悟空，甚至是钦差大臣林则徐这些人和作品人物之中的谐谑、雅致和散淡，假如谁有这种感觉，这倒也没有甚么好说的。不过，人们还可以立即发现其他一些作品，让人无法再对韦利进行简单的归类。

Chopin was the first to write ballades and scherzi as individual pieces.

肖邦是第一个将叙事曲和谐谑曲作为独立作品创作的作曲家。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术；第二首是赋予了肖邦典型技术特征的指法；第三首与第六首是多声部织体的演奏；第四首是以其速度和音乐进行的尖锐性而独具难度；第五首是&黑键&练习曲；和声的创新手法在第七、第十以及第十一首里都有明显地体现；第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律；第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。