读者

Experiments demonstrate that readers of ideograms, such as the Chinese, develop a mental circuitry for reading that is very different from the circuitry found in those of us whose written language employs an alphabet.

实验表明，像中文这样的表意文字的读者会形成一种完全不同于我们这样的字母文字读者的神经电路。

Wednesday, 13th February 2008Klaus Mann's Journals don't pretend to be a work of literature; they are jottings, records of day-to-day existence, full of names many of which will mean nothing to readers today, even, I suppose, to German ones. 'I suddenly thought,' he wrote in January 1933, 'that these notes could seem terribly superficial to anyone who chanced on them, since they consist of no more than facts such as they are, in no way developed.

克劳斯·曼日记》无意以文学作品的面目示人；它是札记，是生命历程的实录，对于今天的读者，甚至对于德国读者来说，日记中出现的很多名字只是红尘众生而已。1933年1月，他写道：&我突然想到，偶然读到这些日记的人会觉得它十分肤浅，因为它不过是实事实录，未做任何润色升华。&

To change your Pin, please browse the Library webpage at http://library.cfhc.caritas.edu.hk and select " Online Catalogue ". Click on the " Change Password " button and enter your Patron Barcode, the original Pin and the new Pin. Then, key in your new Pin in the Confirmation Pin box to confirm and select the " OK " button to exit from your record.

如欲更改密码，请先进入图书馆首页 http：//library.cfhc.caritas.edu.hk ，按顺序点选&线上目录&→&更改密码&，请输入您的读者条码，预设密码和新密码，然后在&确认密码&框再输入一次新密码以作确认，并按&确定&退出读者记录。

It is a serious mistake in the 20 century's research about western aesthetics that many researchers regard Gadamer's Hermeneutics-Aesthetics as reader-centered theory literarily.

20世纪的西方文艺美学有一种由作者、作品中心论向读者中心论转移的趋势。这种轨迹主要在读者一反应批评和接受美学身上得到体现。

Its subject(to use Maynard Macks categories)is "life-as-spectacle," for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero.

迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Its subject（to use Maynard Macks categories）is "life-as-spectacle," for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

Our aspirations and efforts have but one purpose, that is to provide readers in northern Sarawak an improved and comprehensive level of service. We aim to raise the efficiency and quality of service, as well as expand the scope of our services, to deliver Sin Chew Daily to readers in Miri, Brunei, Limbang and Marudi within the shortest possible time.

一切美好的构思和愿望，只有一个目的，那就是，我们希望更好、更全面的服务北砂的读者，我们希望提升服务的效率和品质，我们也希望扩大服务的范围，并誓言以最快的速度，把最好的报纸送到美里、汶莱、林梦和马鲁帝读者的手中。

In the chapter two, the paper analyses the traits of the readers\' thought, their literary ideas and influence, and experience of their life, such as Lu Xun, Mao Ze-dong, Guo Mo-ruo, Ba Jin, Zho Yang and Yao Wen-yuan.

本章首先对中国文学古今演变中读者和作者的三大特征和三大特性进行了一个概括和梳理，然后对权势权威型读者进行了基本的界定，并且对他们的身份特征，历史变化和思想特点等方面进行了具体分析。

TOPOS "For all who are curious to see landscapes as art and for all who are looking for inspiration." The Single Family Home "These are no longer gardens as we have hitherto known them."

为了那些所有的把景观看作艺术的读者和那些寻找灵感的读者&------ TOPOS杂志&它们不是我们所知的花园。

Undermining the reader's trust in omniscient narration, the first narrative shift in this novel awakens the reader's consciousness of reflection.

小说叙事声音的第一次转变成功颠覆读者对全知叙事的信任并唤醒读者的反思意识。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。