读者

It emphasizes that it is both readers and authors who create the significance and value of literary works together. With the view that literary works have "vacancy" and "suspense", it sums up that there is aesthetic distance somewhat between readers" anticipating horizon and works , and furthermore, Rezeptieasaesthetic will be developed into text-a new theory of readers" mutual communication and conversation.

它强调了文学作品的意义和价值是读者与作者一起创造的，提出文学作品具有"空白"和"未定点"的观点，总结出读者的阅读期待视野与作品之间具有一定审美距离的规律，进而将接受美学发展为文本--读者相互交流与对话的新理论。

The acceptance of the readers to the text can be achieved through three levels: expectation horizon , aesthetic distance and appealing fe.

读者不是一个被动的阅读者，而是能动的参与者，一篇微型小说没有读者接受只能算作文本，读者对文本的接受要通过三个层次来完成，期待视野，审美距离，召唤结构。

It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a –breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.

$ J/ E l8 p# _8 }/ r《读者》杂志官方论坛，读者文章阅读交流——读者出版集团期刊论坛接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。

It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a –breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.《读者》杂志官方论坛,读者文章阅读交流——读者出版集团期刊论坛1 f+ p;

接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。

We know that Keats is one of the greatest Romantic poets in the history of English literature, and many of his short poems are favourites to many readers, the Chinese readers included; yet, his long poetic work Endymion may be seldom touched upon by readers, for it is so long a poem that it contains four books with 4050 lines altogether, and it is somewhat difficult to read for its abundance of classical myths.

我们知道，济慈是英国文学史上一位年轻而伟大的浪漫主义诗人，许多的读者都喜欢他的短诗，但他的长诗《恩狄米昂》就很少有人涉足，因为该诗太长，有4卷4050行，而且典故也很多，因此，对于一般读者来说，读这样冗长的诗作可能会感到厌倦，也是对读者耐心的考验。

Psychometry is the ability to determine information about a person through their personal possessions. In the clip above, James Randi sets up a test for a woman claiming to have psychometry abilities. Unfortunately for her, the test did not go well.

提交的译文是否有助于读者完全理解原文所有信息，译文读者阅读时，能否获得与原文读者相当的阅读轻松性、提示性和愉悦性，这是翻译质量的必要衡量标准。

The reader of puissance and authority may be divided to the two types: One is the type of political power; another is the type of literature and learning.

在他们身上既有一般类型读者的一些特性，更具有权势和权威的特征。本文所分析研究的权势权威型读者，主要是政治权力型与文学学术型的具有权威性的读者。

With the angle of view of the reader of puissance and authority to research Chinese contemporary literature is differ from the study of literary history, the study of history of literary thought, the research of authors and works, and the research of readers criticizing.

从权势权威型读者的视角来研究中国当代文学的发展，分析和探讨这种现象对中国作家及其作品的影响，是不同于过去那些专门对文学史、文学思想史的研究，以及对作者和作品的研究，也不同于一般的读者反映批评，从一般读者的视角来分析对作品的反映和接受美学的单项研究。

The chapter compares and analyses the phenomena of readers of puissance and authority in the literature of world, and points out the relations between political influence and literary composition, explains evolvement of literary works style and key words.

第三章是权势权威型读者影响力演变分析。本章主要从权势权威型读者不同时期的身份、思想和影响力的演变来分析他们影响力的变化，并对这种变化所处的不同的范围，以及与世界文学中权势权威型读者现象进行了比较分析。

The chapter compares and analyses the phenomena of readers of puissance and authority in the literature of world, and points out the relations between political influence and literary composition, explains evolvement of literary works\' style and key words.

第三章是权势权威型读者影响力演变分析。本章主要从权势权威(来源：ABC论文c3网www.abclunwen.com)型读者不同时期的身份、思想和影响力的演变来分析他们影响力的变化，并对这种变化所处的不同的范围，以及与世界文学中权势权威型读者现象进行了比较分析。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。