说故事

The most well known story of how the daughters of Achelous became sirens is that they were playmates with Persephone and when they refused to help search for her when she was abducted, they were turned into birds.

至于Achelous的女儿是如何变成海妖的，其中最著名的故事大致是这样的：一个故事说，她们是珀耳塞福涅的玩伴，当珀耳塞福涅被掳走，她们却拒绝去寻找她，于是她们被变成了鸟。

This game is one of the best game i've ever played, I just can't stand not to cry after finishing the story of each girl, espesially Ayu's story which is, in my opinion, the saddest story in the game.

这是我玩过的最好的游戏之一（55，我还没玩过呢）。我不可能（按自己的意思改的，直译有点说不通）在完成每个女孩的故事后不哭泣，特别是AYU的故事。在我看来那是最悲伤的故事在这游戏里。

She said,"I was very amused" I started throwin' bass, she started throwin' back mid-range But when I sprung the question, she acted kind of strange Then when I asked,"Do ya have a man," she tried to pretend She said,"No I don't, I only have a friend" Come on, I'm not even goin' for it This is what I'm goin' sing You, you got what I need but you say he's just a friend And you say he's just a friend, oh baby You, you got what I need but you say he's just a friend But you say he's just a friend, oh baby You, you got what I need but you say he's just a friend But you say he's just a friend So I took blah-blah's word for it at this time I thought just havin' a friend couldn't be no crime 'Cause I have friends and that's a fact Like Agnes, Agatha, Germaine, and Jacq Forget about that, let's go into the story About a girl named blah-blah-blah that adored me So we started talkin', getttin' familiar Spendin' a lot of time so we can build up A relationship or some undderstanding How it's gonna be in the future we was plannin' Everything sounded so dandy and sweet I had no idea I was in for a treat After this was established, everything was cool The tour was over and she went back to school I called every day to see how she was doin' Everytime that I ccalled her it seemed somethin' was brewin' I called her on my dime, picked up, and then I called again I said,"Yo, who was that?"

她说： "我感到非常好笑"我开始投掷'低音，她开始投掷'回到中间范围但当我，涌现出了问题时，她充当种奇怪那么，当我问他："做雅有一名男子，"她试着假装她说："不，我不，我只是有一个朋友"来，我什至还不算goin '，为它这就是我goin '唱你，你明白我的需要，但你说他只是朋友你说他是一个朋友，哦宝宝你，你明白我的需要，但你说他只是朋友但你说他是一个朋友，哦宝宝你，你明白我的需要，但你说他只是朋友但你说他只是朋友所以，我接拍了怎么-怎么的字，因为它在这个时候我以为只是havin '朋友不能没有犯罪'事业，我的朋友，这是一个事实如王春波， agatha ， germaine ， jacq 忘记一点，让我们走进故事约一个女孩名叫怎么-怎么-怎么说，我喜欢所以，我们开始talkin '， getttin '熟悉 spendin '了很多时间，使我们能够建立关系或某些undderstanding 它如何的好的，在未来，我们是plannin '一切听起来那么慰问和甜我都不知道我是一个对待经过这次成立时，一切都冷静巡回赛结束，她回到了学校我打电话，每天看到她是如何被doin '每当我ccalled她，这似乎somethin '，是蒲鲁贤'我打电话给她，我一分钱，拾起，然后，我再次呼吁我说，"协青社，他们是"？

I had done a similar thing in, in Central Station where as we were on the road and when we saw the religious processions in that part of Brazil, we soon incorporated them into the film and it didn't exist in the original screenplay either and here the boy started to imitate, you know, as we went back and forth to the location and the animals were there, he started to imitate all of them and then suddenly we started to incorporate that as well, er, same thing with the fire-eater, when she started to show us what she could do, we, we immediately started to, you know, to organically incorporate those elements into the screenplay and that is really a fascinating part of our film, it's the collaborative aspect of it, you know, it's when you realise that without every single person's input, the film wouldn't be the same and this is what really makes cinema depart from most medium, is that you have to accept it's democratic quality, you know, essence in order for a film to really be alive and interesting to watch, I guess.

唔，有趣的是当卡戴尔看完电影就跑来对我说，你知道吗这是最忠于原著的改编版，可很多元素都不同，最后，我认为当你改编小说时，当你把文学转化成电影时，真正需要重视的是小说精髓之处，这比什么都要紧，并且创造出一种两者如对立沟通式的对白而不只是改编，ipsis literis，你知道这书，运用他作为深刻的灵感来源，他允许你探究，你知道，没有素材来源不可能投入进去，有次我看库布里克的访谈，其中说到他偏爱主人公容易塑造的小说而不是小说本身，如此他就能专注于故事构架和情节而不是依照原本，这我可以明白，但换个角度说，如果我自己没有被故事打动，如果是这样，故事无法让我产生共鸣那进行二次创作很困难，因为人物本身就显得很单薄无法定位和改编，但我真的能理解他的感受。

I want to love you But how this is That I can love you If I do not see you I want to love you Very pure or almost Like the priests Who do not marry The clotrées sisters Who preserve For a good old man God who hides I want to love you Of course I dream some But how want You that it goes I want to me Mo well Quer of the proverb Who known as "far from Eyes, far from the heart " God that they is false That it is sour That they is express To frighten us I want to me endor well Mir each evening By blotissant me Against anybody With your body In my memory As a grandmamma Who cries her man I want to love you Even until believing In the possible ones Advantages To mix Our two stories Into perpetual Shift I want to force well All these chances Who r' fuse to play In our favour And then to gain The chance to see you Two small days Or two small hours I want to love you But how this is That I can love you If I am not there To wrap you Of my tenderness And to comfort you If that does not go Yes I want well To love you by far The very full heart Of your great vacuum To love you love And of sorrow To love you for nothing Wet eyes I want to love you But to be frank I am not solid If I do not see you I am like blind man Without white cane Ni dog-guide… And without your arm To cross This street That one calls The ocean To cross But to you Y' does not have a large Assez rainbow I want to love you Of course In any event Do I have the choice I am trapped I am lost I turn in round I love you already Even if I feel That I éreinte With you to seek Tended arms In this alarming Labyrinth Too much complicated And too twisted I will love you Even if all that It is without exit It is impossible And I will believe in it As others believe In the Baby Jesus And with the Bible I do not know yet How this is That I will love you If I do not see you But I will love you It is a promise Hear you That I say to you there?!!

我想这是爱你，但我能怎么爱你如果我不爱你我想看到你还是很单纯的，几乎没有人喜欢娶了神父clotrées姐妹保存了老好人上帝躲在我爱你我当然希望有梦想但是不用我说，你怎么想我想好树种的谚语谁谟称为"远离眼睛远离心脏"，他们是上帝，这是假酸溜溜地表示，他们是吓唬我们，我想每个晚上我可逆好空间站的blotissant我对付谁你记忆体作为grandmamma谁喊她文我想爱你直到可能的优势，相信我们的两个故事结构转变成永恒的力量，我想这也是所有那些住宅机会'导火线玩，然后争取对我们有利的机会看到你两个或者两个小天凌晨爱你，但我想这就是我如何能爱你如果我不存在包你温柔地安慰我说，你如果不走的话，我想好爱你的心满满远远贵真空悲哀的爱你爱你爱什么，我想爱你眼睛湿但坦白说，如果我不扎实，我看不到你我一样盲无镍白色手杖狗：：没有你们的引导手臂越过这条街，一个电话，但你越过大洋肽Y'没有大assez彩虹我爱你，当然希望无论如何我做我的选择，我被困我感到失去转向轮即使我爱你我觉得我已经与你éreinte寻求在这一惊人的武器往往迷宫太多、太复杂，我爱你，即使扭曲，这是没有全部撤离是不可能，但我相信别人相信耶稣和圣经的婴儿我还不知道这是怎么说我爱你如果我不爱你，但我会看到你是一个承诺，我对你说你听？！！

Err on the side of caution; it's better to undersell your embedded DHVs than it is to be seen as bragging.

这里有一个警告：最好把嵌入的DHV隐藏在故事里，别让人一眼就看出你是故意在展现自己的DHV（注：就是让人觉得你是在说个有趣的故事，而不是在自夸，但故事里却显示出DHV部分）。

" Most local stories are based on a larger theme," American storyteller Opalanga Pugh says," Cinderella, or the central idea of a good child protected by her goodness, appears in various forms in almost every culture of the world."

&大多数地方特色的故事都基于一个更大的主题&，美国说书人 Opalanga Pugh 说，&灰姑娘的故事，或者中心思想是善良的孩子被她的美德所庇护的故事都以不同的形式出现于世界的不同文化中。&

The story, which is based on director Shamim Sarif and producer Hanan Kattan's own relationship, follows the bashful budding writer as she encounters, falls for and then woos the gorgeous Tala, played by international sensation Lisa Ray.

这个故事，是由导演Shamim Sarif和制作人Hanan Kattan自己的故事改编而成，故事是由一个&含苞欲放&的新秀作家说起，遇上并且爱上了美丽的Tala，由国际知名人士Lisa Ray扮演。

You are the living reminders that adoptions are stories of celebration, stories of hope, and stories of love.

他说：你们是鲜活的例子，提醒我们收养是值得庆祝的故事，是希望的故事也是爱的故事。

At V-day in New Orleans we set up a tent where people came and told their stories, and we recorded them," Beals says."

在纽奥良的V-day中，我们设立了一个帐篷，人们进来说出自己的故事，而我们录下那些故事，&Beals说。&

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。