说故事

Sometimes I can be such a dolt,when she says something or writes something,I'll think it's about me.I'll put myself into the talk or article and playa role,whatever it's important.

有时候我觉得自己就是一个白痴，每次她说了或者写了些什么的时候，我总是认为是在说我，然后我就会把自己替换到故事里，无论是不是些鸡毛蒜皮的小事。

Now, I have a question for you, and I was referring to the Maori. It seems to me I remember a story about a man who had a fishhook. He threw the fishhook into the sea, he fished up an island, and that island was called the North Island of New Zealand. I said this in a lot of Maori words, and it took a long time. I turned it around, then, said, if you have nothing to teach the world, if there's nothing the Maori had ever done that the world should know about, and you don't care.

现在我要问各位，我记得有一个毛利族的故事，关於一个有鱼钩的人，他把鱼钩丢进海里，钓起一座岛，这座岛就是现在的纽西兰北岛，我在说的时候用了很多毛利字汇，所以花了很长时间；我说，如果你们没有东西可以和这个世界分享，如果毛利人的事迹，这个世界不需要知道，那麼，各位就把你们所有的东西都要回去吧！

Some paper, the Pall Mall Gazette I think, describing the dress-rehearsal of one of my plays, spoke of you as following me about like my shadow: the memory of our friendship is the shadow that walks with me here: that seems never to leave me: that wakes me up at night to tell me the same story over and over till its wearisome iteration makes all sleep abandon me till dawn[34a]: at dawn it begins again: it follows me into the prison-yard and makes me talk to myself as I tramp round: each detail that accompanied each dreadful moment I am forced to recall: there is nothing that happened in those ill-starred years that I cannot recreate in that chamber of the brain which is set apart for grief or for despair: every strained note of your voice, every twitch and gesture of your nervous hands, every bitter word, every poisonous phrase[34b] comes back to me: I remember the street or river down which we passed, the wall or woodland that surrounded us, at what figure on the dial stood the hands of the clock, which way went the wings of the wind, the shape and colour of the moon.

有份报纸，我想是《泼尔穆尔报》吧，报道了我一出戏的彩排，说你像影子似的跟随着我：对你我友谊的回忆，就是在这里随我左右的影子，像是永不分离似的——深夜里唤我醒来，一遍又一遍地说着同一个故事，直磨得人睡意全无，醒到天明[34a]；天明时分又开始了，跟着我到牢房外的院子里，害得我一边步履沉重地走着一边喃喃自语——我被迫回想着每一个痛苦时刻的每一点细节，在那些个倒霉的年头里发生的事，没有哪一件我不能在那留给悲伤和绝望的脑室里再造重演：你每一点不自然的话音，每一个紧张兮兮的手势，每一句冷言恶语[34b]，都涌上了心头；我记着我们到过的街道和河流，四周的墙壁和树林，时钟的针正指着哪一点，风正吹向哪一面，月色月影又是什么模样。

Japanese premier Sen Xilang talks not to pass brain, often missay word, times suffer media satiric, this makes he lost an election in the within an inch of in general election on June 25, what say here is dark the story that premier visits the United States.

导读：日本首相森喜郎说话从来不经过脑子，老是说错话，倍受媒体挖苦，这使他6月25日在大选中差点落选，这里说的是森首相访美的故事。大家都知道森首相的英文不灵光，去

This thesis makes comparison between Records of Yanstse and Zuo Zhuang, describes the novel features of Records of Yanstse from the perspective of art fabrication; Then compares it with the same tales in the works by Qin and Han dynasty scholars, and from the angle of novel skills the thesis shows that Records of Yantse is of more novelization, with an exploration on its writing features,...

本文将《晏子春秋》与《左传》作比较，主要从艺术虚构的角度说明了《晏子春秋》的小说特征；又将《晏子春秋》与秦汉诸子书中相同的故事作了比较，从小说技巧的角度说明了《晏子春秋》较之诸子更具小说性，本文还对《晏子春秋》的创作特色作了探讨，从而论证了《晏子春秋》是中国"前小说"时期的代表作之一。

Well, of course I said "yes," but told them that I couldn't really do anything significant with one-minute episodes--it's simply too short a time to tell a story.

哦，我当然说"好"了，但我告诉他们说，我真的没法用一分钟节目做出任何有意义的东西来——这时间太短，没办法讲出一个故事来。

And if a poet writes of the sufferings of Niobe --the subject of the tragedy in which these iambic verses occur--or of the house of Pelops , or of the Trojan war or on any similar theme, either we must not permit him to say that these are the works of God, or if they are of God, he must devise some explanation of them such as we are seeking; he must say that God did what was just and right, and they were the better for being punished; but that those who are punished are miserable, and that God is the author of their misery-- the poet is not to be permitted to say; though he may say that the wicked are miserable because they require to be punished, and are benefited by receiving punishment from God; but that God being good is the author of evil to any one is to be strenuously denied, and not to be said or sung or heard in verse or prose by any one whether old or young in any well-ordered commonwealth.

如果诗人去描写尼俄柏丧尽儿女令石头也流泪的悲痛——这些悲剧主题在诸如此类的抑扬格诗歌中随处可见——或者去描写佩罗普斯王族的父子相残，或者去描写特洛伊战争之类的主题，那么我们不能允许诗人说这些残暴故事都是神造的孽，就算跟神有关，那也应该解释清楚来龙去脉；他应该说明神帮扶正义和真理，而那些罪人的下场都是罪有应得；而不是去描写受到惩罚的人是如何如何的悲惨，神则是炮制这些悲惨的罪魁祸首——我们是不会让诗人这么去胡编乱造的；然而诗人可以去描写邪恶之人其所以都会其悲惨的结局是因为他们必须遭受惩罚，并因他们接受神的惩罚而使大家受益匪浅；说神代表着善却又是恶的帮凶会遭到所有人的极力反对，诗文中就再也不要去传播、歌唱或者道听途说地去宣扬这些恶事了，秩序井然的联邦中人民不论老少都不应该听到这些恶事。

Editor's note: A conte that sees accidentally lets me very suffer touch, a day, the woman asks a man, she asks why he is willing to help others, because help him others can feel very happy,he says, she says you help him others can get pleasure, that why do you want privative others to receive happy right?

编者按：无意间看到的一个小故事让我很受触动，一天，女人问男人，她问他为什么愿意帮助别人，他说因为帮助别人自己会感觉很快乐，她说你帮助别人自己可以得到快乐，那为什么你要剥夺别人得到快乐的权利呢？

Chen Huagang interview is the love and the couple's classmate Chen Huagang, as are the acquaintances, Meng Fei and easy evening to the north of the state after they are placed in Chen Huagang lived next door to the hotel during the day and no arrangement with a group of people on the go the shooting scene, the so-called entertainment, for they are no longer strangers, especially the arrival of so many people Meng Fei of the shock, rather like the Incognito Travel like a calm and low-key, clothing teacher holding a strange clothes to different sectors of the The actor put on, there are professional actors star guest cast extras, plus some foreign actors to help out, as well as a lot of mess of temporary workers, the whole scene very loud noise, a hair stylist for everyone busy finishing hair, comb End 1 let go to make-up artists that make-up, a short while the new shape on the pendulum in front of everybody, photographers tune the machine just waiting for the director gives the order ready to start shooting shortly after a small lens may be made of a big-name stars , recordist actor holding a microphone followed by Ins and Outs about non-stop rotation, maintaining order there are many on-site commander Hu He is also leader of even a small rise in addition to chain the producer co-ordination, etc., etc. Some people say that the continuity clerk It is a big dye vat, some people say that this is art, there do not know, and complex social stories, strange, space shuttle pro-Chen Huagang busy as other journalists came together in front of different actors to mention the 1000 all over the trivial issue, Yi Xi, and Meng Fei feel a little bored aside turn up in the surrounding crowd, emotional confusion has long cast of Cloud Nine, the two girls, again back to sunny days filled with happy mood bare a sweet smile!!!

陈华刚采访的是love和陈华刚夫妇的同班同学，因都是熟人，孟菲和易夕到北州后也被安排在陈华刚住的宾馆隔壁，白天没什么安排就随一群人去了拍摄现场，所谓的娱乐圈，对于她们已经不再陌生，特别是孟菲的到来让不少人为之一惊，仿似微服私访般平静和低调，服装老师拿着千奇百怪的衣裳给不同界别的演员换上，有专业演员明星特邀演员临时演员，加有国外的演员助阵，以及一大堆乱七八糟的临时工，整个场面相当吵闹喧哗，发型师忙碌的为大家整理发型，梳完一个就让去化妆师那化妆，不一会新的造型就摆在大家的面前，摄影师调着机器只等导演一声令下随时准备开机拍摄，小小的镜头也许不久后就造了一个大牌影星，录音师拿着话筒紧跟着演员前前后后左右不停转动，维持秩序的现场指挥者有很多甚至小小的领队也呼喝起来，除此之外锁链着监制统筹场记等等等等有人说它是一个大染缸，有人说这是艺术，还有就不知道了，错综复杂的社会故事，千奇百怪的时空穿梭，百忙之中陈华刚拥随着其它记者一起走到不同演员面前提着千遍一律的琐碎问题，易夕和孟菲觉得有些无聊抛开人群在周围转了起来，情感方面的困惑早就抛之九霄云外，两个女孩重又恢复到阳光灿烂的日子，满怀着快乐的心情露着甜蜜的笑！！！

I know you're lying to me somehow, and I know you left a lot out of that riveting little story of yours.

无论如何，我知道你在向我撒谎，我知道你说的这个关于对头的小故事还远没说完。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。