说对了

I noticed him when he was putting his gray hoodie on. I said Hi Hyun Joong and he said hi back to me!!

当他正把灰色帽子戴起来的时候我发现了他，我对他说：'hi， hyun joong"，他也对我说："HI

That's why I'm unable to say that they were wrong, but I would like to tell them from now on to not be so hot-headed

所以我不会对他们说你们错了，我只想对他们说以后不论做什么事别那么暴躁。

And when they were now departed out of the city, and had gone forward a little way; Joseph sendingfor the steward of his house, said: Arise, and pursue after the men: and when thou hast overtaken them, say to them: Why have you returned evil for good?

他们出了城，还不很远，若瑟就对他的管家说：「你起身去追赶那些人，追上他们，就对他们说：你们为什么以恶报善？

Some paper, the Pall Mall Gazette I think, describing the dress-rehearsal of one of my plays, spoke of you as following me about like my shadow: the memory of our friendship is the shadow that walks with me here: that seems never to leave me: that wakes me up at night to tell me the same story over and over till its wearisome iteration makes all sleep abandon me till dawn[34a]: at dawn it begins again: it follows me into the prison-yard and makes me talk to myself as I tramp round: each detail that accompanied each dreadful moment I am forced to recall: there is nothing that happened in those ill-starred years that I cannot recreate in that chamber of the brain which is set apart for grief or for despair: every strained note of your voice, every twitch and gesture of your nervous hands, every bitter word, every poisonous phrase[34b] comes back to me: I remember the street or river down which we passed, the wall or woodland that surrounded us, at what figure on the dial stood the hands of the clock, which way went the wings of the wind, the shape and colour of the moon.

有份报纸，我想是《泼尔穆尔报》吧，报道了我一出戏的彩排，说你像影子似的跟随着我：对你我友谊的回忆，就是在这里随我左右的影子，像是永不分离似的——深夜里唤我醒来，一遍又一遍地说着同一个故事，直磨得人睡意全无，醒到天明[34a]；天明时分又开始了，跟着我到牢房外的院子里，害得我一边步履沉重地走着一边喃喃自语——我被迫回想着每一个痛苦时刻的每一点细节，在那些个倒霉的年头里发生的事，没有哪一件我不能在那留给悲伤和绝望的脑室里再造重演：你每一点不自然的话音，每一个紧张兮兮的手势，每一句冷言恶语[34b]，都涌上了心头；我记着我们到过的街道和河流，四周的墙壁和树林，时钟的针正指着哪一点，风正吹向哪一面，月色月影又是什么模样。

Julien: When a man says no to champagne, he says no to life.

朱莉：当一个男人对香槟说不的时候，他也对生活说了不。

Looky here, see, my eyes are dry No tears when I said goodbye Know better than to ask me why (Don't even try) Cause I'm gone, so gone Pack your bags, boy, it's time to carry on I'm taking back all that's mine All of the years that I gave All of these tears that I waste I think it's time that I get on with my life Although I might be alone, I'm better on my own.

我以为我告诉过你这是我独立的一天我找到一个全新的生活即使我的心在渴望可我会一小步一小步变得更坚强回头看看我留下的知道这个决定是对的你说你会在我身边现在看来你完全都不在乎我真的不想再承受了这些年来我所付出的那些我浪费的眼泪我想是时候往前走即使我会孤单一人我自已会过得好没有你在这里我过的比好还要好没有男人就没有哭啼看这里吧我的眼晴是干的说再见的时候我并没有哭想还知道吧那问我吧(Don't even try)根本不要哭因为我已经走了已经走了收起你的包男孩是时候向前走我所讲的都是我的这些年来我所付出的那些我浪费的眼泪我想是时候往前走即使我会孤单一人我自已会过得好没有你在这里我过的比好还要好没有男人就没有哭啼这些年来我所付出的那些我浪费的眼泪我想是时候往前走即使我会孤单一人我自已会过得好没有你在这里我过的比好还要好没有男人就没有哭啼 OO

He will perhaps say that what justifies punishment is that it satisfies a popular demand and explain that it is good that it satisfies this demand because if it did not there would be disorder in society, disrespect for the law, or even lynching.

他可能会说，证明惩罚的正当性的是，它满足了大众的要求(甚至可能是对报复的要求)，并解释说，满足这种要求是善的，因为如果不这样，就会造成社会秩序的混乱、对法律的不尊重乃至私刑。

These familiar images together, however, provide an alienated experience through different time and space, for every image takes a certain sociological significance and breaks the limits of time and space, coexisting in one picture as a multivocal but contradictory image system.

之所以说它们是"镜像化"的，因为艺术家对每一种图像的选择都是"别有用心"的，都试图让图像承载某种社会学的意义；之所以说着是一种陌生化的都市体验，是因为这些图像穿越了时空的界限、抹平了时间的印记，共同充斥在同一个空间中，形成了一个多义的、矛盾的画面图像系统。

This thesis makes comparison between Records of Yanstse and Zuo Zhuang, describes the novel features of Records of Yanstse from the perspective of art fabrication; Then compares it with the same tales in the works by Qin and Han dynasty scholars, and from the angle of novel skills the thesis shows that Records of Yantse is of more novelization, with an exploration on its writing features,...

本文将《晏子春秋》与《左传》作比较，主要从艺术虚构的角度说明了《晏子春秋》的小说特征；又将《晏子春秋》与秦汉诸子书中相同的故事作了比较，从小说技巧的角度说明了《晏子春秋》较之诸子更具小说性，本文还对《晏子春秋》的创作特色作了探讨，从而论证了《晏子春秋》是中国"前小说"时期的代表作之一。

It's so interesting that made me want to try it too.except for the interested thing in the class,she also told me that she met a really gentlemanly boy.the boy told her what he lover experienced in his senior high school day.and yan said she was so move about the boy's story because of the plangent polt.

说得很有趣事我也想试试了她除了给我讲课上有趣的事外，还对我说她见到了一个很有绅士风度的男孩儿，此男孩儿给她讲了他的高中感情经历。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。