说到

When the local people spoke about the years of one hundred, all of them appeared an especially mystery and exclamatory expression.

当地人说到100年的时候，很神秘惊叹的表情。

Fool is one to exorcise demons added: I still do not play a timid ghost I fear?

傻子一听又是打鬼又说到：＂我还是不去了要打鬼我胆小怕？

The only explicit reference to the rancour that had tinged so many of their exchanges came when Mrs Clinton referred to their "spirited dialogue" on the campaign trail –"that was the nicest way I could think of phrasing it," she added.

唯一正面提到那段让人感到不愉快的往事的是克林顿夫人将他们之间的唇枪舌剑称为"富有激情的对话"。"这是我能想到的最合适的词汇。"她补充说到。

We usually say the concept of the district, only three types: primary partition, extended partition and logical partition.

我们平时说到的分区概念，不外乎三种：主分区、扩展分区和逻辑分区。

Mr Obama said (the spread of nuclear weapons could lead to extermination of any city on the planet).

奥巴马先生还说到：核武器的蔓延必然会导致这个星球上的任何一个城市灭亡。

Speaks of here, she self-ridiculed that has smiled, in the eye socket actually gushed out the tear.

说到这里，她自嘲地笑了一下，眼眶里却涌出了眼泪。

Bryant raised an eyebrow, and insisted,"I'm happy right now."

科比扬了扬眉，坚定的说到，"我现在很高兴。"

Almost auto enthusiasts know well what prosodic fabulousness Maserati is quite habitual to offer, and there are only a few vehicles that can compete its Gran Turismo when it comes to beauty of a vehicle.

几乎和汽车爱好者知道什么韵律fabulousness玛莎拉蒂很惯常提供，并且只有少数车辆可以竞争其赛车说到美容的车辆。

Almost auto enthusiasts know well what prosodic fabulousness Maserati is quite habitual to offer and there are only a few vehicles that can compete its Gran Turismo when it comes to beauty of a vehicle.

几乎和汽车爱好者知道什么韵律fabulousness玛莎拉蒂很惯常提供，并且只有少数车辆能够合做其赛车说到美容的车辆。

"Don't worry," Lunk said, I'm not about to let you fade.

"别担心，"伦克说到，"我不会让你消失的。"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。