说到...

You got a point - a real hippy wouldn't wear expensive flip-flops.

你说到重点了─一个真正的嬉皮是不会穿昂贵的夹脚拖鞋的。

You've hit the nail on the head .

你说到点子上了。

Ah, now you've hit the nail on the head.

啊，你说到重点了。

Molly: You hit the nail on the head.

戈登：你说到了我的痛处。

You hit the right nail on the head!

你说到点子上了。

You pretty much hit the nail right on the head.

实际上你马上就说到点子上了。

Hodgson went on to say that it is still far too early in the season to be able to predict who will win it.

霍奇森接着说到，预测谁将于本赛季赢得胜利还为时过早。

Hogg said:" dangerous, you saw ",because there emerged accident anytime.

霍格说到："危险，你看，因为随时都可能出事。"

But that is just to affirm a law-governed order (which constitutes a form of causality for Kant) holding within the objectual domain wherever we are entitled to talk of experiencing events.

但是，这仅仅是肯定了'支配律'的时序（——对kant来说这构成了因果性的一个形式）在客体性区域内支持我们无论如何有权说到'对事件的经验'。

We have a terrific road record. I'm not pleased with our home record at all.

他说到。"我们的客场战绩令对手很恐怖，但我对我们的主场战绩一点都不满意。"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。